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  #1  
Old 08-25-2011, 11:55 AM
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Brand New Linc Luthier 5 String

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Up for sale is an excuisite piece of musical art. After paying more than $3400.00 and waiting a year for it to be built, it pains me to have to sell it. This is hands down the finest instrument I have ever laid my hands on, it is brand new, has only been plugged into an amp once. A lot can change in a year, I find myself in a position where I need the money.

Linc Luthier 5-string bass

Body: Bookmatched Fiji Kecekong top and back; Padouk sides.
Neck: One piece of Zebra: one piece of Padouk; each is split and layered together again to maintain the integrity of the woods origional grain pattern. Padouk heel.
Inlay: Mcassar Ebony Pratt lines with 1/4" Mother of pearl dots terminus, two 1/4" dots on 12 and 24.
Nut: Pink Ivory; considered the rarest of woods.
Pickups: Two Bartolini BC5 Pickups, direct mount. Volume and blend.
Knobs: Gold knobs with Mcassar Ebony Tops.
Crown: Paula Shell, Maple, Snakewood.

Strings: 126, 106, 84, 66, 44, gage
Bridge: Schaller Tuners & Strap Locks, ABM Bridge
Signed/Dated under Pickup

This is an amazing looking and sounding instrument, it is a unique semi-hollow design. I find myself in the unfortunate position of having to sell it.

I have additional pictures I can email, including some during the construction process.

Trades are not an option, Cash only.

Comes with hand made hard shell case as well, made for this specific instrument.

I am asking $3,000 OBO, please do not insult me with low ball offers, however I am willing to consider anything reasonable.

I have it listed on craigslist at:

Linc Luthier Hand made 5-string Bass - Brand New, One of a kind
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Last edited by schmef : 08-25-2011 at 09:27 PM.
  #2  
Old 08-25-2011, 09:45 PM
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I didn't realize he was still building. Best of luck with the sale.
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Old 08-25-2011, 10:38 PM
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Quote:
Originally Posted by schmef View Post
This is hands down the finest instrument I have ever laid my hands on, it is brand new, has only been plugged into an amp once.


That's confusing, but bump for a beautiful bass
  #4  
Old 08-26-2011, 07:58 AM
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I guess that does look like a bit of a contradiction. I guess I should give a little back story. Linc is still building, he moved his shop, building a few to order.

20 or so years ago I worked for a high end guitar shop in KC, this is where I had my first exposure to Linc Luthier instruments. I am primarily a guitar player, playing for my own enjoyment these days. I have dabbled with bass over the years and have always dreamed of owning one of Linc's basses. I know he makes guitars too, but the bass is what blew me away 20 years ago. I have played the 5 string a couple of time since it arrived, but I do not own a bass rig or amp, I had to borrow one to plug it up and listen. It has been in a climate controlled environment since it arrived earlier this year, it is in brand new condition. I would argue that it has been handled much less than anything sitting new in a store. When it arrived, I did not know whether to play it or frame it. I honestly have never seen a more gorgeous assembly of wood in my life.

The plan was to have an amp and everything, but that is not what life had planned for me.

I would be willing to take $2500
  #5  
Old 10-23-2011, 12:50 AM
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Ok, needing the cash pretty bad here.... $2,000.00 plus shipping. I will not go any lower than that.
  #6  
Old 10-23-2011, 06:47 AM
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Need some more info - string length? String spacing?

beautiful bass
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  #7  
Old 10-23-2011, 12:15 PM
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The nut width is 1 3/4" - the string spacing is 3/8" - the distance from the nut to the last fret is 25 1/2", from the nut to the ball end of the string is 35 1/2"

Hope that helps. Thanks,

Jeff
  #8  
Old 10-24-2011, 08:33 AM
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Quote:
Originally Posted by schmef View Post
The nut width is 1 3/4" - the string spacing is 3/8" - the distance from the nut to the last fret is 25 1/2", from the nut to the ball end of the string is 35 1/2"

Hope that helps. Thanks,

Jeff
Jeff,

Don't mean to be difficult, but string length is typically measured from nut to where the string meets the bridge.

From nut to ball end of string can vary so much from one instrument to the next, depending on the type of bridge, how the instrument is construct, ect, that is is not a useful metric.

