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Originally Posted by MichiBass Yeah, but doesn't it sound more modern? |
No. They're both modern sounding amps (compared to, say, an Ampeg), but the Markbass is a vastly more versatile tool. You can turn up the VLE filter to emulate a vintage cabinet, and the tweeter horn is effectively disabled, giving you a very old-school sound. Alternatively, you can shut the VLE off and crank the mid-scoop VPF and sound just like Marcus Miller. There are a huge variety of tones in that little box.
I play EBMM Stingrays, which are considered very "modern" sounding active basses. But I occasionally play with a dub/reggae outfit, and I can totally dial in that vibe (treble and mid cut plus bass boost on the bass, VLE maxed on the amp) and sound just like freakin Robbie Shakespeare. For my main gig with my alt-country folkadelic vocal group, I play my Ray fretless w/ piezo and go for an ersatz upright sound. Again, the MB performs flawlessly.
The eq section is also very musical without being overly tweaky. I've found the eq secitons on GK amps I've owned in the past to be a little fussy.
I'm surprised to hear the MB is heavier... that GK must be really tiny. I have set my CMD121P on top of an 8ohm 4x10 extension cabinet and thrown down with two guitarists running 100w heads and a drummer who thinks he's the reincarnation of John Bonham, and I had no problem holding my own. So the great thing is, for small venues it's one trip from car to stage. But if I need to get crazy loud, the MB can do it.
If you'v egot the coin, buy the MB. In 30+ years of bass playing and all of the requisite equipment swapping and upgrading, it's my most favorite amp that I've ever owned (I've had Ampeg SVT, SWR, GK, Peavy, David Eden, Fender).