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12-05-2008, 09:58 PM
| | | | G&L people: I hate you! (JK)
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Just when I thought I was finished with my gas, you gave me more. So I've played EBMM's for a while and I love my Bongo and my Sterling. I've also recently wandered into Warwick for that rock growl. I sort of blew G&L off because I thought it was too Fender-ish.
But I was at GC and see this used Tribute L-2000 on the rack for an OK price. It's really grimey, but in pretty good condition. I bring it home and give it a good overhaul. It sounded really nice through my Markbass rig solo when I was testing it out at home. But then the guys come over for a full on practice and I pump up the volume. Damn, that thing bloomed! It sounded incredible. I am embarrassed to say this, but it sounded like what I envisioned the perfect uber-Fender to sound like. But I've given up on Fender (even the US ones) cause I think the QC stinks.
Now I am on a quest for an L-2000 with a Jazz neck. I guess I gotta fork out the cash for a US model. I fart in your general direction, but thank you very much. 
__________________ EBMM Sterling / Lakland AC DJ4 -> MB LMII -> MB 104HF+151HF / Epifani UL112 x 2 Short Scale #160, Mikro #3, Mediocre #2, Asian #8 | 
12-05-2008, 10:40 PM
| | Registered User | | Join Date: Jun 2008 Location: Behind the Orange Curtain | | | Heh...
I hate me too, but I'll get over it.
Ken... | 
12-06-2008, 05:40 AM
|  | Registered User | | Join Date: Sep 2007 Location: Chicago | | | Wait until you play a US model. This is only the beginning....................... | 
12-06-2008, 06:22 AM
| | Well, thats like your opinion. Man... | | Join Date: Mar 2004 Location: Fife, Scotland | | | My G&L is the best bass I have ever owned. In all fairness I have only ever owned 3, my Westone Thunder, a MIM Jazz and now this G&L L2000. I still love it though.
__________________
I have a theory that the truth is never told during the nine-to-five hours.
Hunter S. Thompson
MIM Club Member #14 denshikeisanki-gaidoku (computer virus): Domo-Kun Tribe
Bob Club #15
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12-06-2008, 10:08 AM
| | Registered User | | Join Date: Jul 2006 Location: quebec | | Quote:
Originally Posted by GassieBall Just when I thought I was finished with my gas, you gave me more. So I've played EBMM's for a while and I love my Bongo and my Sterling. I've also recently wandered into Warwick for that rock growl. I sort of blew G&L off because I thought it was too Fender-ish.
But I was at GC and see this used Tribute L-2000 on the rack for an OK price. It's really grimey, but in pretty good condition. I bring it home and give it a good overhaul. It sounded really nice through my Markbass rig solo when I was testing it out at home. But then the guys come over for a full on practice and I pump up the volume. Damn, that thing bloomed! It sounded incredible. I am embarrassed to say this, but it sounded like what I envisioned the perfect uber-Fender to sound like. But I've given up on Fender (even the US ones) cause I think the QC stinks.
Now I am on a quest for an L-2000 with a Jazz neck. I guess I gotta fork out the cash for a US model. I fart in your general direction, but thank you very much.  | hey that'i the coolest way to say you hate someone i ever read
have a good quest for the L-one you prefer and joint the club man
Francis
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trib L2.5K G&L Member #173
Hartke Club Member #36
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12-06-2008, 02:42 PM
|  | Registered User | | Join Date: Jul 2006 Location: Portland, Oregon | | | You can also check out a Tribute SB-2. It is like an "uber P-bass" (to use your terminology!), but comes stock with a Jazz profile neck. If you dig growl, then the SB-2 should definitely float your boat!
Karl
__________________ G&L Club Member #10 | 
12-06-2008, 03:23 PM
| | Registered User | | Join Date: Jul 2005 Location: Raleigh, NC | | | just wait... Wait 'til you try a vintage L-2000e - if you get a good one, it will blow your doors off -- in a good way, of course.  | 
12-06-2008, 04:08 PM
| | Registered User | | Join Date: Mar 2008 Location: The Lone Star State | | | I have owned them all, and I flat stuck on G&L. There is nothing that competes, really. nothing sounds quite as good on stage. | 
12-06-2008, 04:35 PM
| | Registered User | | Join Date: Jul 2008 Location: France | | Quote:
Originally Posted by GassieBall Now I am on a quest for an L-2000 with a Jazz neck. I guess I gotta fork out the cash for a US model. | Actually if you know someone in Japan you have the option of getting the Japan-only slim neck L-2000 Custom Tribute which is basically a tribute 2K with a jazz neck, a "slim neck" logo on the headstock and costs about $80 more than the standard tribute 2K iirc.
