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02-27-2012, 10:02 PM
| | | | How to get Lemmy Kilmister's sound? I know Ive asked ALOT of questions on this site and I wanna thank every one whose helped this young bassist through his first year of playing. I have another question. I love the way lemmy sounds. I heard he runs his bass through a marshall stack. I attempted this at my bands practice and my rythm guitarist runs over to me and unplugs me saying ill blow it up. Would i really blow it up? Does Lemmy really get his sound simply through a marshall stack or are there effects involved? | 
02-27-2012, 10:07 PM
| | Registered User | | Join Date: Jun 2005 Location: Tasmania, Australia | | | An EHX Bass Big Muff, or similar.
A Tech 21 VT Bass pedal are 2 of the best bass grind pedals that'll get ya very close.
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BONZA#32,Ampeg#34,EBMM#106,P-bass#581,Alleva-Coppolo, Rickenbacker Club #450, Bergantino#32, BIG cabs club#16, Black'n Maple #459
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02-27-2012, 10:10 PM
|  | Supporting Member | | Join Date: Nov 2011 Location: Grand Rapids Michigan | | Quote:
Originally Posted by JohnnychristFTW I know Ive asked ALOT of questions on this site and I wanna thank every one whose helped this young bassist through his first year of playing. I have another question. I love the way lemmy sounds. I heard he runs his bass through a marshall stack. I attempted this at my bands practice and my rythm guitarist runs over to me and unplugs me saying ill blow it up. Would i really blow it up? Does Lemmy really get his sound simply through a marshall stack or are there effects involved? | Marshall yes. Guitar stack no. His signature gear is a 100 watt tube head on a 415 cab.
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Originally Posted by JimmyM Who the heck wants to "cut" through a mix anyway? I want to punch the mix in the balls. Anyone can cut through the mix. Not everyone can beat the mix's ass  | Greenboy-fEARful #53 "Bruce Banner" | 
02-27-2012, 10:10 PM
| | Registered User | | Join Date: Feb 2008 Location: Northern VA | | Quote:
Originally Posted by rodl2005 An EHX Bass Big Muff, or similar.
A Tech 21 VT Bass pedal are 2 of the best bass grind pedals that'll get ya very close. | Not really, the first is a fuzz, and the second is an Ampeg emulator. I'd go with a low wattage tube head (preferably marshall styled) into a ton of speakers. Or ask Clammy, because he does it well | 
02-27-2012, 10:14 PM
| | Registered User | | Join Date: Jan 2001 Location: northeast Ohio | | Used peavey Windsor heads are around $225... You listen to mine and tell me what you think: Peavey Windsor head demo with bass guitar - YouTube
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I'm a weapon of mass distortion.
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02-27-2012, 10:21 PM
|  | Registered User Exar went out of business, so... | | Join Date: Oct 2005 Location: PDX, OR | | | To be absolutely clear, the key is to use BASS speaker cabs with a cranked distorted amp. The amp itself won't get damaged no matter how you turn it up--but the speakers must be able to handle huge wattage spikes.
There are actually several pedals that emulate the sound of a cranked Marshall; search on "Marshall" here in the fx forum to find them. | 
02-27-2012, 11:26 PM
| | Registered User | | Join Date: Aug 2009 Location: New Zealand | | | You're lucky you didn't collect a smack in the mouth before the telling off. Guitar speakers can't make lows, they will die trying.
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Team Trace Elliot #1, Mediocre Bassist #399, Old Basstard #86 Kala U-Bass #22
Swamp Kauri custom 5str. Stagg EUB. Krappy 5er FL.
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02-27-2012, 11:44 PM
|  | Registered User | | | | | Do lots of drugs and play a Rickenbacker | 
02-28-2012, 12:29 AM
| | Registered User | | Join Date: Nov 2009 Location: South Florida | | +1 I got a Ric years after I stopped the drugs. I think a Marshall with 4 x15's puts you in the neighborhood before your neighbors call the cops....................  | 
02-28-2012, 03:20 AM
| | Registered User | | Join Date: Jun 2005 Location: Tasmania, Australia | | I was suggesting the pedals as a cheaper alternative to buying a Marshall amp & a 412 & 415 & destroying the neighbourhood. 
I know the VT is Ampeg biased, but, imo, it gets close. Ymmv
Hadn't thought of Marshall pedals tho
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BONZA#32,Ampeg#34,EBMM#106,P-bass#581,Alleva-Coppolo, Rickenbacker Club #450, Bergantino#32, BIG cabs club#16, Black'n Maple #459
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02-28-2012, 03:35 AM
| | Registered User Amp tinkerer at Ampstack | | Join Date: Jul 2009 Location: Bristol, UK | | | Lemmy's sound doesn't have lows, they are only bass cabs in that a bass is plugged into them, they are glorified guitar cabs. All the distortion and the OT cuts lows, the fact they are sealed cabs cuts lows and doesn't let the cones unload and break from overexcursion. You'll only blow up guitar stuff if you try and force it to sound like a bass, or it is badly maintained (in which case guitar will blow it up too).
