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Basses [DB] Discussion on the instrument: double bass, string bass, contrabass, bass viol, acoustic bass, upright bass, standup bass, bass fiddle, bass violin, doghouse bass, bull fiddle... :)


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  #21  
Old 03-26-2009, 08:31 AM
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Originally Posted by Jason Sypher View Post
One thing is sure. I'm ready for something else.
A key statement.
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Famous last words: And with that- Im gone. You will probably read in the paper soon about a deranged kid who burns his bass in front of a luthier.
  #22  
Old 03-26-2009, 09:26 AM
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Join Date: Jan 2001
Location: Brooklyn, NY
Keeping both basses is absolutely impossible. Reality check!
  #23  
Old 03-26-2009, 12:57 PM
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Originally Posted by Ken McKay View Post
... By the way, I hope to hear you play some time, the way you describe yourself sounds extremely interesting.
Here you go Ken...

http://www.myspace.com/jasonsypher

That's great stuff Jason! I would do well to play the tunes you do arco on my fiddle with that rhythm and drive and can only imagine what it takes to do it on DB. Hopefully by the time I approach your abilities, assuming I even have that potential, I'll have my own style. For now I'm getting a lot of inspiration from yours.
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  #24  
Old 03-27-2009, 03:26 PM
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Here's the little lady, my apologies to Ireland

http://files.me.com/bassnote/vzrom4.mov

Hope this works....unadorned, unedited (obviously), cheap usb mic direct....
  #25  
Old 03-27-2009, 09:52 PM
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Man, that's a great sounding bass Jason - kinda sounds like your 'voice' to me...
  #26  
Old 03-28-2009, 05:51 AM
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Very interesting playing Jason, I enjoyed it. That is what I was expecting from your description.

Your bass sounds nice and dark and the response is fast as your playing. Keep up the good work.
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  #27  
Old 03-28-2009, 05:54 AM
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I put Green on my ipod, thanks.
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  #28  
Old 03-28-2009, 07:20 AM
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Took the bass to a rehearsal for a one-off gig of early jazz and blues, Blind Lemon Jefferson, Big Bill Broonzy etc. I was really curious to see how it would work in that setting, it's such a sophisticated little thing. That music really works best with a kind of plunky-staccato-deadish kind of note mixed with percussive slaps and jugstyle bowing, not exactly what the maker had in mind when carving the top I'm sure. But you know, it worked great. I had never met any of the players before and, after one tune said, "That it the best sounding bass I have ever heard, it's so clear!" It was nice to see it perform well in such a setting. I still have to go visit Ken and see his basses but his stable has some tough competition in this little Milanese beauty.
  #29  
Old 03-28-2009, 08:43 AM
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Originally Posted by Ken McKay View Post
I put Green on my ipod, thanks.
It's actually called "The Green Groves of Erin". My version is loosely based on the Bothy Band recording "1975". Edgar, Yo Yo and Mark O'Conner also did a pristine version on Appalachian Journey with a more classical bent.
  #30  
Old 03-29-2009, 06:29 PM
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Location: Tucson, AZ
As a rule I don't get too hung up over resale potential . . . I buy to play, not to resell. This only works, of course, when you buy an instrument that suits you well. The verbiage you use to describe this bass would lead me to conclude that you are seriously in "like" with the instrument and moving ahead with the relationship is probably not a bad idea. You've had it on a gig or two which is a good thing, you know it in the heat of battle and not the idealized environment of home playing. If this suits your tastes & needs and if you like it as much as your words would suggest, why not.

This brings to mind Paul Warburton and his Bohmann. If I ever saw Paul with another bass I'd go outside and watch the skies for flying pigs. Resale is not his concern. Will this bass be the same for you? If so, buy it post haste, if not keep your Yankee until the perfect bass comes along. IMO YMMV
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Last edited by BenderR : 03-29-2009 at 06:31 PM.
  #31  
Old 03-30-2009, 12:04 PM
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Location: Brooklyn, NY
I agree. If you love the instrument. And you buy it at a fair price. You're gonna be alright.
  #32  
Old 03-31-2009, 12:42 PM
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Join Date: Jan 2001
Location: Brooklyn, NY
So I returned the Milanese which was strange. It already feels like my bass. Now it's a matter of selling my bass which will sell itself. A waiting game that hopefully won't last too long. I will head out to see what Ken has.
  #33  
Old 03-31-2009, 02:43 PM
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Quote:
Originally Posted by Jason Sypher View Post
I will head out to see what Ken has.
Good luck. Make sure you get a few words in edgewise.
  #34  
Old 04-01-2009, 01:45 AM
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Join Date: Jun 2007
Location: australia
another bass

Jason , have you checked out this bass , it was advertised on this site once before , . Looks like it may be a good bass , and the price is very attractive .
its the bass at the very top , described as being Italian/English, Italian style

oscar

http://www.isbworldoffice.com/isb_shop/classifieds.html
  #35  
Old 04-01-2009, 11:29 AM
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I tried this bass. It is at Gage's in NYC. I was not impressed. Furthermore, I do not think it is either Italian or English (and neither did the staff at Gage).
  #36  
Old 04-01-2009, 03:07 PM
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I did try the bass. Not a bad instrument for the money, just not for me.
  #37  
Old 04-02-2009, 12:48 AM
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Quote:
Originally Posted by tingj View Post
I tried this bass. It is at Gage's in NYC. I was not impressed. Furthermore, I do not think it is either Italian or English (and neither did the staff at Gage).
( sorry Jason , don't want to derail your thread)

tingj , what do you think the bass is ? what do you base your opinion on ?

likewise , what is the staff at Gage's opinion of the origin of the bass ?

looks like a very nice bass to me

oscar
  #38  
Old 04-03-2009, 11:25 PM
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I would not even hazard a guess as to its origin. But think about it -- an Italian (or even English) instrument of that age for that price? If it sounds too good to be true...

Last edited by tingj : 04-03-2009 at 11:30 PM.
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