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12-22-2012, 08:04 AM
|  | Ain't gonna let them jumble my mind | | Join Date: Aug 2011 Location: Knoxville | | | Hydrive 112(x2) or neo 210+115? Looking to do the modular thing with my new Aguilar TH500. I currently have a neo 4ohm 115 in an old ampeg cab, but i think it might be blown b/c it was distorting badly when the amp was starting to clip at my first gig with the new setup. Need to test it again today.
Any rate, trying to decide on an 8ohm Avatar neo 210 or a set of Hartke hydrive 112's. The 210 would likely work for most of my gigs (bars, weddings), and for outdoors/larger rooms i could pair it with an old hartke 410 or with the ampeg cab if i replace the speaker with an 8ohm.
I'm aware of the debate about mixed drivers, and that's part of the reason for considering abandoning my old cabs and going with the 112 pair. I like the idea of taking a single 30lb 112 to practice and smaller side gigs, but i think most of the time i would need to stack both...in which case am i really slimming my load in? If the sound profile is better in the end, that's all that matters, i suppose.
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Originally Posted by Jazz Ad There are three main bass tones : boom boom, cling cling and grrr grrrr. | | 
12-22-2012, 08:36 AM
|  | Supporting Member | | Join Date: Nov 2011 Location: Grand Rapids Michigan | | | I would go out with your amp and bass... Play every cab you can. Find one you like in 8 Ohms and get it. If you need more volume add a second matching cab.
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Originally Posted by JimmyM Who the heck wants to "cut" through a mix anyway? I want to punch the mix in the balls. Anyone can cut through the mix. Not everyone can beat the mix's ass  | Greenboy-fEARful #53 "Bruce Banner" | 
12-22-2012, 08:54 AM
|  | Ain't gonna let them jumble my mind | | Join Date: Aug 2011 Location: Knoxville | | | Unfortunately, that's not a real option for me. The local Guitar Center only has about 4 bass cabs. And GC and the internet have put the other stores in town out of the bass business.
__________________ Quote:
Originally Posted by Jazz Ad There are three main bass tones : boom boom, cling cling and grrr grrrr. | | 
12-22-2012, 08:59 AM
|  | Supporting Member | | Join Date: Nov 2011 Location: Grand Rapids Michigan | | | Personally, I would be taking a drive over to nashville and seeing about playing through Mark Robertson's (BNA audio) cabs. I 4 Ohm Bassic would kill with that head.
__________________ Quote:
Originally Posted by JimmyM Who the heck wants to "cut" through a mix anyway? I want to punch the mix in the balls. Anyone can cut through the mix. Not everyone can beat the mix's ass  | Greenboy-fEARful #53 "Bruce Banner" | 
12-22-2012, 03:20 PM
|  | Ain't gonna let them jumble my mind | | Join Date: Aug 2011 Location: Knoxville | | | Not against a Nashville run, and I'd looked a bit into the 12/6. Guys in the band are wanting more punch and note definition than my current (sealed) 15. Wasn't going to spend that much, though amortized over a lifetime, fEARfuls are probably a great deal.
__________________ Quote:
Originally Posted by Jazz Ad There are three main bass tones : boom boom, cling cling and grrr grrrr. | | 
12-22-2012, 03:56 PM
| | Registered User Endorsing artist: Lakland basses | | Join Date: Mar 2012 Location: Chicago | | | I'll be watching this thread as I'm leaning hard toward the Hydrive 12 myself lately. Looks fairly well-built, spec's are good, and the 4/8ohm capability is a big plus. Gotta' get out and demo one.
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The life which men praise and regard as successful is but one kind.
| -Thoreau
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12-22-2012, 04:08 PM
|  | Registered User Endorsing Artist: FEA Labs, Jule Amps | | Join Date: Jun 2004 Location: los angeles, CA | | | I find it way easier to haul two smaller cabs than one bigger one. It also gives you the option of a single cab for smaller gigs.
__________________ music | light | gear Quote:
Originally Posted by R Baer Regardless of what you see in the magazines, you just can't argue toast physics. | | 
12-22-2012, 06:24 PM
|  | Hip No Ties | | Join Date: Apr 2004 Location: New York, NY | | Far better to have a smaller number of high-quality cabs, than a larger number of lower-quality cabs.
Unless that old Ampeg cab and that old Hartke cab are doing you a heckuva lot of good (doesn't seem likely), I've flip 'em - pronto - for something more worthy of your Tonehammer. The Aguilar DB112s are reputed to make a magic combination with that head. Plenty of volume too. So you might want to be on the lookout for a pair of lightly-used DBs. But I know nothing concerning your tone goals or preferences of music, so that's just a stab in the dark.
Couple years ago, I bought a Hartke Hydrive 112 from one of the TalkBass members. I couldn't use it. It distorted at low volume, for no reason whatsoever. Probably I got a lemon. I sold it off locally - at a loss - and moved on...
MM
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"If the doors of perception were cleansed, everything would appear to man as it is: infinite."
— William Blake
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12-22-2012, 08:16 PM
|  | Ain't gonna let them jumble my mind | | Join Date: Aug 2011 Location: Knoxville | | | I'm playing passive Fenders. My personal tone goal is old school warm and fat, but i need to be able to dial in at least some modern hi fi for a lot of the covers i play. My main band is a loudish drummer with two guitars, often playing acoustically muddy rooms, so being able to cut while keeping the low end the drummer can feel is desirable. I'm guessing that probably describes 90% of bass players, but that's what I'm after.
In a perfect world i'd drop the grand and a half for a pair of SL112s. But I don't live in that world at the moment. I will watch for a DB deal, anyway.
__________________ Quote:
Originally Posted by Jazz Ad There are three main bass tones : boom boom, cling cling and grrr grrrr. |
Last edited by jumblemind : 12-22-2012 at 08:55 PM.
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