Volante bass

Mike Arnopol · #1 03-22-2009, 06:42 PM

I know that this is an EUB, but I love mine so much and it's the first worthy substitute for my double bass. I'm putting a few links to some Youtube stuff that you can hear it ok. These were made when I first got it, so pardon some rather flexible intonation spots--the Volante is a 41" string length and I'm used to 42", and it's a D neck and I'm used to Eflat. I've since set it up as 42" and had the neck scooped out to Eflat.

http://www.youtube.com/watch?v=1Xm9VUtJo8k
(an exercise in excess)

http://www.youtube.com/watch?v=wOxp7KiqZcs

http://www.youtube.com/watch?v=2JCyTtgFhkc

The bass also has removable lower bouts, but I took them off because my running shoes fit better in their place. The whole bass fite in a hard shell golf club case.

Wilbyman · #2 03-22-2009, 06:54 PM

Nice. That sounds pretty good. Any clips on there with the slab? I saw a post where you were talking 'bout it and then I saw it on stage in the YT clip.

Plookie · #3 03-22-2009, 07:07 PM

I LOVE IT!

You and the band sounds like you are well into the pocket!

Eli_Upright12 · #4 03-22-2009, 08:08 PM

Really nice playing Mike. How thick are the upper faux bouts? and are they also removable? That's a cool looking instrument. With the way you play it, it seems like you could have it sound more like upright or electric depending how you articulate, which would make it a very versatile instrument. Thanks for posting those clips.

Mike Arnopol · #5 03-28-2009, 11:36 AM

The upper faux bouts fold. The one that rests against your body is king of an "L" profile so that you lean against the same point as a double bass . As I said it disassembles and fits into a golf club case. The neck pivots and is adjustable with an allen wrench to change action height. If I really want to dig in walking I can change the action height in about 3 seconds between tunes. The change in tuning is pretty minimal.

Paul New · #6 03-29-2009, 07:11 AM

Hey, Mike. I've been watching those videos for a while, and wondered about that instrument.

Sounds great, the bass and the quartet.

**Matthew Tucker** · #7 04-02-2009, 08:31 PM

I like. When you coming to Sydney?

PaperbackRyder · #8 04-04-2009, 09:53 AM

Mike, I listened to those clips and wow!

The performance of "Dansons La Gigue" is the reason I love jazz and want to play upright (been an eb player for near 40 years, ub for about five months).
Is any of that concert available for download somewhere? (I dont mean to violate any rules here, so if appropriate, send me a PM)
Thanks for the inspiration!
=JR=

Mike Arnopol · #9 04-05-2009, 03:40 AM

Hi. In Zagreb right now. I didn't know these clips existed until I checked Youtube. A lot of stuff of ours on Youtube is pretty embarrassing ( shot with a phone or cheesy camera) but there is some nice stuff, too. Things are gonna be a'changin' in the biz. I think that ultimately all of this will eventually make the biz better. The music biz has evolved so that all of the power and influence is in way too few hands. I think that I'm a pretty good player, but for all well-known good players there may be 100 players of the same caliber that don't have the means to be heard on a larger scale. I just happen to be playing with a singer who has enjoyed commercial success. So while in the short term some people will be hurt by the current evolution of the biz over the long term people will have the viable option of listening to more than the same dozen artists over and over again. When you're more inside the higher commercial end of things you find it amazing that any decent music gets out there because of the few hands that control the biz from who gets the decent record deals to who gets booked at festivals. Download away---it's all going to come out in the wash.

RandyMolson · #10 04-05-2009, 07:08 AM

Those Caravan clips are outrageous. Concur 100% about the biz. Enjoy those old E Euro cities!

PaperbackRyder · #11 04-05-2009, 05:01 PM

Yeah, the internet has brought opportunity for artists to be heard who otherwise couldn't or wouldn't get a deal / distriubtion / promotion etc. That is a GREAT thing!
But the problem is how do you (or we) make a living if our work gets distributed for free? Sure you got paid for the gig, & the work lives on...perhaps those who own the publishing will make a royalty.
Free is nice, but I would be more than glad to pay for what I heard on those clips.
We gotta support each other whenever possible. I go see folks play all the time and refuse to be put on a guest list unless it's SRO.

Mike Arnopol · #12 04-05-2009, 05:35 PM

Yeah I'm super embarrassed to even ask to be put on the guest list.
In most styles of music the music made on the recordings hasn't put much in the player's pockets anyway. I get a good taste for recordings but no residuals as is typical. For me the money is from touring gigs. In jazz you can't even get in the festivals if you're not on certain labels. I'd like to see that change.I'm in Cologne today and Tobias Pohling ( Vector) is coming to my gig to let me try his new pickup. I'll let y'all know.

PaperbackRyder · #13 04-07-2009, 05:31 PM

Quote:

Originally Posted by Mike Arnopol

Y I get a good taste for recordings but no residuals as is typical. For me the money is from touring gigs.

This my friend, is the life of the sidemen....

All we can do is strive for excellence and keep the phone ringing!