But then again importing it will make it too expensive to be interesting I suppose so I'd look for a used US 2K with jazz neck.
...and that bass is my current GAS too:
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Squier Jaguar Short Scale Club #9
G&L Club Member #258
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12-10-2008, 01:33 PM
| | Shake and Bake | | Join Date: Dec 2006 Location: Waterford, MI | | | i played all jazz necks until i got my l2000. now i don't like jazz necks!
i've got a fender aerodyne and mm sterling HH that don't get played! the necks on those seem like toothpicks!
__________________ Quote:
Originally Posted by disenchant Wow, that looks awesome! | Quote:
Originally Posted by disenchant I'll say it again!
WOW! That looks awesome! | | 
12-29-2008, 07:00 PM
| | | It took me a little while to find this one, but it's on it's way as my birthday gift to me  Gotta pull some overtime for this.
It's swamp ash, 8.75 lbs, #8 neck.
I'm really excited. Did I do OK? 
__________________ EBMM Sterling / Lakland AC DJ4 -> MB LMII -> MB 104HF+151HF / Epifani UL112 x 2 Short Scale #160, Mikro #3, Mediocre #2, Asian #8 | 
12-29-2008, 07:02 PM
| | | Of course, right after I buy a new one, a used one shows up on the 'Bay.
Just thought I'd pass this on to anyone interested: L-2000 #8 neck
I'm gonna justify my purchase by saying I like rosewood necks better and the one I bought is probably lighter. 
__________________ EBMM Sterling / Lakland AC DJ4 -> MB LMII -> MB 104HF+151HF / Epifani UL112 x 2 Short Scale #160, Mikro #3, Mediocre #2, Asian #8 | 
12-30-2008, 07:34 AM
|  | Registered User | | Join Date: Aug 2008 Location: St. Petersburg | | | I've owned Gibson, Rick, Fender, Greco (my first). Nothing compares to my G&L L2000 Leo Fender Signature. Wouldn't get rid of it for any reason. | 
12-30-2008, 08:21 PM
| | Registered User | | Join Date: Nov 2007 Location: Torrelles del Llobregat | | | Yes, I know what GASing for G&L is. I'm getting a L2500 in 2-3 months (if I can wait that long) when they arrive to my local shop. I've already become a G&L preacher even before I got mine!!
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Rickenbacker club member #231
GK club member #498
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12-31-2008, 12:54 AM
| | | G&L are great band basses. I start in a new band this week and my SB-2 is the bass going with me to first practice
and the As much as I love MM Sterlings I had to get rid of mine in my last band when it was just getting lost in the mix with everything going (weak G in particular). The Asat bass,passive or active could always be heard and sat just great. | 
12-31-2008, 06:09 PM
| | Registered User | | Join Date: Jun 2002 Location: Tempe, Arizona, USA | | | Even us old-schoolers who dislike the lack of quick battery changes on G&L (a la Warwick, MM and the Fender J24) and thus like our G&Ls passive can jump in here. My Tribby JB-2 is my #1 player, and I say this an a limited edition 'wick owner. The 'wick blows the Tribby away, but isn't what I am gonna grab when I get that last minute call, or have to cover a regular bar gig. The 'wick only comes out for recording and special gigs. My Trib JB-2 is still completely stock (save for strap locks) and I want to get an American-made one(with better tuners; there is not a Hipshot Xtender that truly matches up to the Trib tuners, and if I am only gonna have 21 frets, then I want a little more low range). Aside from the office Christmas party last week, the Fender J24, while also a really great player and sounder, is rapidly becoming superfluous, and might become part of the American JB-2 acquisition scenario as trade bait.
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Da Clubz: Genz Benz #107, Wick #119, G&L #113,
Hot Singerbabe #1, AZ Bands #2, Ol' Basstards #53
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