bman
11-10-2001, 06:17 PM
I've read through a lot of the slap threads, but I'm curious what you think...
I've recently committed myself to learning a little slap. I used to mess around a little and slap by bouncing my hand off the string. Sounded fine.
After working on "Classical Thump" for a while, I watched a Victor Wooten video where he teaches a different technique where you slap THROUGH the string and let your thumb rest on the next string down. I've seen it discussed here plenty. My question is this: It's easier to bounce. Is it worth working on the new technique?
It's a little harder, (possibly because it's a totally new thing for me) but I get a much clearer and bell-like slap if I just bounce instead of slapping through.
However, I can see that if I really work at slapping through the string, it'll allow for double thumb technique.
Even when my technique is fairly clean, I get a different tone from the two styles.
How do you do it? Is bouncing actually a simpler yet less effective way of doing it?
Does anyone use both techniques - alternating when each suits the piece?
I've recently committed myself to learning a little slap. I used to mess around a little and slap by bouncing my hand off the string. Sounded fine.
After working on "Classical Thump" for a while, I watched a Victor Wooten video where he teaches a different technique where you slap THROUGH the string and let your thumb rest on the next string down. I've seen it discussed here plenty. My question is this: It's easier to bounce. Is it worth working on the new technique?
It's a little harder, (possibly because it's a totally new thing for me) but I get a much clearer and bell-like slap if I just bounce instead of slapping through.
However, I can see that if I really work at slapping through the string, it'll allow for double thumb technique.
Even when my technique is fairly clean, I get a different tone from the two styles.
How do you do it? Is bouncing actually a simpler yet less effective way of doing it?
Does anyone use both techniques - alternating when each suits the piece?