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the most uncolored amp ? a reference amp ? We all know that Yamaha NS-10 are the reference monitors for many studios. Does a reference amp/head/cabinet exist ? Question n°2 which is the most uncolored head/cabinet around ? Regards! |
You will get 50 different answers. All heads and cabs have a voice, and almost every amp and cab has been described as flat by someone. |
(pssst... almost anything Trace Elliot... in my opinion at least) |
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My guess is the most truly uncolored amp is probably actually some studio mic pre. |
You can tell if an amp colors by running a CD through it. "Bass amps" are designed for bass. Same for guitar. The closest "instrument amp" to a reference would be a keyboard amp. With one exception I've found and it's why I use them. I use Bag End. They make line arrays and other pro audio speakers. The music cabs are designed on the same principal. In my amp I use the same power section that they put in the line arrays so you can plug a CD, mic, guitar, fiddle, flute or what ever in and it will sound correct, with proper miking and EQ. This is what you'd want from a reference monitor or pro audio speaker. My bass amp does that. |
Here we go! |
I would have to guess an Ampeg Vintage Tube Amp with the EQ set Flat and a very small amount of Pre-Gain. |
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Reference doesn't necessarily imply uncolored. :rollno: FYI, NS-10s are/were a reference for the typical, crappy bookshelf speakers many folks use/used. |
not to rain on the thread, but I'm not sure we want truly flat from bass output to speaker output. Could try a good mixer, PA amp and PA speakers. Maybe straight in to a QSC K12 or something. And BTW, I agree, NS10s . . . used to read that if you could make it sound good on those, it would sound good anywhere . . . |
Sorry, I've read the Yamahas were a reference speakers for many studios. Now I understand why, but it does not change the sense of the thread. Ok, looks like there is no answer to my question, I'll delete the thread. |
Good channel strip into power amp. |
Check out Euphonic Audio. Their design philosophy for their amps is transparent sound, and they have very high product quality. As for speakers, something like a high quality studio monitor might do the trick. Bass cabs depart from transparency in some important ways. They tend to cut off the lowest frequencies, which is probably a tonal preference but also a size tradeoff. And they also tend to have more peaks and dips in the midrange which is probably a tradeoff against complexity and efficiency. Most bassists, except those who are really seeking a lot of thump, would probably be unhappy with a speaker that is flat down to the lowest fundamental of the bass. |
I plug straight into a Carvin mixer that goes into a 800 watt power amp, it's very flat but I still notice a little bit of color. |
Always thought Makbass was pretty transparent and uncolored. |
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