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12-10-2012, 09:57 PM
|  | BGM Issue #11 now available! Editor-in-Chief, Bass Gear Magazine | | Join Date: Apr 2003 Location: Off to scout camp with my son | | Quote:
Originally Posted by MarkusBass Just bought a Little Bastard! Thinking if pairing with a couple of Ampeg 210AVs and sometimes just one. Anyone have this combo? | Dang, I should have tried that while I had the LB30 in for review. My guess is that it will pair up quite well. That Ashdown VS112 really kicks butt, especially with that head. | 
12-10-2012, 10:00 PM
|  | Markus Orange loves you. See profile for affiliations | | Join Date: Feb 2008 Location: California Coast | | | Perfect(insert evil scientists laugh here) Thanks!
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Originally Posted by saltymonkey I'd shank a hobo to get that bass. | | 
12-10-2012, 10:03 PM
| | Registered User | | Join Date: Dec 2006 Location: S.E. WI | | | I'm into this for sure!
Ampeg B-25 with 2-15's, 55 watts. Tung-Sol 12ax7's and Sylvania 7027a's. While I do like the effect of the tube rectifier, I did replace it with a plug in solid state. More punch and oomph to be heard. I'm so glad I kept the amp after I thought I outgrew it. Now it is my reference amp, by which all others are judged.
Ampeg V4BH with 2 svt-15-e's. I just had to have a 100 watt tube head. I use it for almost everything now. Played around with pre-tubes a bit and very satisfied with RCA's in it. A set of Winged C's are ready when needed for power.
Recently I've been working on an old Bassman chassis (45 watts I think) to drive a 4-12 set at 2 ohms. Not quite ready for action yet.
The idea of a 50 - 100 watt Marshall set up for bass is very interesting to me! Great thread!
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Last edited by vistacruiser : 12-10-2012 at 10:45 PM.
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12-10-2012, 10:20 PM
| | Registered User | | Join Date: Aug 2009 Location: New Zealand | | | Take 100w SuperLead and change a few capacitors, viola, SUPERBASS!
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12-10-2012, 10:33 PM
| | Registered User | | Join Date: Mar 2006 Location: Orlando, FLA | | | Sorry, my smallest all tube head is a Mesa Boogie 400+. | 
12-11-2012, 12:47 AM
| | | Laney A.O.R 50 
I'm told this is the Laney version of a modded JCM 800.
It has this strange bass boost function,that interacts with the master volume.The lower the master volume,the bigger the bass boost.Works fantastically as a low power bass amp.
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Originally Posted by sanfordandsonny I don't need to visually impress I need to audibly violate. | | 
12-11-2012, 01:51 AM
| | Registered User | | Join Date: Dec 2009 Location: Finland | | Quote:
Originally Posted by Fuzzbassian Laney A.O.R 50 
I'm told this is the Laney version of a modded JCM 800.
It has this strange bass boost function,that interacts with the master volume.The lower the master volume,the bigger the bass boost.Works fantastically as a low power bass amp. | I had one of those and used it with single-coil (Strat-style) guitars. Too trebley to my liking. I am surprised you like it for bass.
The boosts are actually FET transistors that actually disable the prewired attenuation in the tone controls... But they sure do sound like "boosts". If it works for you, it's a great economy solution and tube tone for days!
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Fender Telecaster Basses & Precision Bass + G & L L-1000 & L-2000 -> Aguilar DB751 -> DB212 cabinets (garage setup) or TH500 -> Laney 2x10 enclosure + Laney NXP 1x15" cabinet (rec room setup)
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12-11-2012, 03:10 AM
| | | So are you telling me that a SuperBass is just a Superlead revamped(basically)? If so, not too shabby.
In other news, I hope to join one of these tube clubs soon. I also am thinking of picking up recording as a hobby(that'll take me a few dollars, and some much needed patience to get good enough). I am also wanting to do everything analog for the most part. Weird? Probably. However, I am in the market to pick up gear nowadays, and small tube amps in the 1-100w market are right up my alley
Once you go tube, you never go back. Well, until you are tired of carrying the oversized paper weights at times.
SS/Hybrid amps have their place, but for me, and many others in the bass community, we have our interests among many other things, including GAS, GAS and more GAS. B15's, Bassmans, V4's, Custom amps and well playing basses are all I want for Christmas. I still have my two front teeth.
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12-11-2012, 04:57 AM
| | Registered User | | Join Date: Aug 2009 Location: New Zealand | | Quote:
Originally Posted by UrsaMinor So are you telling me that a SuperBass is just a Superlead revamped(basically)? If so, not too shabby.  . | Maybe the other way around. Or via a Fender.
They were all bass amps originally but the damned guitards got hold of them to drown us out with our own blimmn' amps we got made to try keep up with their 20W screamers. Every bass amp ever made has been twisted into a guitar amp.
Guitards are too wussy to deal with SVT's so you don't see them used much, small mercy.
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12-11-2012, 05:06 AM
|  | Registered User | | Join Date: Sep 2010 Location: SoMD (Mechanicsville) | |
My Pignose B100V. 100 watts. It'll go to grave with me.
