Quote:
Originally Posted by gimmeagig ....
Most standup bassists show up with these tiny little amps that practically do nothing.What you end up with is total mud, no definition and no punch...... |
I don't agree with any of this. It's dismissive and overgeneralized.
I do know bass players that sound terrible. They don't do their homework, they don't spend the money, they don't know what's possible or they don't care. It's especially prevalent in jazz guys that have been doing the same thing for a long time. They are far from the state of the art. They are slowly becoming extinct.
In the last 15 years I've seen an increasing number of string bass players (myself included) get a huge sound usable at almost any volume out of a real double bass that is not possible to achieve with a Solidbody EB or an EUB. Clear, big, loud, articulate, all the things you want out of a bass. Just because some people you have seen aren't doing it yet doesn't mean it can't be done. Bromberg doesn't have a monopoly on that.
I appreciate not wanting to embark on learning the double bass. It's a pain in the ass. If a person don't have a passion for it I'd suggest they leave it alone too. EUBs are a good way to get close without doing all the work.
As a side note nothing sounds like an old Baby Bass but a Baby Bass. That metal bridge is part of it's sound. Nobody touches that anymore.
The most recent Azola Baby Bass reissue is one acceptable alternative that has both the old sound and the new. It's wood bridge and piezo K&K pickup sound very modern and the Baby Bass style pickup is very close to the original given it lacks the metal bridge. They blend well and are the best middle ground between the two sounds I've had so far.
I currently use an original Baby Bass in it's stock form when I'm playing salsa. I used to use the wood bridge with the K&K pickup from Azola on it for mixed gigs when I wanted a EUB tone however these days I just take my string bass to all those gigs. The real mccoy seems to work way better for me than the EUB.