| I have the #8 neck, ebony board, w/ the quarter-sawn slab of maple attached to an L-2000.
This sucker sounds really good; I'm loving the degree of vibration through the neck, and the action is set quite low w/o undue buzz on the high frets, which I use quite a bit, so long as I keep my touch light. Compared with other G&L's I've played, there is a real feeling that exceptional effort has been made to join the frets, board and neck into a a solid unit, with a solid joint in turn at the body.
But all is not sweetness and light. My ebony board seems still to be settling in or shrinking - my guitar tech tells me that what I'd thought of as rough fret edges are actually the fret edges lifting out of the wood as the wood shrinks, exacerbating the frets' natural tendency to spring back to their original state of flatness. I plan to address this issue with him after giving the board another 4-6 months to hopefully stabilize (took delivery of item in January, and having purchased from east-coast dealer, and am assuming that regional humidity/temperature differential may have something to do with this).
I really do hope this settles out - I've tried out some fancy basses over the past period, but have concluded that this particular L2000 is a great axe, and a superb value for the money - if I didn't have a Jones for 24 frets, I'd sell everything else and make this and an L-2500 my one-and-onlies, assuming the fretboard settles down. |