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Originally Posted by Chris Fitzgerald That said, I have to admit that I personally find Arnold's Ergo bass more unusual and beautiful than anything I've ever seen coming out of the Guiseppe Linguini school. |
Time keeps moving forward and tastes evolve. I too find many of the new ideas and constructions very beautiful. There's something about masterful craftsmanship -- full of knowledge, intelligence, and developed taste -- that's a winning combo. It almost
can't go wrong, no matter the era. Especially if some of the new ideas are about being kinder to musicians' bodies and about producing better sound.
The old fiddles, large and small, are incredibly beautiful. The aesthetics, though, are based on Greek mathematical ideas and Renaissance taste. Is it really the case that those old principles are perfect and will always serve best, no matter the era? That seems like a crazy idea to me...
It's too bad that the money has gotten so big that it encourages an inhibiting conservatism. "Sure go ahead and buy/build that thing. Who's gonna buy it? What's the resale gonna be?"