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05-03-2008, 09:06 PM
| | | | anyone used a mute to kill sustain? I'm thinking of trying a double bass mute on my EUB to help kill the sustain and get more of a double bass attack/decay.
Any opinions on this?
I have a BSX Allegro Acoustic and am thinking of using one of these: http://www.gollihurmusic.com/product...ANCE_MUTE.html
I'll try the performance or the practice mute, price differential isn't a factor... tone is.
My E and A strings tend to sustain a lot which actually sounds great for most things, but to try and emulate an upright it is a bit obnoxious.
Thanks
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MM Bongo 5HHp/G&L L2500 ebony fretless -> Peterson Tuner -> MXR M80 -> PA (or Genz Benz Shuttle 6.0 -> Epifani UL2-112)
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05-03-2008, 09:59 PM
|  | Registered User Endorsing Artist: Black Diamond & Sensicore strings | | Join Date: Nov 2000 Location: Iowa City, Iowa | | | When I want more of an upright attack/decay on my BugBass, I'll just use the left hand to deaden the note after its played. | 
05-03-2008, 10:34 PM
| | | Quote:
Originally Posted by tornadobass When I want more of an upright attack/decay on my BugBass, I'll just use the left hand to deaden the note after its played. | Could you explain the technique?
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MM Bongo 5HHp/G&L L2500 ebony fretless -> Peterson Tuner -> MXR M80 -> PA (or Genz Benz Shuttle 6.0 -> Epifani UL2-112)
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05-03-2008, 10:37 PM
|  | Registered User Endorsing Artist: Black Diamond & Sensicore strings | | Join Date: Nov 2000 Location: Iowa City, Iowa | | | Basically, I just let up pressure on the string after the initial attack. Although it doesn't have the swell of the note start, it does give more of that thump that separates notes like an acoustic upright. | 
05-04-2008, 05:30 AM
| | Supporting Member | | Join Date: Jun 2005 Location: Merritt Island, FL | | | I used a traditional ebony mute on a Bugbass to help kill the scratchiness of the arco sound. Worked OK. On my BSX Allegro, the bridge is too thick. I tried a rubber mute but it didn't help. Again, I was most interested in reducing the scratchiness for arco. | 
05-04-2008, 08:12 AM
| | Registered User | | Join Date: Oct 2005 Location: New York, NY | | I use a heavy rubber DB mute on my Eminence when practicing, not to kill sustain but to keep my wife from killing me (we live in a studio apartment.) I don't find that this particular mute has much impact on sustain but it does change the character of the tone rather dramatically. I don't care for it but it definitely increases the "thump." | 
05-04-2008, 02:43 PM
| | I'm absent from Talkbass for an indefinite period | | Join Date: Dec 1999 Location: Québec, Canada | | | Using orchestral strings may be the answer, as they have dampening stuff inside.
Which strings do you use?
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05-04-2008, 04:50 PM
| | | Quote:
Originally Posted by francois Using orchestral strings may be the answer, as they have dampening stuff inside.
Which strings do you use? | I am using Corelli 370s. Don't know if they are the "F" guage but I'm not sure.
You're right though, the Spirocores *really* sustain.
I'm pretty frustrated right now so I'll try anything. Do Helicore Orchestrals sound like the ticket?
I should say the tone is good, its just not what I'm hearing in my head at the moment.
Thanks,
mozar
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Last edited by mozarwasagenius : 05-04-2008 at 04:59 PM.
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05-05-2008, 08:43 AM
| | I'm absent from Talkbass for an indefinite period | | Join Date: Dec 1999 Location: Québec, Canada | | | I have three suggestions:
TI Bel Cantos
Pirastro Flexocors
Jargars
To me, the Bel Cantos are the best.
Best balance, very warm tone and a bit more sustain than the others. (which doesn't mean they have much sustain)
The Flexocors are also very nice, but the E string is often considered week or too flabby. Overall I think the set is less well balanced than the Bel Cantos.
The Jargars have the darkest, thumpiest tone.
So it depends how far you want to go in thump-land.
Hope this helps!
François
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05-05-2008, 09:00 AM
| | | Quote:
Originally Posted by francois I have three suggestions:
TI Bel Cantos
Pirastro Flexocors
Jargars
To me, the Bel Cantos are the best.
Best balance, very warm tone and a bit more sustain than the others. (which doesn't mean they have much sustain)
The Flexocors are also very nice, but the E string is often considered week or too flabby. Overall I think the set is less well balanced than the Bel Cantos.
The Jargars have the darkest, thumpiest tone.
So it depends how far you want to go in thump-land.
Hope this helps!
François | Francois,
Thanks for the recommendation. Flexocore and Bel Cantos are ~$200 and outta my budget unfortunately, especially since I'm not sure I'm gonna like them. I can find the Jargars cheaper (~$120) so I may not have much of a choice. Maybe I'll buy a single to try first.
This tone quest is killing my wallet and my enjoyment 
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Christian Praise and Worship Bassists Club Member # 254
G&L Club Member # 423
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05-05-2008, 07:43 PM
| | I'm absent from Talkbass for an indefinite period | | Join Date: Dec 1999 Location: Québec, Canada | | Quote:
Originally Posted by mozarwasagenius I can find the Jargars cheaper (~$120) so I may not have much of a choice. Maybe I'll buy a single to try first. | A very good idea!
Best of luck!
François
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05-05-2008, 10:33 PM
| | | Quote:
Originally Posted by francois A very good idea!
Best of luck!
François | Necessity is the mother of invention...
Don't have a spare $200 in my "disposable income" budget and I had some foam lying around so I decided to give it a try. It needs a bit of refining (how much to use between the strings), but I think I'm onto something.
Basically I have a rectangular piece of black foam insulation that I can cut to length and put parallel to the strings (between the E and A for example) Not only does it reduce the sustain, but it takes some of the edge off and helps with bowing. Not to mention it is cheap (like me) This will take a bit of experimentation. Also, I found raising the action helps for some reason. I'll keep you updated.
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G&L Club Member # 423
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05-21-2008, 06:46 PM
| | Registered User | | Join Date: Sep 2006 Location: Cleveland, OH | | | Mozarwasagenius - I understand what you're going through. I have experimented extensively with various muting methods including the big heavy rubber bridge mute, foam, felt, sponges, and even the big heavy rubber bridge mute stuffed with foam, felt, and sponges.
Francois' advice is right on point - orchestral strings are a much better solution. Try to save some money while you are experimenting with the foam and buy a Jargar D and G when you can. I believe the Dolce gauge (thin or light) has the least sustain of the Jargar line. You will notice a real difference in sustain, tone, and feel without having to dramatically alter your technique or worry about all the problems inherent with foam muting. If you like the D and G save up for the other 2 strings. With the relatively low tension of the Dolce gauge, you may be able to increase your string height as well - you may be pleased with the resulting change in the shape of the notes. I am not suggesting that the other strings Francois suggested are not better choices; I'm recommending the Jargar because money is a concern and because I know that you will notice a difference with them, so it will be money well spent. Good luck.
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06-25-2008, 01:50 PM
| | Registered User | | Join Date: Aug 2005 Location: Philadelphia / New York | | | i have a 4 string eminence. i folded up a hand towel and wedged it between the strings and the body of the instrument below the bridge. it did the trick! | | Thread Tools | Search this Thread | | | |
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