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07-21-2011, 09:07 PM
|  | Registered User | | Join Date: May 2007 Location: Erie, PA | | | How do you tell if a bass is blockless? I've been at a couple shops looking at basses, mainly late 19th century German, tyrolean and Romanian basses and i've noticed some referred to as blockless wonders. I know obviousely this means it doesn't have a neck block which can cause a lot of problems but how can you tell by looking at the outside of a bass whether it is blockless or not? I always assumed you look at the side and if the neck is cut into the body then there is a block but if it looks like it's just sitting inthe body it's blockless, is this right?
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07-21-2011, 10:33 PM
| | Registered User | | Join Date: Jul 2010 Location: Keswick, Ont. Canada | | | One way to tell is simply by knocking on the sides and back where a block would normally be. If there is a block, it would certainly be denser sounding there. The best way would be to position the bass in such a way that you could see through the f-hole up to the neck socket.
I owned a blockless Bohemian and really liked it. It was lighter and very responsive. A blockless bass doesn't necessarily indicate inferior quality. My teacher's Panormo was blockless and everyone knows what sort of quality we are dealing with such an instrument. | 
07-21-2011, 10:34 PM
|  | Supporting Member Luthier: Bresque Basses, rep: Paulin EUB | | Join Date: Aug 2002 Location: Sydney, Australia | | | The best and most sure way is to look inside the FF hole with a torch. Pretty easy to see if there's a block or not, even without a mirror.
Also, if the ribs are cut into a slot in the neck itself, it's probably blockless.
Last edited by Matthew Tucker : 07-21-2011 at 10:36 PM.
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07-21-2011, 11:06 PM
| | Registered User | | Join Date: Jul 2010 Location: Sydney Australia | | | One of the best basses I have heard was a little Blockless bass it had a really focused sound.
And as Mathew said the ribs sometimes join into the neck. | 
07-22-2011, 07:47 AM
|  | Registered User | | Join Date: May 2007 Location: Erie, PA | | | What do you mean by joining into the neck?
__________________ Quote: |
"Music can name the unnameable and communicate the unknowable." L. Bernstein
| Shen Owner's Club #2, Gibson Club #213
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07-22-2011, 08:16 AM
|  | Supporting Member Luthier: Bresque Basses, rep: Paulin EUB | | Join Date: Aug 2002 Location: Sydney, Australia | | | there is a slot cut into the sides of the neck and the ribs are glued into the slot. | 
07-22-2011, 09:03 AM
|  | Journeyman Clam Artist Moderator | | Join Date: Nov 2002 Location: Winnipeg, baby | | Quote:
Originally Posted by Matthew Tucker The best and most sure way is to look inside the FF hole with a torch. | This might be a good time to remind folks that "torch" is AussieBritSpeak for "flashlight". Safety first, kids: no fires inside the bass!
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07-22-2011, 10:37 AM
| | Registered User | | Join Date: Nov 2010 Location: San Francisco, CA | | "...The best and most sure way is to look inside the FF hole with a torch..." OK, I've got the torch, now what do I do?
Last edited by tstone : 07-22-2011 at 11:01 AM.
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07-22-2011, 12:14 PM
|  | Registered User | | Join Date: May 2007 Location: Erie, PA | |  So if the neck is cut into the ribs, it has a block, correct?
__________________ Quote: |
"Music can name the unnameable and communicate the unknowable." L. Bernstein
| Shen Owner's Club #2, Gibson Club #213
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07-22-2011, 03:22 PM
| | Registered User | | Join Date: Sep 2004 Location: Maple Valley, WA | | | Umm...there is also something called the end block. It is located where the endpin fits into the bass inside the bass.
Could they be referring to that? I've heard that end blocks, especially in the Italian school of luthiery where they are made extra big, darken the sound by strengthening the node where the ribs join at the bottom of the instrument.
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