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01-15-2012, 05:07 PM
|  | Registered User | | Join Date: Nov 2003 Location: Laredo, Texas | | | Industrial Strength Industries? Anybody have any "real world" experience with these cabs? I hadn't ever heard of this line before today. http://www.industrialstrengthindustries.com/
__________________ Bass... it does a booty good! Rickenbacker 4001C64S, Yamaha BB1200, Fender AmDlx JazzV, Mesa Walkabout Scout 12 + Radiator 12 Extension cab | 
01-15-2012, 05:11 PM
| | Registered User Amp tinkerer at Ampstack | | Join Date: Jul 2009 Location: Bristol, UK | | Quote: |
It has a massive 16mm one-way of motion (or in tech terms, 32mm of Xmax - over 1 1/4" of motion) -
| Quote: |
We love the sound of AlNiCo speakers, but hated how too much power could make them die - they lose their magnetization. And we loved the power and attack you get from Neodymium, but the sound was just too dry. Rather than accept a tradeoff, we decided to conquer both - we combined AlNiCo with Neodymium. The result? Al-Neo construction.
| Sounds like they invented new marketting BS for people who read some second hand technical info on forums and think they known what to look for.
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01-15-2012, 06:05 PM
|  | Registered User Exar went out of business, so... | | Join Date: Oct 2005 Location: PDX, OR | | | I'm extremely skeptical, but curious anyway. | 
01-15-2012, 06:08 PM
| | Registered User | | Join Date: Jan 2009 Location: Hunt. Co., New Jersey | | | OT, ive never seen a Spector with stringers in the neck like that
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01-15-2012, 06:13 PM
| | Registered User | | Join Date: Jul 2005 Location: Providence RI | | | Meh. More overpriced tiny cabs. Just what we need. | 
01-15-2012, 06:33 PM
| | | | XBL^2 driver motors have been around for a quite a while. Invented at the now defunct Adire Audio. They never did a pro audio driver. I don't think these motors were suitable due to cooling needs.
Sounds like these guys are just goofing by putting one voice coil in AlNiCo and another in Neodymium magnet gaps. Corny and terrible marketing BS as pointed out by Mr. Foxen
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My opinions are the result of years of rational, objective analysis. I analyze all factors before making a choice. I update my opinions to include new facts. Fallacies? No?
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01-15-2012, 06:37 PM
| | Registered User | | Join Date: Mar 2011 Location: Cayce, SC | | | I think the title is from the School of Redundancy School.
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2001 American Series Jazz Bass / 1987 Jazz Bass Special
Markbass Little Mark III / dual 151P cabs / 121H combo
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01-15-2012, 07:01 PM
|  | Registered User | | Join Date: Nov 2003 Location: Laredo, Texas | | Quote:
Originally Posted by Russell L I think the title is from the School of Redundancy School. | 
__________________ Bass... it does a booty good! Rickenbacker 4001C64S, Yamaha BB1200, Fender AmDlx JazzV, Mesa Walkabout Scout 12 + Radiator 12 Extension cab | 
01-15-2012, 07:07 PM
| | | Home stereo speakers shoved in ugly boxes.
that sell for 600 to 800 dollars............uhhhhh yah
Their is 85dB or less speakers with amazing xmax for home stereo in the 14 to 30mm range. Does not mean they work for bass unless you need a 800 dollar practice amp that needs 10 times the amount of power to hardly get to low powered pro audio levels.
Lets make a bass cab and use grandmas old screen door for a grill, and then go to Namm and get rich.....yah!!!!  | 
01-15-2012, 07:45 PM
| | Registered User Owner, Bill Fitzmaurice Loudspeaker Design | | Join Date: Sep 2004 Location: New Hampshire | | Quote:
Originally Posted by bongomania I'm extremely skeptical, but curious anyway. | The good news is they have SPL charts. The bad news is that they reveal that these are loaded with hi-fi subwoofer drivers that have 10dB less sensitivity than musical instrument drivers. That means what they'll do with 1,000 watts a musical instrument driver will do with 100. | 
01-15-2012, 10:06 PM
|  | Registered User | | Join Date: Mar 2009 Location: 2k W of the Duwamsh | | Quote:
Originally Posted by billfitzmaurice The good news is they have SPL charts. The bad news is that they reveal that these are loaded with hi-fi subwoofer drivers that have 10dB less sensitivity than musical instrument drivers. That means what they'll do with 1,000 watts a musical instrument driver will do with 100. |
Their marketing department's gonna love hearing that. 
__________________ Legion of Mothmen, 1 Ov 25 | 
01-16-2012, 12:09 AM
| | Registered User | | Join Date: Apr 2009 Location: San Francisco Bay Area, CA | | Quote:
Originally Posted by billfitzmaurice The good news is they have SPL charts. The bad news is that they reveal that these are loaded with hi-fi subwoofer drivers that have 10dB less sensitivity than musical instrument drivers. That means what they'll do with 1,000 watts a musical instrument driver will do with 100. | That's really kinda pathetic. | 
01-16-2012, 06:21 AM
| | Registered User | | Join Date: Mar 2011 Location: Cayce, SC | | | I think it's a sham, I think.
