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01-04-2004, 08:10 PM
| | Registered User | | Join Date: Sep 2003 Location: Albany, NY | | | pics of new bass Hey folks-
I finally got that bohemian bass....I love it! Check out the pictures.
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01-04-2004, 08:11 PM
| | Registered User | | Join Date: Sep 2003 Location: Albany, NY | | | another pic... | 
01-04-2004, 08:12 PM
| | Registered User | | Join Date: Sep 2003 Location: Albany, NY | | | 1 more | 
01-05-2004, 06:59 PM
| | Registered User | | Join Date: Aug 2003 Location: Denver, Co. | | | If it sounds as good as it looks, you got it del!!!
__________________ Oh, no.....have we gone OT yet again? "The opportunity was there...but it never presented itself." Phil Urso, 1980. :atoz: | 
01-06-2004, 07:17 AM
| | Registered User | | Join Date: Dec 1999 Location: Ridgewood, NJ | | | Very nice.
Now then, DO NOT keep it in that corner next to the baseboard heater. That's inviting a seam to open up, or worse, a crack in the wood.
Move it.
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Certified to teach the Alexander Technique. see donaldhigdon.com
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01-06-2004, 07:34 AM
| | Registered User | | Join Date: Apr 2003 Location: Maine | | | Nice looking bass, del. I agree with both Paul and Don. Have fun!
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"Keep pickin' at that thing and it'll never heal." - Tony Shay(drummer)
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01-06-2004, 07:44 AM
| | Registered User | | Join Date: Aug 2003 Location: Denver, Co. | | | Bass Pics Quote: Originally posted by Don Higdon Very nice.
Now then, DO NOT keep it in that corner next to the baseboard heater. That's inviting a seam to open up, or worse, a crack in the wood.
Move it. | Hey, and what about that door to the left???
Don, because of the door, I'm thinkin' del just posed the bass in that corner for the fotos...right del?? I better be right del, "cause the BASS POLICE are watching you! 
__________________ Oh, no.....have we gone OT yet again? "The opportunity was there...but it never presented itself." Phil Urso, 1980. :atoz:
Last edited by Paul Warburton : 01-06-2004 at 07:52 AM.
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01-06-2004, 01:23 PM
| | Registered User | | Join Date: Sep 2003 Location: Albany, NY | |  Thanks for the heads up, but yes, the bass was only there for about 3 minutes for photos.....the humidifier is running full blast right now, and I have a humidity gauge. After playing this fine instrument, I can see I'm going to have a hard time going back to the plywood for the combat zone gigs.
Anyone have any ideas on who the maker might be? There is no label inside. It has an interesting exposed neck block...I'll attatch a picture of it and the scroll. My teacher seems sure it is a Jager. | 
01-06-2004, 01:25 PM
| | Registered User | | Join Date: Sep 2003 Location: Albany, NY | | | scroll picture. | 
01-06-2004, 01:34 PM
| | Registered User | | Join Date: Apr 2003 Location: Maine | | | Del, you might consider posting a whole new thead with all the pix, and asking the most knowledgeable TB membership for help in identifying it. Provide all the details you can and I'll bet you'll be amazed at the response. Good Luck, she's a fine looking instrument!
__________________
"Keep pickin' at that thing and it'll never heal." - Tony Shay(drummer)
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01-06-2004, 10:26 PM
| | Jeff Bollbach Luthier, Inc. | | Join Date: Dec 2001 Location: freeport, ny | | | dovetail That neck block is a dovetail. Not the conventional way of doing it. I have a bass apart in my shop that prolly came out of the same factory. Here's a pic of the block- 
Last edited by Jeff Bollbach : 01-07-2004 at 11:07 AM.
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01-07-2004, 12:27 AM
| | Registered User | | Join Date: Sep 2003 Location: Albany, NY | | | Jeff-
Dovetail eh? Interesting. Is that a good feature or a bad one? It seems to be pretty sturdy. Does it mean that this was a factory made instrument? Is there a label on the one you have at your shop? There is this fake strad label on the inside that some joker stuck in there 10-15 years ago. Regardless, the bass sounds great.
-Del | 
01-07-2004, 05:27 AM
| | Registered User | | Join Date: Dec 1999 Location: Ridgewood, NJ | | | "Factory" can conjure up images of big machines spewing out bass parts, but in the context of your bass, it can simply mean that a group of humans worked on different components to a standard plan. Uncle Vaclav doing necks, cousin Mikhail was great on backs, etc. The Strad label could be original and refer innocently enough to the model.
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Certified to teach the Alexander Technique. see donaldhigdon.com
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01-07-2004, 11:22 AM
| | Jeff Bollbach Luthier, Inc. | | Join Date: Dec 2001 Location: freeport, ny | | Quote: Originally posted by delbass Jeff-
Dovetail eh? Interesting. Is that a good feature or a bad one? It seems to be pretty sturdy. Does it mean that this was a factory made instrument? Is there a label on the one you have at your shop? There is this fake strad label on the inside that some joker stuck in there 10-15 years ago. Regardless, the bass sounds great.
-Del | No, a dovetail does not necessarily connote a factory bass. But it is almost certainly a factory one in the way that Donosaur described. Doesn't mean it is not a good or better bass-just that it is not a maker's instrument.
A lot of us luthier's have structural issues with dovetails. They are much harder to make and keep straight, and their nature makes them very difficult to modify in the future[angle,projection changes]. But the worst aspect is that when the neck is bunked sufficiently there is often more trauma to the bass then with a conventional mortise, This is because the dovetail is like a keyway and it really locks it in place. It can't pop out. The bass in my shop is such a case. The neck was RUN OVER! in the case on a sandy road. Not a scratch to the neck but it split the neck block and ripped out the back button in an ugly manner. 3K to fix it. Not trying to alarm you or suggest you go out and change necks-just don't drop your bass or PO anybody while its lying in the road.
ps- my client's bass has a Maggini label in it. | 
01-07-2004, 11:31 AM
| | Registered User | | Join Date: May 2001 Location: St. Louis, MO USA | | | I am not sure if a dovetail would make it any tighter, but it does seems like it would make it a total PITA to get the neck off if needed.
I have seen a few basses where the back has been sawn through just below the heel. I am guessing this was done so a dovetailed neck could be slipped out the back without removing the whole back.
I would guess that with the traditional method, almost like mortise and tenon joint, you could soften the glue and pull the neck up and out without sawing through anything.
But remember, I'm just a guy. | 
01-09-2004, 02:09 PM
| | Registered User | | Join Date: Aug 2002 Location: Southeast Michigan | | Quote: Originally posted by Chasarms I am not sure if a dovetail would make it any tighter, but it does seems like it would make it a total PITA to get the neck off if needed.
... | It is. On this old Kay I'm sloooowly restoring I was thinking aboutdoing something similar to the way you take the neck off a guitar. I was thinking of removing the fingerboard, drilling holes and injecting steam into the dovetail.
But since I'm putting a new Englehart neck on it, I sawed off the old neck as close as possible to the body with a Japanese saw, and used steam and chisels to remove the old dovetail.
(I finally found some nice 1/4" maple to add depth to the neck- it has straight grain and it's sanded two sides. Now at least I can do some work on the neck while putting off doing more paint and bondo removal from the body) | | Thread Tools | Search this Thread | | | |
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