Attachment 100015I call it my "super bass" Numero Uno.Totally stock,w/"eye poker" headstock. Tuxedo black, smaller sleeker body (think MM's Sterling), black pickguard, and the sound I can COACH out of it is magnificent. I do agree, L-100's and SB-1's are WAY underrated. I love my Fender Precision ('74), but my SB-1 has more of a vintage '64 p bass( IMHO ) neck feel as w/ the 70's fender, well, you know (neck dive, not so great sound, 9+ lbs, etc).
So, as Madcity Fats says, American made G&L's are a fantastic investment (IF Mint). You can sell them to a Japanese or Chinese collector in ten years from now. I have seen alot of SB- 2 on E_ _ L Bay that average $700.00, and these, and all PRE-BBE G&L's my friends, will demand the overpriced collector's tags that we see today, eventually even the beat up earlier ones, with the crappy chromed finish.
Myself, I take mine to most gigs and recording sessions, and because I run the MFD passive split pick-up at full volume, most studio engineers will "tame it down a bit" w/ compression or maximizers.;\ But I don't mind, for I consider my trusty SB-1 to be the last and final attempt by Clarence Leonidas Fender to get his original, superb 1957 precision bass design and, more than a decade later, make it even better, and those who own SB-1's and L-100's, (which has a slighlty different sounding pick-up, by the way) know just what I mean. Peace on Earth.