Pics of the necks:
The "beat-up SX jazz neck" is exactly that - a project for someone. Cracked (as shown in the picture) and with some of the finish chipped off over the first fret inlay. Could be doweled and glued and fixed, though, and these necks are getting rarer, so maybe someone wants it?
The "nuclear orange" SX neck is virtually brand-new - came off the bass that I ended up putting the above neck on, and sat in my garage. Still got the stickers on the back of the headstock.
The OLP Stingray neck is in great shape - plays VERY nicely, and the neck was sanded and tung-oiled several times. Frets are in good shape, headstock is solid, tuners hold nicely - the only thing I did was paint the headstock and tuners. Some of the paint has flaked off the tuner heads, but I rather like the look.
The "Geddy" neck came from my beloved SX Geddy clone, and is also in great shape. One of the "good" necks, with the now sorely-missed headstock shape. I'm leaving the logos on it, but they're not under a finish, so they would peel right off. Tuners are stock SX, and work fine.
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The "mix-n-match" tuners are exactly that - Part stock Peavey, part SX replacement. I'm not sure which is which, but they all function well.
The SD Antiquity II is for the neck position, I believe - that's where it was on my Geddy clone, and sounded very nice there.
Lace Alumatone Precision pup - very hot, high-tech sounding pickups, sells for $110+ (if you can get one at all, with their backorder!) Scratched along one side as a result of sloppy installation, function perfectly.
SEIQ humbucking jazz pickup - the only info I can find is this -
http://www.proline7.com/index/index....&etype=pickup3 - and it gives me no idea what it's worth, so I'm taking a shot in the dark. Sounds good, though - like a MM but with less "bite".
Bartolini jazz + MM set - came out of a Lakland, I think - I bought them here but can't find the thread any more. Sound really, really good - classis Bart sound.
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Hand-milled aircraft aluminum Stingray 5 bridge - I had this made by a guy who works in the same building I do, with a CNC lathe and too much time. Heavy-duty, and one-of-a-kind. I painted it black, but you could strip it and have it chromed, or whatever. May need to mill out the string holes to allow for better intonation, but this this is as unique as it gets.
The chrome BAII is slotted, and the E string saddle has two slots - when I got it, it was badly done. Wouldn't hurt to deepen the correct slot. The black BAII is unslotted.
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Q-parts knobs w.custom rosewood inserts & ramps - Made these for a fretless project, and think they look great. The ramps are a little over 1" wide by 4" long, and a touch under 3/4" tall.
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Bartolini NTMB-L preamp came with the Bart pups, but didn't have any knobs or anything, so I never used it. It's that cheap because I'm not sure if it works or not - it's a gamble!
Audere 3ZB 4-band preamp is the big daddy of all the Audere stuff, and cost about $220 when I ordered it - worth every penny. Pots are: Vol/blend, Tre/High-mid, Low-mid/bass, with an active/passive switch and 3Z mode switch. Works like a champ, one of the top pots is slightly bent.
