| I draw the line quite simply with these two rules, applying to any hand made instrument. One, if you think you can do a better job of varnishing than a given maker, make your own, 'better' instrument, then varnish that to prove your skills. Two, if an instrument has been attacked by someone intent on removing/replacing the finish and by this effort they've ruined the original varnish, then sure, clean it off, repair what needs repairing, and varnish away! Of course if you're like most people, even most luthiers, the varnish will range from outright awful to somewhat tolerable.
Of course if yours is a bass mass produced, and there are thousands of equally bad basses identical to it, whatever, do whatever you want to do to it. The odds are distinctly against most people getting the job right of course, and I have seen many, many disasters to prove this point, but really, what does it matter? The best job I have seen was with a very badly beaten up Kay, the original varnish being almost gone through both accidental and deliberate abuse. The new owner lovingly sanded and scraped just barely to the veneer, then primed with a clear coat of a durable but flexible flooring varnish, then used several coats of a red-brown version of the same varnish. The result was not in the classic sense 'beautiful' - no one is ever going to mistake it for the work of an Italian master - but it's an old Kay and was probably doomed to further abuses if left looking so bad as it was. In that case the fellow spent a great many hours and put a lot of care into it, and the job came out alright. It's now a working bass and the owner is very happy with it. But that's an exception. So many re-varnished instruments come out exactly as you described with the German fiddle, and so it goes with most any antique. Would one sand off the finish and re-blue an antique Colt 45? What about sanding down and re-spraying an old Jaguar or Rolls? Any removal and 'replacement' of the original finish is an inherently devaluing effort, regardless of the sort of antique. One might as well touch up a Van Gogh. |