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  #261  
Old 01-24-2013, 06:03 PM
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I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
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Originally Posted by Immigrant View Post
I still think it would work, but I'm really, REALLY wrong about most things.
  #262  
Old 01-24-2013, 06:30 PM
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Originally Posted by KJung View Post
Ampeg... well, a couple micro's that don't work, and lots of heavy stuff
OH SNAP! Look away Jimmy!
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  #263  
Old 01-24-2013, 06:44 PM
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Quote:
Originally Posted by astack View Post
OH SNAP! Look away Jimmy!
ROFL!
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Quote:
Originally Posted by gigslut View Post
I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
Quote:
Originally Posted by Immigrant View Post
I still think it would work, but I'm really, REALLY wrong about most things.
  #264  
Old 01-24-2013, 07:18 PM
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Thanx Craig.P :thumbup:
It's interesting to look at em again after a few months use of the TH500.
I "A/B'd" this amp up against a SVT-VR a few weeks ago & results were pretty much as when I used it with my Traynor YBA300. (I used the TH500 for 2nd of two sets, YBA300-1st set)
Played thru a Bergantino NV412-sealed 4x12" & Fender RW-P bass & EBMM Stingray 5.
I was amazed at how similar they could sound, when eq'd to be alike.
Even the overdrive was similar- I adjusted both amps to have just a "touch"- & a "touch more when digging in.
I don't (in this band-playing old school funk & soul) have a bright "toppy" tone dialled in anyway, but the TH500 "kept up" in every regard apart from the "zingy" hi's.
Plenty (more) power & heft (dunno why ppl say class D can't punch as hard)
Made me really question the 50+lbs, all tube route.

Anyone tried the TH500 thru an Ampeg 810?
As it was SO good thru my NV412, wondering if it's "too much of a good thing" thru one?
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Last edited by rodl2005 : 01-24-2013 at 07:23 PM.
  #265  
Old 01-24-2013, 07:48 PM
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Originally Posted by rodl2005 View Post
As it was SO good thru my NV412, wondering if it's "too much of a good thing" thru one?
As a fellow who has a NV412 headed in, this is good knowledge.
  #266  
Old 01-24-2013, 07:59 PM
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This is so hard to read! My house was robbed last week. Aggh! Have fun you guys, i miss that amp (and all my basses, my pedals, ...you get the idea). I was just starting to dial in a sweet tone that worked so well with my Jazz.

Anyway, back to the originally scheduled program.....
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  #267  
Old 01-24-2013, 08:10 PM
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Originally Posted by NWB View Post
I seem recall reading somewhere from the Aguilar guy that they use two of the modules. That may explain it.
No they use only one module.
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  #268  
Old 01-24-2013, 08:24 PM
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Originally Posted by gustobassman View Post
This is so hard to read! My house was robbed last week. Aggh! Have fun you guys, i miss that amp (and all my basses, my pedals, ...you get the idea). I was just starting to dial in a sweet tone that worked so well with my Jazz.

Anyway, back to the originally scheduled program.....
D:

Is there a place on TB for a "be on the look out for my stolen goods"? I'd imagine with how much shopping goes on by TBers on ebay, cl, etc., there could be some hope?
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  #269  
Old 01-24-2013, 08:31 PM
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Quote:
Originally Posted by astack View Post
D:

Is there a place on TB for a "be on the look out for my stolen goods"? I'd imagine with how much shopping goes on by TBers on ebay, cl, etc., there could be some hope?
I've posted in the stolen section, that's a pretty slow forum. I do search CL, my stuff is VERY distinct. Once you've filed the police report (this applies to CL), you gotta just look for the ad containing your stuff, contact the police, they set up the deal.

Or, make the contact yourself and bring the biggest dude you know.

I wouldn't recommend that tho.
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  #270  
Old 01-24-2013, 10:21 PM
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TH 500 & cass 'D' is happening for me so far. Compliments all over town on every type of gig.

I was impressed with the TH pedal and when I saw Aguliar 750/751, 359 and AG500s being replaced by the TH, I knew my ears weren't lying to me.

I've owned class 'D' amps since 1989 and truth is...

INMHE & O: Tone and convient comfort is nicely done with the TH500....
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Last edited by LowBSix : 01-24-2013 at 10:27 PM.
  #271  
Old 01-24-2013, 10:48 PM
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Quote:
Originally Posted by rodl2005 View Post
Thanx Craig.P :thumbup:
It's interesting to look at em again after a few months use of the TH500.
I "A/B'd" this amp up against a SVT-VR a few weeks ago & results were pretty much as when I used it with my Traynor YBA300. (I used the TH500 for 2nd of two sets, YBA300-1st set)
Played thru a Bergantino NV412-sealed 4x12" & Fender RW-P bass & EBMM Stingray 5.
I was amazed at how similar they could sound, when eq'd to be alike.
Even the overdrive was similar- I adjusted both amps to have just a "touch"- & a "touch more when digging in.
I don't (in this band-playing old school funk & soul) have a bright "toppy" tone dialled in anyway, but the TH500 "kept up" in every regard apart from the "zingy" hi's.
Plenty (more) power & heft (dunno why ppl say class D can't punch as hard)
Made me really question the 50+lbs, all tube route.

