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  #1  
Old 02-21-2013, 03:11 PM
Floyd Eye's Avatar
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Hard rock/Alt 90s guys, I need some advice.

So that is my genre ( AIC, Tool, Godsmack, RATM, Chevelle, etc., as well as more poppy 90s stuff like Tripping Daisy, Everclear, Local H, The Toadies, etc..

AND, I know I have asked a similar question in recent weeks, but I would prefer to ask guys who play in this genre and use Ampeg SVTs.

I have recently gotten to the point where I am about to pull the trigger on an all tube SVT and I will probably look on GC's used website first. I see they have several different models (VR, CL, etc.) available.

So what would you get and why, if you please?

By the way, I use a '74 4001 and a "Dark era" Ampeg 810cl.

Thanks
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  #2  
Old 02-21-2013, 03:44 PM
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I am in the SAME situation as you right now. I play in a grunge/90s rock band and I am about to pull the trigger on an SVT II. Here is a tone that I would LOVE to achieve.

https://www.youtube.com/watch?v=OH9SyQY564U
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  #3  
Old 02-21-2013, 03:51 PM
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Quote:
Originally Posted by Floyd Eye View Post
So that is my genre ( AIC, Tool, Godsmack, RATM, Chevelle, etc., as well as more poppy 90s stuff like Tripping Daisy, Everclear, Local H, The Toadies, etc..

AND, I know I have asked a similar question in recent weeks, but I would prefer to ask guys who play in this genre and use Ampeg SVTs.

I have recently gotten to the point where I am about to pull the trigger on an all tube SVT and I will probably look on GC's used website first. I see they have several different models (VR, CL, etc.) available.

So what would you get and why, if you please?

By the way, I use a '74 4001 and a "Dark era" Ampeg 810cl.

Thanks


JimmyM will likely have more useful input than me on this, but according to him the CL is just fine compared to the VR. A lot of people say the CL sounds squished or congested compared to the VR, but the solution to this is running the master volume on the CL to about 3 o clock and using the gain control to control volume to taste. If you don't want the big, clean sound you can tweak them back and forth to get grind or OD from the CL.

If I had to choose between the two, I'd be springing for a CL since they are cheaper and do just as well. Cranking out some Nirvana, Silverchair, and Smashing Pumpkins tunes on one of those would be a dream come true
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  #4  
Old 02-21-2013, 03:56 PM
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Personally, I'd go for a used Aguilar DB750 instead. I play similarly to the Tool's and Rage's bass players (as far as their clean tone is concerned), and it gets me there in spades. It's also a great head to throw effects through. It'll save you some weight, and you don't have to worry as much about power tubes.
  #5  
Old 02-21-2013, 03:56 PM
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I've played quite a bit of that stuff, so I came in to look.

So you're already set on an SVT then, just need to know which model? I'm not much help there.

I've used a Spector into an RBI into a poweramp. A bang for buck thing, there. (Got the RBI for only $100.). More recently a Carvin BX1500 for lots of fairly clean power & flexibility, and a VT Deluxe in front of it for the right color.

I have a Monique on the way to take over "color" duty, the VT will be demoted to a fancy part-time boost/dirt pedal.

I'll see for sure when she gets here, but I have a feeling I'd get the same setup again over an SVT. Not that I have anything against an SVT, I don't.
  #6  
Old 02-21-2013, 04:00 PM
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I have owned early 70's SVT heads, SVT 4PRO, 2PRO, CL and 6PRO. To me the early 70's sounded the best.

The 4PRO and 2PRO seemed under powered and lacked clarity. The CL was much better.

I still own the 70's head but I primarily use a US Built 6PRO. Plenty of power and great tone.
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  #7  
Old 02-21-2013, 04:04 PM
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I have been using a 1000 watt power and an RBI for the last 2 years and I am not dissatisfied with it. I just have the cash now to buy "The amp" and I only plan on doing it once. I originally was thinking 1600 watt SLM SVT 4 Pro because my band is loud and I wasn't convinced that 300 watts would cut it ( even tube watts), but have recently come around to gassing for an all tube Ampeg. The choices really are a 2 Pro, CL or VR.


