Alright, i just got my geddy lee and now im at the dillema of how to go about actually learning to play. I'm interested in playing fingerstyle and slap bass and am wondering if i should take lessons and learn to read music and such, or if i should just self teach and learn to play by ear. I was watching some videos and billy sheehan says that he doesn't really know all of the music theory to bass, but then i watch victor wooten, whos plays the style im more interested in, and it seems to me that he knows the bass and music theory inside out. Also, what are some players who play mostly by ear? And it seems to me that going to lessons would be the fastest way to learn, and then knowing that stuff will make it easier for me to teach myself suff later, am i right in thinking that? I'm not really sure how to go about teaching myself, so im kinda leaning towards lessons right now. Sorry for making you read all this, dont know if it makes sense, but thanks for any help.

Learn to read music. Get a teacher. Learn to play by ear. Learn music theory.

Get as much as you can. Never limit yourself. Learn all styles. Try to do everything that the bass can do.

A bad day playing bass is better than anything the world of retail sales employment can offer.
Playing the worst music is better than a paycheck from McDonalds.

What would you rather say, "What key is that in" or "Do you want to super-size that?"

Do everything that you can think to do with music.

Learn to read music. Get a teacher. Learn to play by ear. Learn music theory.


+1

Knowing music theory, being able to read music, and being able to recognize pitches helps you with any instrument. A teacher will help you develop a good technique.

Alright, i just got my geddy lee and now im at the dillema of how to go about actually learning to play. I'm interested in playing fingerstyle and slap bass and am wondering if i should take lessons and learn to read music and such, or if i should just self teach and learn to play by ear. I was watching some videos and billy sheehan says that he doesn't really know all of the music theory to bass, but then i watch victor wooten, whos plays the style im more interested in, and it seems to me that he knows the bass and music theory inside out. Also, what are some players who play mostly by ear? And it seems to me that going to lessons would be the fastest way to learn, and then knowing that stuff will make it easier for me to teach myself suff later, am i right in thinking that? I'm not really sure how to go about teaching myself, so im kinda leaning towards lessons right now. Sorry for making you read all this, dont know if it makes sense, but thanks for any help.

Well, no flame intended, but you're kinda creating a false opposition where there doesn't need to be one. You're asking, should I learn to read or learn to play by ear, as if you had to pick one. You don't have to choose. You can do BOTH. There's no earthly reason why you can't learn to both read well and be able to play well by ear, and there are a number of good reasons why you can benefit from doing so. It's like asking, should I learn to read written Spanish, or should I learn to understand spoken Spanish. There's no need to choose between the two.

READ READ READ READ READ.

clear?! :)

Yep, try everything. There's a lot of knowledge out there. Get as much of all of it as you can, even if it isn't your favorite style of music or your favorite stuff to learn.

Go WILD.

Do everything.

I like finding advice by reading others post XD.
I, also, just bought my bass, and need too learn as well.

Yupp.

You will do much better for yourself to get a teacher and learn to read. There is absolutely no downside to doing it. (Except the cost - but even if you just get started, you'll be better off!)

Reading and developing your ear are the most important things you can do for yourself as a musician. Reading is how musicians communicate and document what they do. It is also easier to learn from the beginning than later. Also if you think your going to be teach yourself a lot, being able to read makes a lot of materials available to you. Also don't fall for the BS that reading and learning theory limits what you play.

I would say check out the book "Simplified Sight-Reading for Bass" by Josquin des Pres. I starts very simple and has a practice CD that make learning on your own easy.

Also work on your ear from the beginning. Sing everything you learn, scales, bass lines, everything you play. This helps you get to being able to play anything you hear in your head. Also transcribe as much as you can. Not only will you be learning bass lines and songs you like, but it also helps develop your ear and being able to play what you hear.

Don' forget to have fun either.

I never understand why some people who apparently value being able to read language seem to regard reading music as unnecessary or unimportant. I'm pleased to read the posts in this thread so far seem to place a high value on reading music. You're never going to be a complete musician without it.

Or to put it more simply.... if you can't read, you can't read. The End.

I recommend learning to read notes and notation. A lot can be accomplished with Just a few minutes a day. Just like anything, The only way to get better is to keep on doing it. Also playing by ear, ear training and playing other styles can only make you a better musician.

when you learn theroy and learn to read music, you will then know how to play by ear

Do everything.
I read this phrase on TalkBass a long time ago -- about this same subject, actually.

"You should never ask if it's okay not to learn something."