Anyone tried the TH500 thru an Ampeg 810?
As it was SO good thru my NV412, wondering if it's "too much of a good thing" thru one?
I haven't tried it but I've heard George Porter play his TH500 through the Ampeg 810 back line at the Wolf and it was magical.
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Quote:
Originally Posted by gigslut View Post
I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
Quote:
Originally Posted by Immigrant View Post
I still think it would work, but I'm really, REALLY wrong about most things.
  #272  
Old 01-24-2013, 11:14 PM
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I'll just put this here:
IF you are thinking about selling your TH500, PM me.
  #273  
Old 01-24-2013, 11:45 PM
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Quote:
Originally Posted by StrangerDanger View Post
I haven't tried it but I've heard George Porter play his TH500 through the Ampeg 810 back line at the Wolf and it was magical.
Ahh yeah, I saw a cuppla pics of him using the TH500. So it was with an Ampeg 810:thumbup:
Good to hear. I can't imagine him having anything less than stellar tone
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  #274  
Old 01-25-2013, 12:55 AM
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Quote:
Originally Posted by rodl2005 View Post
Ahh yeah, I saw a cuppla pics of him using the TH500. So it was with an Ampeg 810:thumbup:
Good to hear. I can't imagine him having anything less than stellar tone
Last several times I have seen him come in with his Lakland bass in a Mono bag and the TH500 head and he just hooks up to whatever is there. Usually an Ampeg fridge. He always sounds like George.

I try real hard but cant quite there mice elf.
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Quote:
Originally Posted by gigslut View Post
I said, Sarah, could you play an "E" there? She screamed "DON'T TELL ME LETTERS! SHOW ME WHERE TO PUT MY FINGERS!"
Quote:
Originally Posted by Immigrant View Post
I still think it would work, but I'm really, REALLY wrong about most things.
  #275  
Old 01-25-2013, 05:11 AM
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Quote:
Originally Posted by NWB View Post
I seem recall reading somewhere from the Aguilar guy that they use two of the modules. That may explain it.
Nah, don't overthink it. This thing is stable as heck, and uses the same power module as the Genz 900 and 9.2 series amps. They both configure those modules a bit differently, and both the Aguilar and Genz heads are rock solid regarding reliability and there are virtually no reports of even any 'overheating' shut-downs with either brand when pushed hard.

Whether you like the tone or not is a personal thing, but I've found the TH500 to be one of the biggest sounding micro's out there. Quite impressive, since it is also one of the lightest.

Last edited by KJung : 01-25-2013 at 05:45 AM.
  #276  
Old 01-25-2013, 10:28 AM
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Originally Posted by KJung View Post
Nah, don't overthink it. This thing is stable as heck, and uses the same power module as the Genz 900 and 9.2 series amps. They both configure those modules a bit differently, and both the Aguilar and Genz heads are rock solid regarding reliability and there are virtually no reports of even any 'overheating' shut-downs with either brand when pushed hard.

Whether you like the tone or not is a personal thing, but I've found the TH500 to be one of the biggest sounding micro's out there. Quite impressive, since it is also one of the lightest.
Oh snap, my memory is not so good anymore. It is one power module.

So far, I haven't had any chance to really push my TH, but I have no doubt it would handle anything thrown at it just fine. Definitely nothing thin or "micro" about the tone of it.

Maybe that's why I haven't pushed it - because it gets the job done so well without cranking it up.
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  #277  
Old 01-25-2013, 10:31 AM
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Originally Posted by NWB View Post
Oh snap, my memory is not so good anymore. It is one power module.

So far, I haven't had any chance to really push my TH, but I have no doubt it would handle anything thrown at it just fine. Definitely nothing thin or "micro" about the tone of it.

Maybe that's why I haven't pushed it - because it gets the job done so well without cranking it up.
+1 Even the 'clip' indicator light has nothing to do with overtaxing the power section. It just means that the entire preamp signal is being overdriven a bit (which the Aguilar guys believe actually sounds good). I've only had that indicator come on once, and it was on one of the loudest gigs I've ever done
  #278  
Old 01-25-2013, 10:31 AM
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As a fellow who has a NV412 headed in, this is good knowledge.
Don't be shaking my house down!
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  #279  
Old 01-25-2013, 12:22 PM
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Quote:
Originally Posted by NWB View Post
Oh snap, my memory is not so good anymore. It is one power module.

So far, I haven't had any chance to really push my TH, but I have no doubt it would handle anything thrown at it just fine. Definitely nothing thin or "micro" about the tone of it.

Maybe that's why I haven't pushed it - because it gets the job done so well without cranking it up.
I find that it sounds GREAT with 2 of the 3 gain, drive and master cranked, but with all 3, it get's over compressed. Was playing the V4B last night at practice and was actually missing hearing the Aggie. That's crazy, right?
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  #280  
Old 01-25-2013, 01:11 PM
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Originally Posted by astack View Post
I find that it sounds GREAT with 2 of the 3 gain, drive and master cranked, but with all 3, it get's over compressed. Was playing the V4B last night at practice and was actually missing hearing the Aggie. That's crazy, right?
All 3? That would likely blow my speakers!

Even diming the drive and gain gives far more distortion than I typically use.
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