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Basses [DB] Discussion on the instrument: double bass, string bass, contrabass, bass viol, acoustic bass, upright bass, standup bass, bass fiddle, bass violin, doghouse bass, bull fiddle... :)


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  #21  
Old 08-26-2006, 01:14 PM
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Join Date: Apr 2005
Location: Kansas City area
Quote:
Originally Posted by Don Higdon
Let's be sensitive when we consider doing polish jokes.
Boy, do you know how to kill a party.................
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  #22  
Old 08-27-2006, 12:27 AM
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Join Date: May 2006
Location: Toronto
Quote:
Originally Posted by KSB - Ken Smith
Well, after over 40 years with Basses it's kinda like extended limbs for me. I have Arms, legs, hands, Bridge, FB, Bow, neck.. you know..

I don't work here but I do enjoy being here. Even with some of the heated or boiled discussions, it helps to keep the blood flowing in my veins.

I have learned more about double basses from your heated discussions than most people could in college You are an encyclepedia of bass, and good thing.
  #23  
Old 08-27-2006, 01:02 AM
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Join Date: Jan 2006
Location: Chattanooga Tennessee
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I have a hankerchief with my bass at all times to wipe strings and fingerboard and everything else. No polish here.
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" Practice doesn't make perfect. Perfect practice makes for a good performance" David Creel (Chattanooga Symphony Violinist)

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Originally Posted by Snakewood
Hell man, we're bass players, I wouldn't trade this for anything.
  #24  
Old 08-27-2006, 01:08 PM
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Join Date: Apr 2005
Location: Kansas City area
Quote:
Originally Posted by KSB - Ken Smith
Some experts agree that it's healthy to argue as it gets the Blood flowing better. The problem is that some don't know when to stop when the Blood starts boiling over!

I enjoy either stating fact or experience but there are some that just want to Tamato my Tomatoe so usually we just end saying "Let's call the whole thing off" but for some, that's still not enough... lol..
There is may be some weight in the 'Louie and Ella' positions and one or the other may carry the day in a debate, but it's best to often agree to disagree. We need to concentrate on the things that unite us.

Marshmallows and campfires now.........
  #25  
Old 08-27-2006, 06:34 PM
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Location: Chattanooga Tennessee
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Quote:
Originally Posted by KSB - Ken Smith
That's funny. I have one too right next to me for my Loveri. When I brought it home to use as my practice Bass I forgot to bring a cloth with it. I grabbed an old 'hankey' (as we used to call them when I was a kid) and wiped my strings down with it. It does a good job of it too.

Also, keep it with the Bass for those days when you audition and they say "thank you, we'll get back to you later". Then you will need something to cry into if your hopes were too high...just kidding..
HAHAHAHA
__________________
" Practice doesn't make perfect. Perfect practice makes for a good performance" David Creel (Chattanooga Symphony Violinist)

Quote:
Originally Posted by Snakewood
Hell man, we're bass players, I wouldn't trade this for anything.
  #26  
Old 08-31-2006, 10:13 AM
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Join Date: Aug 2004
Location: Atlanta, GA USA
Some of the less expensive finishes on newer DBs (like mine) are nitrocellulose lacquer. I've found that Gibson's pump action guitar polish formula is fantastic for preserving this type of finish. It actually has a touch of lacquer in the polish so it reduces the very light scratches and finish cracks and removes the fingerprints. It also makes the finish somewhat rosin resistant. Like Ken said, it's not something you want to let soak into a crack in the wood (to be distinguished from the light crazing that eventually appears in aging nitrocellulose finishes).

For getting the heavy gunk off the FB, I use Formby's furniture cleaner on a piece of new rough cotton canvas, but I am careful not to get that on my strings. I don't know that it would hurt them, but it is made for cleaning wood so I keep it on the wood. After that I put some lemon oil (Also Formby's) on the FB. Definitely keep any oil away from the strings where you bow them or you will have a very hard time getting the friction back. Any organic (alcohols, etc.) solvent is going to evaporate some of the oil in the wood, so like uncle Paul says, put that back with lemon oil.

Powerchord "Skank" Remover (hey, that's what is says on the bottle) gets that stuff off the neck handle without strong solvents.

There is a very good metal string cleaner made by Dunlop that you can get from most guitar shops. Of course if you use gut strings, you need to use something different and there are various discussions about that under "Strings".

Petz makes a rosin remover that works almost as well as their rosin. If there's little glop pimples all over your bass from using soft sticky rosin, you can safely get it off with the rosin remover. Use a dry hard cloth to wipe rosin powder off the strings.

Greasing your tuning machines (you probably only need to do this once in ten years) will make them work smoother and last longer. Bicycle bearing grease is what I used.

I know this thread is primarily about cleaning, but proper care should also include a padded bag, a sturdy bass stand, and a room humidifier for the dry days. Also I've found it a good idea to get about an acre between me and the drummer's hardware.

There was a great article on David Gage's site that explained all the safe ways to move and transport a DB, but I couldn't find the link. Do not use the f-holes as "handles". The best lifting points are at the C bouts and the neck heel. Avoid sliding the bass even on carpet, as you can rope burn the varnish off pretty quickly. Also resist the temptation to let people "help you with that" when you are carrying the bass. I've found that a second person in the operation usually just throws me off balance and makes it trickier to carry. Also those not used to moving it don't know to watch the scroll around the low doorways. Also avoid rehearsing in basement studios that have low hanging duct work and plumbing.
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