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  #801  
Old 11-24-2012, 12:42 PM
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Hey no worries man. It's all good.

Liam
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  #802  
Old 11-24-2012, 02:36 PM
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I measured a slightly rising frequency response when set "flat". See the attached graph.
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  #803  
Old 11-24-2012, 02:43 PM
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Quote:
Originally Posted by chucko58 View Post
I measured a slightly rising frequency response when set "flat". See the attached graph.
Cool! Thanks for doing measurements. It would be very interesting to see what the knobs are set at to get a flat frequency response, with and without te graphic eq. If you find yourself bored with nothing else to do

Liam
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  #804  
Old 11-24-2012, 07:21 PM
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Quote:
Originally Posted by chucko58 View Post
I measured a slightly rising frequency response when set "flat". See the attached graph.
Yep, that's it.

From Passinwind:

Howdy,

Thought you might like a look at the response measurements I took on my BX500. Dunno if the BX1500 is substantially different, since I haven't seen the schematic for one yet. I dig the BX500 a lot though -- made a trade for a broken one and fixed it right quick.

The measurements were done with the Drive and Contour controls full left, except as noted, and the graphic EQ off.

all the best,

----Charlie

http://passing-wind.com/tech/BX500_FRC_annotated.JPG
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Last edited by DJ Bebop : 11-25-2012 at 03:23 PM.
  #805  
Old 11-25-2012, 09:21 AM
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Quote:
Originally Posted by DJ Bebop View Post
Yep, that's it.

Howdy,

Thought you might like a look at the response measurements I took on my BX500. Dunno if the BX1500 is substantially different, since I haven't seen the schematic for one yet. I dig the BX500 a lot though -- made a trade for a broken one and fixed it right quick.

The measurements were done with the Drive and Contour controls full left, except as noted, and the graphic EQ off.

all the best,

----Charlie

http://passing-wind.com/tech/BX500_FRC_annotated.JPG
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Well, how bout that... I was wondering why boosting the Bass knob didn't fill it up enough for me -- your purple plot seems to peak at 300 Hz! Wonder why Carvin would do that. Good thing they put the semiparametrics and the graphic on there!
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  #806  
Old 11-25-2012, 12:29 PM
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Hmmm interesting. I like it flat. But now I'll experiment. Who knows, maybe I'll like it even better!

Cheers,
Liam
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  #807  
Old 11-25-2012, 03:09 PM
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Quote:
Originally Posted by eli View Post
Well, how bout that... I was wondering why boosting the Bass knob didn't fill it up enough for me -- your purple plot seems to peak at 300 Hz! Wonder why Carvin would do that. Good thing they put the semiparametrics and the graphic on there!
Quote:
Originally Posted by DJ Bebop View Post
Yep, that's it.

From Passinwind :

Howdy,

Thought you might like a look at the response measurements I took on my BX500. Dunno if the BX1500 is substantially different, since I haven't seen the schematic for one yet. I dig the BX500 a lot though -- made a trade for a broken one and fixed it right quick.

The measurements were done with the Drive and Contour controls full left, except as noted, and the graphic EQ off.

all the best,

----Charlie

http://passing-wind.com/tech/BX500_FRC_annotated.JPG
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Thank Charlie Escher AKA Passinwind for that!

I think what he's showing is different ways to flattening the amp response since 12 noon is not it.
So, the different plots with different knob settings shows what can bring that amp closer to "flat"
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Last edited by DJ Bebop : 11-25-2012 at 03:22 PM.
  #808  
Old 11-25-2012, 09:55 PM
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I have been using a BX500 that is mounted in an old PB100-10 combo cabinet, with the stock PB10 replaced with an Eminence CH2010 neo. I may be the only person in the world with this combination! I'm playing a theatre show with this amp. I'm running a DI line out to the house, and just doing low-volume stage monitoring with it. I'm not getting above 9 or 10 o'clock on the master, and generally running the gain around noon or 1 o'clock. I'm playing the show with an SX short scale jazz with D'Addario Chromes and Bart pickups.