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2001 American Series Jazz Bass / 1987 Jazz Bass Special
Markbass Little Mark III / dual 151P cabs / 121H combo
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01-16-2012, 06:28 AM
| | Registered User Amp tinkerer at Ampstack | | Join Date: Jul 2009 Location: Bristol, UK | | Quote:
Originally Posted by billfitzmaurice The good news is they have SPL charts. The bad news is that they reveal that these are loaded with hi-fi subwoofer drivers that have 10dB less sensitivity than musical instrument drivers. That means what they'll do with 1,000 watts a musical instrument driver will do with 100. | Would that be handy if you wanted to do the really cranked valve amp thing not very loudly, and have a sensible impedance load? Assuming the whole attenuator being an upsetting load is actually the case.
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01-16-2012, 06:34 AM
| | Registered User Owner, Bill Fitzmaurice Loudspeaker Design | | Join Date: Sep 2004 Location: New Hampshire | | Quote:
Originally Posted by Mr. Foxen Would that be handy if you wanted to do the really cranked valve amp thing not very loudly, and have a sensible impedance load? . | Not at all. Only half of what you get from a cranked tube amp is amp sourced. The other half is speaker sourced, and with these you wouldn't be able to get any speaker sourced crunch. | 
01-16-2012, 07:02 AM
| | Registered User Amp tinkerer at Ampstack | | Join Date: Jul 2009 Location: Bristol, UK | | | As in speaker breakup? I mostly mean I'm loving the sound of my cranked sound City into my Bareface, but it is face meltingly loud, and pretty sure not breaking up the speakers.
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01-16-2012, 01:58 PM
|  | Registered User | | Join Date: Feb 2008 Location: Upstate NY | | | ISI Guys, this all started with me, so may I please chime in? I am not in any way, shape or form affiliated with this ISI company...... I never even heard of them until recently too, just like you. I used to be a skeptic of everything, and "my everything" goes back to my first pro gig in 1969, were you born then? If not you really missed a cool time!!
I'm not an audiologist, audio engineer, recording engineer, sound-man, I'm just an old bassplayer who first performed live in 1968...... and sounded good. I have a decent feel for what sounds good, based on 40+ years of chasing that sound. No, I will NEVER hear whats in my head, I know that!
The "engineering sonic science" may not be what we are used to with this line. In fact, IT MAY BE CRAP? I don't know. Here are a few examples of "crap designs" of my time in the pit:
The Ampeg 8X10 Bass Cabinet
Every Fender Bass Amp Offering, (I LOVE the blackface Showman)
The Acoustic 360/361
The Guild/Hartke Aluminum 2X10 &4X10 Cabs
The Sunn 2000S Series
My Musicman 65/2X115 Stack, owned since 1975.
The Euphonic Audio Cabs, still what most measure by,the VL-208 and I use two.
Neo Speakers.
My point is (finally), let's give these folks the opportunity to fail or succeed sonically before we condemn them. In my 40+ years of playing bass (and getting paid for it!) I've learned that EVERYTHING is up to the listener. Respects to all, KWS | 
01-16-2012, 02:00 PM
|  | Registered User | | Join Date: Feb 2008 Location: Upstate NY | | | ISI Guys, this all started with me, so may I please chime in? I am not in any way, shape or form affiliated with this ISI company...... I never even heard of them until recently too, just like you. I used to be a skeptic of everything, and "my everything" goes back to my first pro gig in 1969, were you born then? If not you really missed a cool time!!
I'm not an audiologist, audio engineer, recording engineer, sound-man, I'm just an old bassplayer who first performed live in 1968...... and sounded good. I have a decent feel for what sounds good, based on 40+ years of chasing that sound. No, I will NEVER hear whats in my head, I know that!
The "engineering sonic science" may not be what we are used to with this line. In fact, IT MAY BE CRAP? I don't know. Here are a few examples of "crap designs" of my time in the pit:
The Ampeg 8X10 Bass Cabinet
The Acoustic 360/361
The Guild/Hartke Aluminum 2X10 &4X10 Cabs
The Sunn 2000S Series
The Euphonic Audio Cabs, still what most measure by the VL-208, I use two.
Neo Speakers.
My point is (finally), let's give these folks the opportunity to fail or succeed sonically before we condemn them. In my 40+ years of playing bass (and getting paid for it!) I've learned that EVERYTHING is up to the listener. Respects to all, KWS | 
01-16-2012, 02:05 PM
| | Registered User Owner, Bill Fitzmaurice Loudspeaker Design | | Join Date: Sep 2004 Location: New Hampshire | | Quote:
Originally Posted by hifibass My point is (finally), let's give these folks the opportunity to fail or succeed sonically before we condemn them. | Their entire website is devoted to the supposed engineering superiority of their cabs. Those of us who are engineers see right through those claims. Quote: |
I'm not an audiologist, audio engineer, recording engineer, sound-man
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