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02-10-2013, 06:57 PM
| | Registered User | | Join Date: Dec 2004 Location: Boston | | | Grammys Mumford & Sons... Sideways Ampeg 810
Hows that horizontal dispersion? ha ha... not to mention tweaking your tone for your knees to be COMPLETELY different than what the crowd hears
Just kinda amazing how the industry is so slow to change.
But it looks cool eh? Dont we know better than that by now? Sure hes going through the house so its probably inconsequential but someone out there follows the monkey see, monkey do
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Moo
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02-10-2013, 07:02 PM
| | Registered User | | Join Date: Jun 2005 Location: Tasmania, Australia | | | They ain't my cup of tea by a long shot! :thumbdown:
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BONZA#32,Ampeg#34,EBMM#106,P-bass#581,Alleva-Coppolo, Rickenbacker Club #450, Bergantino#32, BIG cabs club#16, Black'n Maple #459
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02-10-2013, 07:03 PM
| | Registered User | | Join Date: Oct 2001 Location: Ferndale, Michigan USA | | | Not impressed.
By any of the acts so far. |
02-10-2013, 07:07 PM
|  | Registered User | | Join Date: Nov 2009 Location: Philly | | | Considering that he's running IEM how he has his 8x10 mixed doesn't matter. To how he hears or what the audience hears. He probably couldn't have it up because of the lights behind him either.
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Gear:LMII, Ampeg 810E 1983 Fender Fullerton '57 P Reissue, Fender MIJ P Bass
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02-10-2013, 07:11 PM
| | Registered User | | Join Date: Feb 2011 Location: Virginia Beach, VA | | | Haven't watched the Grammys in 25 years.
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"Monkey killing monkey killing monkey over pieces of the ground." - Tool, "Right In Two"
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02-10-2013, 07:14 PM
|  | TUBE LOVER! | | Join Date: Oct 2009 Location: Edmonton, Alberta | | Quote:
Originally Posted by Tunaman  Hows that horizontal dispersion? ha ha... not to mention tweaking your tone for your knees to be COMPLETELY different than what the crowd hears
Just kinda amazing how the industry is so slow to change.
But it looks cool eh? Dont we know better than that by now? Sure hes going through the house so its probably inconsequential but someone out there follows the monkey see, monkey do | would you be happier if he used a 410? Don't really understand what your saying......
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ROOT NOTE RADICAL!
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02-10-2013, 07:18 PM
| | | | Well right now I'm listening to the Vandals and I have to say... my 810 is staying straight up and down. But I'm sure there's a reason they're doing it that way. I recall Slowdive used some live techniques that involved driving the bass at the floor. |
02-10-2013, 07:19 PM
| | Registered User | | Join Date: Dec 2004 Location: Boston | | Quote:
Originally Posted by redhed would you be happier if he used a 410? Don't really understand what your saying...... | Here you go man Speaker physics from Barefaced
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Moo
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02-10-2013, 07:19 PM
| | Registered User | | Join Date: Jun 2009 Location: Brooklyn and Hudson Valley | | Quote:
Originally Posted by redhed would you be happier if he used a 410? Don't really understand what your saying...... | I think he's saying that it was all for show - that no one would actually play an 8 x 10 laid down sideways.
But that it didn't matter sonically, just visually, because it was all going through the FOH anyway.
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Genz Benz Club #168
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02-10-2013, 07:30 PM
| | | | it'sjust a backline the pulled out of backstage storage and the lighting guys and photographers said cut out down.
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My opinions are the result of years of rational, objective analysis. I analyze all factors before making a choice. I update my opinions to include new facts. Fallacies? No?
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02-10-2013, 07:31 PM
| | Registered User | | Join Date: Jan 2005 Location: Oakley, Ca. | | | I remember seeing Los Lonely Boys live a few years back, and bassist brother had two SWR Megoliaths laid on top of each other sideways...as has been said here, he was running 100% through the FOH, so it was pure show, and definitely caught my attention as being something different...he's a mean bassist, by the way...
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Schroeder Cab Club #87
Genz-Benz Club #176
Last edited by timmerz : 02-10-2013 at 07:45 PM.
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02-10-2013, 07:32 PM
| | TUBE LOVER! | | Join Date: Oct 2009 Location: Edmonton, Alberta | | Quote:
Originally Posted by seamonkey it'sjust a backline the pulled out of backstage storage and the lighting guys and photographers said cut out down. | Probably true.........
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ROOT NOTE RADICAL!
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02-10-2013, 07:34 PM
| | Registered User | | Join Date: Dec 2004 Location: Boston | | | I'm just glad that the tide is turning & we are becoming more informed as a TB community why thats not for the regular guy
Cheers!
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Moo
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02-10-2013, 07:40 PM
|  | Registered User | | Join Date: Jun 2006 Location: Brooklyn & Queens, NYC | | Quote:
Originally Posted by deeptubes Haven't watched the Grammys in 25 years. | Likewise.
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Hi Axl! Hi Axl! Hi Axl! Where's Axl? Hi Axl! Hi Axl!
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02-10-2013, 08:38 PM
| | | Michael Steele of the Bangles often used an SVT cab on its side dating back to the 80's. The mic'ed cab was about the same height as the other amps on the stage. Other bands have done this as well.
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Official Ampeg Portaflex Club #89
Last edited by beans-on-toast : 02-11-2013 at 07:49 AM.
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02-10-2013, 08:52 PM
| | Registered User | | Join Date: Sep 2011 Location: Hannibal,Mo | | | I play in a worship band in a large church and our SVT cab spends a lot more time on its side than standing up......but the volume isn't earthshaking and we are on IEM.
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Praise and Worship Bassists Club #1014/ Peavey Amp Club #154/ Washburn Club #50
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02-10-2013, 08:57 PM
| | TUBE LOVER! | | Join Date: Oct 2009 Location: Edmonton, Alberta | | | Actually I use mine the regular way.
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ROOT NOTE RADICAL!
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02-10-2013, 09:08 PM
|  | Registered User
Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | No pansy Grammy director would ever tell my Grammy nominated band that we'd have to set their gear a certain way for the camera, and neither would Mumford or his sons. The idea of that is ludicrous.
But I really don't care if someone sets their 810 on its side. Whatever.
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Ampeg Portaflex Club #1
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02-10-2013, 09:33 PM
|  | Registered User | | Join Date: Apr 2007 Location: Philadelphia, PA | | | People play their 810s and 215s like that every day. NO different than a 115 or 410, except louder. At the Grammys it's probably more of a prop than anything.
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"We're just normal guys trying to make interesting music." -Wayne Coyne, Head Flaming Lip
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02-10-2013, 09:39 PM
|  | Registered User | | Join Date: Feb 2005 Location: Greenville, NC USA | | Quote:
Originally Posted by JimmyM No pansy Grammy director would ever tell my Grammy nominated band that we'd have to set their gear a certain way for the camera, and neither would Mumford or his sons. The idea of that is ludicrous.
But I really don't care if someone sets their 810 on its side. Whatever. | Sorry but that's BS. Just like every other aspect of the music industry, you stand where they tell you to stand, you play what they tell you to play, and you cut your hair like they tell you to cut your hair. That is, unless of course you are really a big shot. But if you are the bass player for just some band who happened to be popular enough this year to be on that stage, you will put your rig however they tell you to. If you're Sting, you tell them where to stick it. If you are (insert name of bass player nobody knows here) you say "Yes sir".
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