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02-28-2012, 03:36 AM
| | Registered User | | Join Date: Jan 2010 Location: Bristol | | | Watch that film they made recently on him. I think it was actually called "Lemmy".
There's a great bit where he is asked what makes his sound, so he shows them whilst onstage doing a sound check.
Two things: Marshall stack with lots of gain and a Ric.
Was surprised to see how much he favors playing the D and G string. He was almost playing it more like a guitar than a bass.
Saying that, with my Jazz and a muff pedal I can play the Ace of Spades riff on the D string and it sounds pretty close to the original. | 
02-28-2012, 03:39 AM
| | Registered User | | Join Date: Mar 2008 Location: Portsmouth VA USA | | Doing a little research would also help. From Wikipedia's entry on Lemmy: Lemmy - Wikipedia, the free encyclopedia Quote: He uses hot-rodded Marshall JMP Superbass II amplifiers from the late 1960s/early 1970s. Each amp, with a nominal output of 100 watts, is used with a 4x12 speaker cab and a custom-made 4x15 cab. He uses two such stacks, one on each side of the drum riser. For many years the amps were nicknamed "No Remorse", "Killer" (left side amp) or "Murder One" (right side amp) with appropriate nameplates. "No Remorse" was subsequently replaced by a new amp nicknamed "Marsha" when, as Kilmister said in an October 2004 interview, it "blew up". "Killer" and "Murder One" were believed to have been destroyed in Argentina when all the other equipment was stolen but this was later proven to be untrue. In 2006 Marshall designed new, prototype versions of "Murder One" which were then put into production, and the original amplifier was retired. A limited number of these bass heads have been released by Marshall in 2008 as the "1992LEM", a signature series copy of Lemmy's 1992 100 Watt Super Bass Head, "Murder One".
The phrase "everything louder than everyone else" sums up Lemmy's sonic approach, as he plays at the loudest possible levels. He uses the bridge pickup exclusively (giving his bass sound more definition) and turns all the tone and volume knobs on the bass up full. On the amplifiers, he turns off the bass and treble and he turns the midrange up all the way, with the volume and presence up to the "3:00" position. The result is a biting, mid-range, almost guitar-like tone which is somewhat distorted but not "fuzzed out" or "blurry", a formula well-suited to his use of open-string drones and power chords. Lemmy uses no effects pedals: the distortion is produced naturally by the amplifiers, as they are set at such a high volume. |
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The only scale I know is the Richter scale. :bassist:
Last edited by NortyFiner : 02-28-2012 at 03:41 AM.
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02-28-2012, 07:12 AM
| | | | Lemmy uses no effects pedals: the distortion is produced naturally by the amplifiers, as they are set at such a high volume.
What a Legend. | 
02-28-2012, 09:20 AM
|  | Registered User | | Join Date: Mar 2007 Location: Winnipeg, Manitoba, Canada | | You will need this:
And some sort of a version of this:
The cab in my pic is a 412.
Then turn everything up louder then everything else.
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Jack
The fastest way to a man's heart is with Chuck Norris's fist! | 
02-28-2012, 09:23 AM
|  | Registered User | | Join Date: Feb 2009 Location: Brooklyn Park, MN. | | | A Jazz bass with the bridge pup cranked and bright rounds will work but you need a lower powered tube amp CRANKED.
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It's 106 miles to Chicago. We've got a full tank of gas, half a pack of cigarettes, it's dark, and we're wearing sunglasses. Hit it.
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02-28-2012, 09:34 AM
|  | Registered User | | Join Date: Jul 2001 Location: Virginia | | Stop practicing or paying attention to technique completely or maybe try playing with your feet? 
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Foolishness = defending the indefensible of your own free will.
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02-28-2012, 09:56 AM
|  | Dr. Hook | | Join Date: Dec 2007 Location: Lehigh Valley, Pennsylvania US | | Quote:
Originally Posted by whoatherechunk Do lots of drugs and play a Rickenbacker | I love Lemmy, but unfortunately this is true. Take lots of speed, play as hard and fast as you can with a pick on a Ric with the tone pegged, and with the amp turned up as loud as it will go without blowing up.
Please understand that I DO NOT recommend this (especially the drugs part) but that's how you sound like Lemmy. | 
02-28-2012, 10:17 AM
|  | Dr. Hook | | Join Date: Dec 2007 Location: Lehigh Valley, Pennsylvania US | | Oh, and if you gargle with a mixture of sulfuric acid, glass shards and razor blades, you can sing like Lemmy also.  | 
02-28-2012, 10:19 AM
|  | Registered User | | Join Date: Feb 2009 Location: Brooklyn Park, MN. | | Quote:
Originally Posted by timber22 Oh, and if you gargle with a mixture of sulfuric acid, glass shards and razor blades, you can sing like Lemmy also.  | No, You need years of Jack & Marlboro's.
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It's 106 miles to Chicago. We've got a full tank of gas, half a pack of cigarettes, it's dark, and we're wearing sunglasses. Hit it.
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