I am interested in hearing your attempts to change my mind though. Nothing is really set in stone, though Ampeg has the huge advantage in my mind.
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  #8  
Old 02-21-2013, 04:07 PM
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+1 for the DB750 I'm in an original band but it is all about that tone with a bit more bite. The DB is indestructible it can get that thick warm tube tone plenty and it’s just a monster. It’s the only head I gig with and into a mesa 4/12 cab it’s everything.
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  #9  
Old 02-21-2013, 04:11 PM
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I admit that Aggie looks awful nice. I generally like subtle grit as a base tone and then I add dirt via TAFM as needed.
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  #10  
Old 02-21-2013, 04:18 PM
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You could always find a Peavey Classic 400. More beef.
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Who the heck wants to "cut" through a mix anyway? I want to punch the mix in the balls. Anyone can cut through the mix. Not everyone can beat the mix's ass
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  #11  
Old 02-21-2013, 04:20 PM
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I can't speak to it fully, because I haven't actually played my own big upgrade yet. But if asked today to dispense with a wad of cash and buy a complete bass head, I would look into a few options, and attempt to come up with a way to try them all.

1. Rackmount De-Monique. Or just Monique + poweramp of choice.

2. One of JGR's rock tube pres + poweramp of choice.

3. Baer Valkyrie, if available yet.

4. The current Peavey tube heads.

5. Yeah, I'd probably try an SVT CL or VR, too. It is a standard of sorts, after all.


I could probabaly come up with more to try, but definitely would be interested in those.
  #12  
Old 02-21-2013, 04:20 PM
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Originally Posted by CL400Peavey View Post
You could always find a Peavey Classic 400. More beef.
Have to pass on that one my friend. Did my time with Peavey's as a youngin and have no intention of going backwards.
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  #13  
Old 02-21-2013, 04:25 PM
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If it wasn't a Classic 400, I don't think it counts. I wouldn't call it a step back from an SVT, either.

I'd put it on my list.
  #14  
Old 02-21-2013, 04:26 PM
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Quote:
Originally Posted by Floyd Eye View Post
Have to pass on that one my friend. Did my time with Peavey's as a youngin and have no intention of going backwards.
But have you tried the Classic 400? A unique beast.
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Quote:
Originally Posted by JimmyM View Post
Who the heck wants to "cut" through a mix anyway? I want to punch the mix in the balls. Anyone can cut through the mix. Not everyone can beat the mix's ass
Greenboy-fEARful #53 "Bruce Banner"
  #15  
Old 02-21-2013, 04:28 PM
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Originally Posted by CL400Peavey View Post
But have you tried the Classic 400? A unique beast.

No, I haven't. Guess I should at least check it out.
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  #16  
Old 02-21-2013, 04:31 PM
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SVT II SVT II SVT II
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  #17  
Old 02-21-2013, 04:45 PM
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Quote:
Originally Posted by Floyd Eye View Post
No, I haven't. Guess I should at least check it out.
I have a Mark VIII XP. The 8 is probably more what you are used to. The Classic 400 tonally is very different, way warmer.
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Who the heck wants to "cut" through a mix anyway? I want to punch the mix in the balls. Anyone can cut through the mix. Not everyone can beat the mix's ass
Greenboy-fEARful #53 "Bruce Banner"
  #18  
Old 02-21-2013, 04:47 PM
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I'd try both an Orange bass terror 500 and a Streamliner 900 before even considering an all tube head.
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  #19  
Old 02-21-2013, 05:03 PM
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Great feedback, keep them coming guys.
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  #20  
Old 02-21-2013, 05:16 PM
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Since many of these amps you guys are mentioning are hard/impossible to find for sale on-line, can you tell me if they are in the same ballpark budget wise as the $1000 used SVTs I'm looking at?
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