Length from nut to where the string meets the bridge would be more useful for any one interested in this beautiful instrument.
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  #9  
Old 10-24-2011, 08:38 AM
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Actually, (length from nut to 12th fret) x 2 is probably most accurate, since bridge saddles are offset, one string to the next.
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  #10  
Old 10-24-2011, 10:28 AM
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I played one... very nice instrument
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  #11  
Old 10-24-2011, 12:53 PM
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I will see about getting updated measurements posted for you this afternoon or evening.
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Old 10-24-2011, 03:49 PM
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I called my friend that I traded a Linc 6er for ....

Yes the company is still in business... they don't really promote as they have a waiting list.
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  #13  
Old 10-31-2011, 08:40 PM
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Ok here goes:

16 1/2" from the nut to the 12th fret, so x2 that would be 33"

33 3/4" from the nut to the edge of the bridge

34" from the nut to the saddle for the G string

34 1/2" from the nut to the saddle for the low B

And yes Linc is still around and building, since he moved, he is pretty much a one man shop. He has quite the waiting list. I waited more than a year for this one only to have to sell it. Every time I think about that is just drives me nuts.

Does this help answer what you are looking for?
  #14  
Old 11-13-2011, 01:34 AM
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bump
  #15  
Old 11-13-2011, 06:43 AM
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If I had the money....
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  #16  
Old 11-27-2011, 10:47 AM
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Linc usually does 34" scale. You would expect 17" from the nut to the 12th fret. If this bass were a fretless....
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  #17  
Old 11-27-2011, 10:59 AM
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I've had three Linc basses, two customs and one I bought from eBay. I still have one. Linc is a great guy. His instruments are top notch, but one flaw I have found on all of his basses is the truss rod. The bass I have left was my most detailed, expensive custom bass. The truss rod broke after less than a year. Insurance covered the repair and I had my local tech replace the fingerboard and truss rod system. It played and sounded great before it broke, but even better since the repair.

Since this bass is apparently newer, I'd be interested to hear how well the truss rod functions and if he's made the improvements I talked to him about then. He swore that had never happened before and was terribly sorry. He even helped with the repair....he is really a great guy. His build time is REALLY slow because he teaches at Cal Poly Pomona and builds in his spare time, which must not be much.
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  #18  
Old 11-27-2011, 12:17 PM
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One of the nicest basses i've ever had was a Linc. The neck design (don't know if it has changed) is what set the bass apart.
It was very much a "v"shape. It was ultra rigid and I found that the setup was so particular that in order to be correct you had to use the string gages prescribed in the paperwork. I thought it had issues because I tried different gages, resulting in buzz at first position, even with the truss fully relaxed. As soon as I tried the "correct" gages (I remember the e being a .104) everything came into focus and the neck stabilized perfectly. My point is that at least on the model I had, the neck design was so rigid and set up so precisely to a particular tension (string gage) that it was fighting the instrument to try to fix it with the truss, and it could be quite easy to go too far with that (At least the one I had offered a much more limited range than most basses, and needed much less).
These are amazing instruments, with a unique neck.
Wish I had the dough bump.
  #19  
Old 11-27-2011, 01:03 PM
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Quote:
Originally Posted by D.A.R.K.
One of the nicest basses i've ever had was a Linc. The neck design (don't know if it has changed) is what set the bass apart.
It was very much a "v"shape. It was ultra rigid and I found that the setup was so particular that in order to be correct you had to use the string gages prescribed in the paperwork. I thought it had issues because I tried different gages, resulting in buzz at first position, even with the truss fully relaxed. As soon as I tried the "correct" gages (I remember the e being a .104) everything came into focus and the neck stabilized perfectly. My point is that at least on the model I had, the neck design was so rigid and set up so precisely to a particular tension (string gage) that it was fighting the instrument to try to fix it with the truss, and it could be quite easy to go too far with that (At least the one I had offered a much more limited range than most basses, and needed much less).
These are amazing instruments, with a unique neck.
Wish I had the dough bump.
I agree. That being said, the truss rod does not work the same as most instruments.
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  #20  
Old 11-27-2011, 02:04 PM
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I love mine and I dare say that bass rivals the beauty of my Linc ,just stunning . The "V" necks are indeed rigid and after reading Dave's post I went to check my truss rod I think I have adjusted it once in all these years , it never shifts , having said that a few things came back , 1 , you must be very careful not to crack the truss rod cover which is actually a part of the fretboard extended up as a trussrod cover , it's very thin and one slip of the tool and goodbye , ask Dave 2 the trussrod end is a slot for a flathead screw driver , this broadens your chance of slipping . The thing that always strikes me about my Linc is the warm , organic tone that has this rock solid & focused bottom .He also makes his own case , which is built like a bunker and weighs 800 pounds .
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