Go for the lessons, dude. You'll be grateful sooner or later -- probably sooner!

you need to learn to read, and you need to develop your ear.


as far as reading is concerned, you have to ask yourself "what style of music will i most likely be interested in?". if you think you will be heading down the jazz(and other genre) path, then it will be most important that you can read and improvise over chord charts. these can either be lead sheets or just chord charts. it is quite rare that a bass line is notated in standard notation.

that being said, it is still important to eventually read standard notation. you might find yourself playing jingles or session work where the music may be notated out.

your ear is one of the most important assets you have. you need to be able to jam with musicians, or to translate the bassline thats in your head onto the fretboard. you need to harmonise, you need to hear chord changes, you need to hear patterns.

theory is the foundation everything is built on. why is a minor chord a minor chord? why is a dimished chord a dimished chord? why do the root notes and their corresponding modes imply different emotions? this is all theory, and is the cornerstone of being a musician. many self taught musicians claim they don't know any theory, but they still manage to construct basslines and play in key. that's because they've discovered some of the theory.

to be honest, the theory is not the hard part. its making the theory sound musical that is difficult.

If you're just starting out, the best thing you can do to ease yourself into the path is to get yourself a GOOD teacher. Learning on your own can be a long and frustrating method of instruction except for the very few, truly gifted people in the world.

I'd also recommed learning to read standard notation, but that is best accomplished with hours of practice on your own. It'll only make things easier as you progress to know how to read.

Best of luck and have fun!!

I don't think anyone was ever held back cause they could read :p

TABZZZ DUDE!!!!!

:D

TABZZZ DUDE!!!!!

:D

And then Jesus Christ shot himself in the foot.

Happy Easter!

when i showed up for my first bass lesson and the teacher realized that i was not self taught (i knew nothing!) the smile on his face was unvelievable. he was so used to spending six months with every student, undoing years of ridiculous habbits. you have a great opportunity. take it!

Reading is fundamental and reading bass clef is incredibly easy. Two weeks of practice and you're good for life. Get any Mel Bay Bass book, do what it says and you'll be reading notes as fast as letters---and this is way better than tabs because if you ever match the notes on sheet music with the tabs you find on Bassmasta, you quickly realize that most of the tab posters can't read---and, apparently, most of them can't hear either.

Reading is fundamental and reading bass clef is incredibly easy. Two weeks of practice and you're good for life.

Wow - to think of all the time I've wasted.....


Contrary to predmachine's advise, you need to practice reading for the rest of your life - to read at a professional level opens many, many doors to you as a musician. Doors that will remain shut if you don't read. Or even if you don't read well.

No one ever got hired for what they couldn't do...

You don't have to tell anyone you can read - it's our secret...

Ian

Everything that has been said above is true. That is fact, what follows is opinion:

The two most important skills a musician can have are being able to play by ear and being able to read music. When I was young I found it very annoying that, while I could read music, I couldn't play annything that I actually liked. I would advise that you get a teacher who will teach you things that you like, followed by how to read it and the theory behind it. As has beed said above, all ellements are essencial, but if you're not having fun playing then you'll just give up and take up tennis or something.

All the best.

Reading is fundamental and reading bass clef is incredibly easy. Two weeks of practice and you're good for life.

:eek: TWO WEEKS!! :eyebrow: wow I've been sight reading for a living for the past 10 years and I still come across scores which trip me up.

Seriously though you can make a decent living playing in a pro cover band and not have to read a single line of music (learn the song off the cd/mp3 and play it back "parrott fashion") but if you want to say get into the session work or the pro "show" scene (cats, riverdance, phantom of the opera, cirque du soleil etc) YOU NEED TO BE ABLE TO READ. I've done more shows where the musical director changed the score during the interval :crying: ...so you'd better be able to sight read.

Also as others have stated if you can read music your value as a musician rises considerably (both in terms of cash and kudos), if you apply for a job as say a graphic designer your expected to know how to use the relevant software like photoshop/illustrator etc., if your hired as a professional musician your expected to be able to read music simple as that.

two weeks! someone's seriously talented hey! :)

Murf, have you played for Cirque de Soleil? Was looking at them for opportunities a bit ago....

two weeks! someone's seriously talented hey! :)

Murf, have you played for Cirque de Soleil? Was looking at them for opportunities a bit ago....

Not yet, (but a drummer duddy of mine played on the Japanese show) I have too much on this year to commit to a 6 month show I'd love to do it some day though. here's the link for info.

http://www.cirquedusoleil.com/CirqueDuSoleil/en/jobs/onstage/specialities/musician/default.htm