UtterChurl
01-30-2007, 07:14 PM
Hello!
I have a nude jazz bass ('68 neck on an ash body of indeterminate origin - definitely NOT a stock '68 body and probably just aftermarket). The neck has plenty of finish left and is not the issue.
The body was just never finished, I'm guessing. I've had the bass about a year, and don't know it's true history. Just trying to "read" the weathering of the wood, I'd guess it could have been like this for 10-15 years. For example, it has a ridged feel in places because the dark and light rings in the grain have dried out to different degrees.
I love the sound of the bass (excellent sustain even with a lightweight stock-style bridge!) and the look of the wood, but wonder what I risk by leaving it exposed to the air and years?
And if a finish is really indicated, are there significant sonic differences (sustain damping is what I'd worry about) to my various options?
thanks! tim in chicago . . .
I have a nude jazz bass ('68 neck on an ash body of indeterminate origin - definitely NOT a stock '68 body and probably just aftermarket). The neck has plenty of finish left and is not the issue.
The body was just never finished, I'm guessing. I've had the bass about a year, and don't know it's true history. Just trying to "read" the weathering of the wood, I'd guess it could have been like this for 10-15 years. For example, it has a ridged feel in places because the dark and light rings in the grain have dried out to different degrees.
I love the sound of the bass (excellent sustain even with a lightweight stock-style bridge!) and the look of the wood, but wonder what I risk by leaving it exposed to the air and years?
And if a finish is really indicated, are there significant sonic differences (sustain damping is what I'd worry about) to my various options?
thanks! tim in chicago . . .