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10-17-2011, 11:28 AM
| | | | Best micro head for SVT-410HLF
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I am looking at possibly getting a mirco head to go with my cab. I currently use a SVT4-PRO, and love it, but the weight on it really bothers me.
Possibly going to make a switch to a micro head if I can find a suitable replacement.
Any suggestions?
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10-17-2011, 11:33 AM
|  | Registered User | | Join Date: Mar 2010 Location: Atlanta, Ga. | | | Ampeg PF500 maybe?
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10-17-2011, 11:58 AM
| | Registered User | | Join Date: Dec 2008 Location: Metropolis Il | | | The Ampeg 7pro would probably match up really well. It's not really a micro but it's not heavy either.
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10-17-2011, 12:35 PM
|  | Registered User | | Join Date: May 2006 Location: Arlington Heights, IL | | Quote:
Originally Posted by TC.65 The Ampeg 7pro would probably match up really well. It's not really a micro but it's not heavy either. | The 7 PRO sounds very much like the 4 PRO the few times I have tried it. | 
10-17-2011, 01:40 PM
|  | Registered User | | Join Date: Apr 2006 Location: West Dundee, IL | | | The 7 Pro is a great amp, but I didn't care too much for it when paired with the 410HLF. Too boomy. Love how it sounds with the 410HE, though.
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Markbass Club #8
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10-18-2011, 08:02 AM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | I'd say 7 Pro, too, although the PF500 is more of a match for the 410HLF's power handling, but if you're careful not to turn up the 7 Pro too loud, it's freaking great sounding. And the boominess in the 7 Pro can be dialed out.
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10-18-2011, 08:03 AM
|  | Registered User | | Join Date: Oct 2011 Location: Oxford, MS | | Quote:
Originally Posted by JimmyM I'd say 7 Pro, too, although the PF500 is more of a match for the 410HLF's power handling, but if you're careful not to turn up the 7 Pro too loud, it's freaking great sounding. And the boominess in the 7 Pro can be dialed out. | +1 | 
10-18-2011, 07:13 PM
| | Registered User | | Join Date: Mar 2010 Location: New Hampshire | | | I run a PF 500 thru a 410HLF for a loud classic rock band.
Great combination, thundering low end and mids that cut thru without much
dial twisting. Add a Fender Jazz with flats and its all I'll ever need and
I can lug it all without poppin a disc in my back
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Ampeg Club #664
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10-18-2011, 07:25 PM
| | | I run a 7 pro through a 410HLF. As jimmy said the boom can be dialed out. The boom referred to is from the cab. Personally I don't think its boomy and i can't imagine you do either since you own it. I just don't crank the bass knob. The sound cloud in my sig is a quick/crude recording I did in my basement with my fender jazz (neck pickup 100% bridge roled off, strung with dead chromes) 7 pro and 410hlf mic'ed with a audix kick drum mic. Or here is a live recording from a condenser mic behind the crowd (outdoor gig no pa support, jazz with bridge pick up rolled off dead chromes, and a pick). In Memory Of Elizabeth Reed - Cover - YouTube Or check this out for a more modern scooped sound (recorded in a real studio, jazz bass both pick ups full with either new d'addario XLS or DR sunbeams, listen to world groove). Join the Circus | Free Music, Tour Dates, Photos, Videos
Go try a 7 pro, I think you'll like it. | 
10-18-2011, 09:06 PM
|  | Registered User | | Join Date: Jul 2005 Location: Iowa | | | I haven't tried it but I'm willing to bet my GK MB500 would sound killer through the 410hlf. | 
10-18-2011, 09:12 PM
|  | Registered User | | Join Date: May 2009 Location: Montgomery, AL | | | I ran a 700rb-II through the hlf for awhile and thought it sounded great. If the mb500 is anything like the 700rb then it's definately worth looking at.
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