The amp is very loud, present, and punchy. Definitely the sound I need for this show. Thanks, Carvin, for the BX500!
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Last edited by MichaelVee : 11-26-2012 at 05:23 PM.
  #809  
Old 11-25-2012, 10:12 PM
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Quote:
Originally Posted by MichaelVee View Post
I have been using a BX500 that is mounted in an old PB110 combo cabinet, with the stock PB10 replaced with an Eminence CH2010 neo. I may be the only person in the world with this combination! I'm playing a theatre show with this amp. I'm running a DI line out to the house, and just doing low-volume stage monitoring with it. I'm not getting above 9 or 10 o'clock on the master, and generally running the gain around noon or 1 o'clock. I'm playing the show with an SX short scale jazz with D'Addario Chromes and Bart pickups.

The amp is very loud, present, and punchy. Definitely the sound I need for this show. Thanks, Carvin, for the BX500!
I thought about doing that with my PB100-10
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  #810  
Old 11-25-2012, 10:14 PM
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I have an older bx600 and i works perfectly>
  #811  
Old 11-26-2012, 07:23 AM
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Quote:
Originally Posted by liam_g View Post
Cool! Thanks for doing measurements. It would be very interesting to see what the knobs are set at to get a flat frequency response, with and without te graphic eq. If you find yourself bored with nothing else to do

Liam
You mean like the attached? This is with the bass at +3 and the contour at 11 o'clock.
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  #812  
Old 11-26-2012, 08:27 AM
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Cool, thanks!

Liam
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  #813  
Old 11-26-2012, 08:57 AM
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The fact that the BX500 is the same shell as the older PB amp heads makes for many interesting possibilities! Mine was in a PB-200 cab with a 4ohm 600W Carvin Neo spk. The cab couldn't push the full 500 watts, but it worked great for rehearsals and not-huge gigs.

Not that way now (several surgeries have intervened for various reasons) but will likely return to that config soon as I am using neither component for anything at the moment, and I have a new band in whose rehearsal space I would like to install an amp.
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Last edited by eli : 11-26-2012 at 09:05 AM.
  #814  
Old 11-26-2012, 11:12 AM
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Set flat it seems kinda thin if you do try cranking the bass for a bit. With the bass up to say 3pm, it is superfat and and you can really feel it. Not the best mix for a band maybe, but sweet none the less.

I guess it is all relative and that is the main reason why it is recommended to cut before you boost.
  #815  
Old 11-27-2012, 01:33 PM
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2 ohm operation

I'm interested in which of you BX500 users routinely operate the amp at 2 ohms. Have you experienced any issues or reliability problems? I appreciate your feedback before I pull on trigger on one. Thanks.
  #816  
Old 11-29-2012, 12:12 PM
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2 ohm operation

No one?

I did a search before my first post and found some questions about reliability, but didn't really see any good answers from personal experience about 2 ohm operation. Maybe I missed some?
  #817  
Old 11-29-2012, 12:39 PM
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I've asked this several times, and only got one or two answers.
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  #818  
Old 11-29-2012, 01:00 PM
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Quote:
Originally Posted by timber22 View Post
No one?

I did a search before my first post and found some questions about reliability, but didn't really see any good answers from personal experience about 2 ohm operation. Maybe I missed some?
I ran mine at 2.67 ohms for a full gig (3 sets cover band) with no PA support. I used my BX500 combo (BR515N) amp which is 8 ohms, and then a Dr. Bass 115LF 4 ohm cab below. I didn't notice any issues at all. So, I can vouch for 2.67 ohms.
  #819  
Old 11-29-2012, 01:41 PM
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2.67 here to!
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  #820  
Old 11-29-2012, 03:48 PM
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Lync and Bebop .. thanks for the info. That helps. If anyone else has 2 ohm experience, I'd appreciate it, and maybe chef would also.
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