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  #61  
Old 01-05-2013, 01:03 PM
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Originally Posted by MAMMOTHvolume View Post
I've looked at some semi parametric eq's have you found any that look decent? I kind've wanna avoid to much feedback as it normally ruins the dynamics a little doesn't hurt if you wanna get rid of some noise though
The only all-tube ones I've found online that looked all that promising were switched-frequency stuff meant for studio use. Lots of compromises involved, as you said. I'm not too keen on using cheap dual pots for sweeps, for instance. Since I do lots of solid state builds too, I would be pretty tempted to just do a hybrid circuit for swept frequencies.
  #62  
Old 01-05-2013, 01:11 PM
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Charlie: what version of spice are you using?
  #63  
Old 01-05-2013, 01:17 PM
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Charlie: what version of spice are you using?
LTspice (SwitcherCAD) for the most part, but I've just started messing with Tina-TI too. The LTspice online community presence is really great, and of course free is a very good price!

Eventually I'm hoping to do my own tube models, since a good friend of mine just bought a pretty killer computerized tube testing rig.
  #64  
Old 01-05-2013, 06:46 PM
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Originally Posted by Passinwind View Post

Eventually I'm hoping to do my own tube models, since a good friend of mine just bought a pretty killer computerized tube testing rig.
I'll check that LTSpice out.

Would be cool to have access to a rig like that. I'm still using a Hickok 600A from the early 1960's that works great.
  #65  
Old 01-05-2013, 07:16 PM
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Charlie,

It might be interesting to look at the semi-parametric in this design:

http://personalpages.tds.net/~fdeck/bass/ebpresche.JPG

I think that with some re-jiggering of component values, something like this could be made to work with triodes, or maybe even with a combination of a triode and a single bipolar transistor.
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  #66  
Old 01-05-2013, 09:44 PM
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Charlie,

It might be interesting to look at the semi-parametric in this design:

http://personalpages.tds.net/~fdeck/bass/ebpresche.JPG

I think that with some re-jiggering of component values, something like this could be made to work with triodes, or maybe even with a combination of a triode and a single bipolar transistor.
Thanks. I modeled a tube derivative of an opamp based circuit that Carvin and probably others use that's very similar as well. Guess it's time to sniff a little smoke and see how it sounds.
  #67  
Old 01-06-2013, 02:35 AM
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My own, of course...

Bass and mids are active, close to Baxandall, in the feedback loop from the second 6SL7 plate back to the grid. There is substantial treble pre-emphasis involved as well. Treble control is passive, cut-only, between the second and third stages. At midpoint you get the curve shown above, since you are cutting into the baked-in boost in the previous stage. Here's the modeled frequency response curve model with the treble control nearly all the way up:



The idea is dead-clean highs at any setting, and the ability to have variable distortion in the lows and/or mids (or not, as desired), with lots of interactivity between all the tone controls. Works great for fretless, and cabs with tweeters, which is all I care about really...
Hey Charlie, although some of the engineering aspects are above my grade, I really like how that treble curve ended up.
I also prefer that high centred bell shape, it's IMHO the most musical sounding form of treble EQ.

Bet that pre-amp sounds great !
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  #68  
Old 01-06-2013, 03:11 AM
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Originally Posted by OldogNewTrick View Post
Hey Charlie, although some of the engineering aspects are above my grade, I really like how that treble curve ended up.
I also prefer that high centred bell shape, it's IMHO the most musical sounding form of treble EQ.

Bet that pre-amp sounds great !
That EQ is actually not too far off a typical CD horn compensation curve, which made some sense to me given that I use horn tweeters in most of my cabs.

I was lucky enough to hear Michael Manring play one of his Zon basses through it and one of Duke's Thunderchild 212 cabs at a Talkbass GTG -- a pretty flattering situation for hearing a DIY piece, to say the least! I also got to try it through a Sadowsky SA200's tube power section at another GTG. Makes me really want to do a DIY all tube bass amp sooner than later.

Last edited by Passinwind : 01-06-2013 at 03:13 AM.
  #69  
Old 01-06-2013, 04:48 AM
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Got two words for that idea: Eight 6550's
  #70  
Old 01-06-2013, 07:07 AM
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Got two words for that idea: Eight 6550's
thats 4 haha
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  #71  
Old 04-20-2013, 12:16 PM
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Longer lower wider faster

I am now working on porting this to a two rack unit format and putting one out in the field with a fairly well known hard gigging bass player friend. I can't see this being cost effective to build and sell at this time though, unfortunately.

Seemed like a good time to try my hand at circuit board layout, so these are the line driver section and the preamp/tone stack ones. The tube sockets will still be on flying leads. More to follow in a week or two...

  #72  
Old 04-20-2013, 04:12 PM
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so cool... do you wear a cape?
  #73  
Old 04-21-2013, 11:18 AM
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Charlie, Great work (as always)! Looking forward to seeing this come together.
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  #74  
Old 04-21-2013, 11:26 AM
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Very nice work. When do they go into production?
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  #75  
Old 04-22-2013, 07:00 PM
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nice
Quote:
Originally Posted by Passinwind View Post
I am now working on porting this to a two rack unit format and putting one out in the field with a fairly well known hard gigging bass player friend. I can't see this being cost effective to build and sell at this time though, unfortunately.

Seemed like a good time to try my hand at circuit board layout, so these are the line driver section and the preamp/tone stack ones. The tube sockets will still be on flying leads. More to follow in a week or two...

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