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Basses [DB] Discussion on the instrument: double bass, string bass, contrabass, bass viol, acoustic bass, upright bass, standup bass, bass fiddle, bass violin, doghouse bass, bull fiddle... :)


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  #21  
Old 12-07-2003, 04:39 PM
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Join Date: Dec 2003
Location: Los Angeles, CA
back in the Saddle again

Thanks, guys,

I knew I was in trouble when I started using technical terms...like "bass."
Yes, in spite of my error, you've figured out what part of the neck I mean, and yes, it's that curve the thumb goes to when it slides up the neck to find the "D" spot.

This Czech bass in Prague has a "D" neck. I just wonder whether there's a problem having so little (compared to the usual) height-above-the-shoulder of this curved-section-of-neck.

Intuitively, one wonders whether the neck is thus insufficiently locked into the [neck receptacle term needed here].

I'm tempted to go for it (extremely insured for shipment, of course). I need bigger sound than I'm getting, and I don't want it to come from an amp, entirely. My Walter Woods/Raezer cabinet combo should be adequate, no?

Thanks,
Richard
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  #22  
Old 12-07-2003, 06:14 PM
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Join Date: Dec 1999
Location: Ridgewood, NJ
Re: back in the Saddle again

Quote:
Originally posted by Richard Simon
My Walter Woods/Raezer cabinet combo should be adequate, no?

Thanks,
Richard
Yes, in the same way that Red Mitchell was "adequate".
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  #23  
Old 12-08-2003, 04:48 AM
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Join Date: Aug 2003
Location: Denver, Co.
Re: back in the Saddle again

Quote:
Originally posted by Richard Simon


Intuitively, one wonders whether the neck is thus insufficiently locked into the [neck receptacle term needed here]. Richard
Neck block. Ya know, Richard, If you really dig this bass, I think you should go for it. When I bought my Bohmann, (take a look at it on this (basses) part of TB-The
Talkbasses by John Sprague. Besides, having 5 strings, low B, it has these double shoulders that effect that very same area you're talking about. I was able to overcome that problem, and also had to change all my thumb position playing too.
NOBODY has welcomed you to TB! Welcome!! I just noticed you're new. You'll love it here man. All kinds of great people...players and luthiers alike. So, if you're not sure on this bass, check out OUR luthiers stuff. Just look around and you'll be impressed!
Is this bass you're thinking about big money? Again, I wouldn't let that little problem with the neck get in my way.
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Oh, no.....have we gone OT yet again?
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  #24  
Old 12-08-2003, 09:10 AM
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Join Date: Dec 2003
Location: Los Angeles, CA
thank you, Paul et al

Brother (and silent sister) bassists:
Thanks for your instant acceptance into this forum. It's gratifying to find a new place to Talk Shop.
Thanks in part to your supportive comments, I think I'll go ahead and grab this bass...and keep you informed of my Prague-ress with it.

Meanwhile, unless I'm violating the etiquette of this space, a few of you might be interested in my Morelli, 1920s vintage.

42 5/8 string length, 20 14/16 upper and 25 lower bouts

You'd want a mirror and a light to ascertain the character of several repairs to cracks on the top.

She bows beautifully. Asking $9,500.

Will post pictures on request.

Richard
  #25  
Old 12-08-2003, 09:15 AM
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Join Date: Nov 2001
Location: Maui
Richard...welcome to TalkBass!
For those of you who might not know him, Richard Simon is the Real Deal. Listen to him when he speaketh. He very kindly turned me on to several of his recordings on a visit to Maui a few years ago. Some great titles; a redo of "In a Mellow Tone" called "Melatonin", and another called "Ray Brown Your Head". One of the good guys.
  #26  
Old 12-08-2003, 04:48 PM
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Join Date: Aug 2003
Location: Niether here nor there.
Re: thank you, Paul et al

Quote:
Originally posted by RICHARD (w/English accent:well, you know my name is) SIMON, (and I lawike to do drawrings)
Meanwhile, unless I'm violating the etiquette of this space, a few of you might be interested in my Morelli, 1920s vintage
Welcome, indeed...I don't know, maybe technically a violation, but you'll certainly get more traffic if you put a post in the Classified section at the bottom of the DB forums.

I've only been into this site 4 months, but the amount of information here is staggering. I've learned so much, I doubt there is any one source as valuable as TB/DB. And it's entertaining. I'm thinking about giving up television!

Anyway, feel free to share your knowledge and experience on any topic, as there are many (myself included) who could benefit from it.

Tom
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Last edited by T-Bal : 12-08-2003 at 04:53 PM.
  #27  
Old 12-08-2003, 05:18 PM
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Join Date: Aug 2003
Location: Denver, Co.
Re: thank you, Paul et al

Quote:
Originally posted by Richard Simon

Meanwhile, unless I'm violating the etiquette of this space, a few of you might be interested in my Morelli, 1920s vintage.
Richard
Now you've done it man! I was just getting ready to put MY Morelli in classifieds!
I'll bet mine sounds/looks sounds better, and costs more than yours! Anyway mine is a great Jazz bass as well! You know i'm joking!
__________________
Oh, no.....have we gone OT yet again?
"The opportunity was there...but it never presented itself." Phil Urso, 1980. :atoz:
  #28  
Old 12-12-2003, 02:06 PM
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Join Date: Sep 2003
Location: Albany, NY
Hi folks-
I should have some pictures of the bass soon. Meanwhile, I recently discovered a great bass maker in the area who makes custom carved double basses for around 5-6 K. What would be the best wood for the bass? I figured on Spruce Top with maple back and sides. I played one that he made, and it sounded and played great....full of rich overtones. Now I'm torn between basses. I figure the 1880 bohemian is a better investment, plus it has that great tone of an aged carved instrument. On the other hand, I figure the new bass would eventually mellow a bit and rise in value. It would also save me 4-5 K which I could use to pay rent, electric, heat..etc.
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