| I bought my NS CR5M sight-unseen from the wonderful folks at Bass Central a few months back and I love it. It really works exceptionally well for my gigging needs.
My band specializes in cheezy lounge music, going from old standards, to modern tunes rearranged as a swing, or a bossa, to dance tunes and disco. Out of four sets I'll play the NS for two or three depending on when we really shift to the high energy disco stuff that my hands just aren't able to play on the NS yet or tunes I feel just work better with fretted electric bass guitar.
Here's a rundown of all things Justyn's NS:
Strings: Helicore Hybrid light (BEADG). I keep the strings set high enough that when I pluck the string hits at about the midpoint between my fingertip and the first joint.
Tone settings: Bass and treble get set depending on the room though generally I boost the bass a touch and cut the treble a tiny bit.
For most swing tunes I'll use just the piezo and have the directional knob favoring arco (lateral) sensitivity. This yields a quicker note decay that IMO evokes more of the trad upright tone.
For bossas I'll add some of the magnetic pickup and keep the directional knob at 50/50.
For rock or disco stuff or when I want it to sound like a big fretless bass I'll favor even more of the magnetic pickup
Ergonomics: The size of the NS makes it useable on even the smallest of stages, like my weekly gig where I think I have about 3 sq. feet for me, my amp and my basses. I prefer the endpin stand, but for most of my gigs I use the tripod which allows me to switch back and forth very quickly between EUB and EBG...very handy when my bandleader calls an audible in the middle of an otherwise instrument-consistent set.
The downside to the tripod is that at 6'5" tall I have to extend the tripod pretty much all the way out and the whole setup can feel a little wiggly. And that's part of the tradeoff - you don't have the physical size and mass of an acoustic double bass to interact with, lean into, etc. etc. Different instruments.
I'm looking to add a little reverb and chorus when I have the money, time and stage space. As it stands, my pedalboard sits on top of my amp and is more of a 'whack it with your hand between beats' board. If I add reverb, chorus and compression I'll look to a rack unit to try and cut down on the amount of stuff I'm lugging around. Suggestions are welcome.
Do I still lust after the warm, woody, earthy tone of an acoustic upright? Of course I do, and God help me if I put on an Avishai Cohen album because then I just want to sell all my basses be they bass guitar or EUB and buy an acoustic DB, but for my own gigging situation the NS is a compromise I'm happy to make.
Hope that helps,
J.
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Justin Poroszok
bassist, The J.O.B. |