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MIM's are made in Mexico by Mexicans, the MIA's are made in America by Mexicans. (MIJ's are where its at)
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12-11-2012, 05:12 AM
|  | Registered User | | Join Date: Dec 2010 Location: Manitoba, Canada | | | Never let your guitarist buy a valve head over 50 watts unless you play stadiums. Nothing sounds like a Strat through a 50 watt Marshall.
Now to ask those that know just for fun, on say a REAL v4b, your chain enough cabs together to actually have to use the 2 ohm setting, is there a point of diminishing returns in spl?
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*1962 Jazz. '74ish Ampeg V4B, 115/210. * '75 Gibson G3. *Epi Tbird. *Squier: VM Jazz, CV 50's P. *Squier VM Jazz Assoc. *MBC 641. Squier owners club
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12-11-2012, 05:18 AM
| | Registered User | | Join Date: Aug 2009 Location: New Zealand | | | Yes. But you would pack the stage with a beaming comb filtered mess machine long before you got to that limit.
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IWNBARMPB Prezident, Team Trace Elliot #1, Mediocre Bassist #399, Old Basstard #86, PBBBC #2
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12-11-2012, 06:33 AM
| | | | 1972 Ampeg V4B
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12-11-2012, 06:51 AM
|  | Registered User | | Join Date: Mar 2007 Location: Denver, CO | | Quote: |
Originally Posted by Groovy_Gravy 1972 Ampeg V4B | Are you sure that's a '72? Looks exactly like mine and I was told by people who know vintage amps better than me that mine's a '74. The serial number sticker came off of mine though, so I don't have a way to tell for sure.
Of course, maybe that's what the '73's looked like too.... Lol
5sg.
__________________ 3Leaf #1 / 5-String #79 / 6-string #68 / Ampeg #763 / Avatar #184 / Christian P&W #223 / Colorado #10
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12-11-2012, 07:08 AM
|  | Registered User | | Join Date: Dec 2010 Location: Manitoba, Canada | | Quote: |
Originally Posted by Downunderwonder Yes. But you would pack the stage with a beaming comb filtered mess machine long before you got to that limit. | Cool. Quote: |
Originally Posted by Groovy_Gravy 1972 Ampeg V4B | Nice shape! Just like mine except I don't have original grille cloth. 
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12-11-2012, 07:10 AM
|  | If Mark is your Queen that must make me King ;) Endorsing Artist Cataldo Basses and manufacturer of the Badbird Bridge | | Join Date: Feb 2006 Location: Rochester NY USA | | Ampeg B25B with matching 2x15 cab. I use in our rehearsal studio. 
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12-11-2012, 07:17 AM
|  | Registered User | | Join Date: Nov 2007 Location: boston, ma | | Quote:
Originally Posted by fivestringgecko Are you sure that's a '72? Looks exactly like mine and I was told by people who know vintage amps better than me that mine's a '74. The serial number sticker came off of mine though, so I don't have a way to tell for sure.  | That's what they looked like from 71-75. Either way, the serial numbers are a jumbled mess with little to no correlation with dates as far as had been determined. The best way is to use internal component date codes. Most of the large cement block resistors, cap cans, transformers, pots, etc should have date codes on them. | 
12-11-2012, 07:36 AM
|  | Registered User | | Join Date: Jul 2012 Location: NYC | | Since you guys are into this stuff, as i was, i have a Peavey Classic 120 watt tube power amp for sale, (4) fresh 6L6 tubes and (3) 12AX7, great condition and tons of pics, looking for a local sale.
I loved this power amp, used it with a GT tube pre and a Mesa/Boogies 2x10 for years, the latest band requires much more volume so i had to switch things up. For lower volume configurations this set up sounded incredible, was really great for vintage Funk. FS/FT: Peavey Classic 120 Tube Power Amp NYC 120 TUBE watts
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12-11-2012, 08:56 AM
|  | Registered User | | Join Date: Mar 2007 Location: Denver, CO | | Quote: |
Originally Posted by coreyfyfe
That's what they looked like from 71-75. Either way, the serial numbers are a jumbled mess with little to no correlation with dates as far as had been determined. The best way is to use internal component date codes. Most of the large cement block resistors, cap cans, transformers, pots, etc should have date codes on them. | Good to know, thanks for the info. I've always meant to have a tech give it a good going over, another excuse to have it serviced. :-)
5sg.
__________________ 3Leaf #1 / 5-String #79 / 6-string #68 / Ampeg #763 / Avatar #184 / Christian P&W #223 / Colorado #10
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12-11-2012, 09:06 AM
| | Registered User | | Join Date: Mar 2006 Location: East Central Wisconsin | | | I've modded many 50 and 100 watt amps, usually Fenders, to higher headroom. Usually, I rewire for 6550's (often adding an auxillary filament transformer), separate bias adjusts for each tube, and increased B+ filtering. This has turned some marginally useful bass amps into giggable amps. | | Thread Tools | Search this Thread | | | |
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