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04-26-2012, 03:15 PM
|  | vintage bass nut John K Custom Basses | | Join Date: Feb 2008 Location: Thousand Oaks, CA | | | NAD! SVT7 Pro (also comparing it to my Streamliner 900) USPS delivered my Ampeg SVT7 Pro a couple of hours ago. first impressions: this amp is frickin' awesome!
i'll post some comparison clips with my SVT-VR and Streamliner 900 when a i get a chance, but right now, i'm lovin' it.  | 
04-26-2012, 03:16 PM
|  | vintage bass nut John K Custom Basses | | Join Date: Feb 2008 Location: Thousand Oaks, CA | | oh, and here's a couple of pics of it:
with the streamliner 900 sitting on top of it to show the size difference:  | 
04-26-2012, 03:32 PM
|  | Registered User Born Again Tubey | | Join Date: Dec 2009 Location: Stuck in traffic -NY & CT | | | sub'd. i respect you opinion of stuff. I had a pf500 and i was disappointed and upgraded to the 7 but havent really had a chance to let is loose. IMO very noticeble difference in warmth from the pf 500. loved it at rehearsal with a henry 8x8 but reasonable volume. most inside winter gigs tend to be smaller venues and i use either an eden or old trace head with an occasional old tube head. I will have to see how it compares to the Markbass SD1200 i have for outside shows as the weather has not been great yet in the NE.
__________________ Fodera; Fender; Scrolls; 70's Ampegs ; Eden; Markbass; Warmoth ; Gibson Bass; Tbird 76; JAEbird 2; SVT 7; OLD TUBE AMPS | 
04-26-2012, 03:42 PM
| | Registered User | | Join Date: Jun 2005 Location: Tasmania, Australia | | | Congrats, I like it too.
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04-26-2012, 04:01 PM
|  | Registered User | | Join Date: Mar 2007 Location: White Plains | | | So, how does it compare to the Streamliner so far? Better? Worse? Different?
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04-26-2012, 04:03 PM
|  | Registered User | | | | | Hey John,
Thanks for buying this as I'd like to know your opinions on the 7 Pro vs. an SVT vs. a channel strip and power amp rig. | 
04-26-2012, 04:08 PM
| | Registered User | | Join Date: Jun 2005 Location: Tasmania, Australia | | Quote: |
Originally Posted by bassgod0dmw So, how does it compare to the Streamliner so far? Better? Worse? Different? | Give him a chance, coh! 
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04-26-2012, 04:12 PM
| | Registered User | | Join Date: Jan 2010 Location: Vancouver | | | I'd love to hear your comparison of the 2 heads | 
04-26-2012, 04:17 PM
|  | Registered User | | Join Date: Mar 2007 Location: White Plains | | Quote:
Originally Posted by rodl2005 Give him a chance, coh!  | Pish posh.
Everybody knows you can't make a statement like "I have these two sought after amps in my possession..." and not give some kind of review.
So, yeah. Get on that! 
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04-26-2012, 04:17 PM
|  | vintage bass nut John K Custom Basses | | Join Date: Feb 2008 Location: Thousand Oaks, CA | | Quote:
Originally Posted by bassgod0dmw So, how does it compare to the Streamliner so far? Better? Worse? Different? | different  . | 
04-26-2012, 04:18 PM
|  | Registered User | | Join Date: Dec 2010 Location: Cornwall Ontario Canada | | anxious to hear review of both Streamliner 900 @ Ampeg svt pro 7  | 
04-26-2012, 04:38 PM
| | Registered User | | Join Date: May 2006 Location: austin,tx | | | Not picking on the Streamliner but just generally, why do a lot of these micro amps have to be so deep? I don't see the point in giving them a tiny face and having little knobs and switches all cluttered together when they have to have a longer dimension anyway. I think it'd be handier to build them sideways and have more room for all the controls. | 
04-26-2012, 04:38 PM
|  | vintage bass nut John K Custom Basses | | Join Date: Feb 2008 Location: Thousand Oaks, CA | | | okay, here's my intial opinion.
SVT7-Pro (w/stock JJ 83S/12AX7)-compared to the Streamliner 900 (with 3 NOS RCA 7025 (12AX7's):
they seem to have the exact same output capability (volume when cranked).
the 7-Pro can actually dial in a little more dirt if you want it
the 7-Pro is cleaner, clearer,more transparent and 'natural' sounding- so i feel alittle more 'connected' to it (BTW, it's also actually brighter than either of my SVT's)
the 7-Pro- has more harmonics and sustained notes often go to the octaves and thirds when cranked- almost too much. (even my SVT's don't do that very much).
the 7-Pro has more eq flexibility
it's super punchy and full sounding without any weird harsh peaks or cloudiness.
the Streamliner 900:
all of the notes have a bit more girth than the 7-Pro, especially higher up the neck, and has a little more inherent punch than the 7-pro
it definitely has a tone/feel of it's own.
it reminds me a little more of a 100% tube amp but it can get 'cloudy' if you don't have its eq set properly.
it's not quite as 'touch sensitive' and transparent as the 7-Pro.
overall, i wouldn't have a problem or complaint gigging with either one of them. IMO, they are both great heads. i haven't dragged out the SVT's yet to directly compared them, but i did go back and forth between the STM900 and the 7-Pro. neither one sounds and feels exactly like my SVT's (at least not yet), and in some ways the 7-pro reminds me more of my SVT's but in other ways the STM900 does.
if you're looking for a powerful, lightweight substitute for an SVT, i think either one of these would do it for you. right now, i'm slightly preferring the 7-pro, but then right after that i plug into the 900 and think it's equally as good, and i'm super picky about my amps.
Last edited by johnk_10 : 04-26-2012 at 04:40 PM.
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04-26-2012, 04:45 PM
| | Registered User | | Join Date: Jul 2009 Location: Tampa, Fl USA | | The 7PRO, IMHO, is perfect. 
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04-26-2012, 06:23 PM
|  | vintage bass nut John K Custom Basses | | Join Date: Feb 2008 Location: Thousand Oaks, CA | | to give you an idea of what the two amps sound like, here's a couple of super quick clips (just noodling around) that i just made of the SVT7-Pro and the Streamliner 900. both of them were running thru my 215 Faital 15PR400 cab without moving the mic at all. the bass is a '71 Jazz bass with daddario rounds with the volume and tone controls wide open. the first part of each clip is the neck pickup only, and then both pickups full up. recorded on a zoom h4n with it about 8" off the speaker.
both amps had their tone controls straight up at noon so keep that in mind. i could've matched the ST900's tone closer to the 7-pro if i eq'd it by cutting some bass and adding mids and highs to bring out the upper strings, but i think that setting the tone controls at 12:00 on both amps gives a better idea of each amp's 'baked in' tone. SVT7Pro STM900 | 
04-26-2012, 06:29 PM
|  | Always groove.... | | Join Date: Jun 2003 Location: Columbia, Md | | | Sweet! And thank you, thank you, thank you for playing real bass lines instead of slapping. We get a much better idea of how the amp sounds in the real world.
I think I prefer the SVT 7 Pro.
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04-26-2012, 06:30 PM
|  | Registered User | | Join Date: Mar 2007 Location: White Plains | | Quote:
Originally Posted by johnk_10 the 7-Pro can actually dial in a little more dirt if you want it | Even with the gain button pushed in on the Streamliner?
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04-26-2012, 06:45 PM
|  | Registered User | | Join Date: Mar 2011 Location: Central FL | | Quote: |
Originally Posted by cybersnyder Sweet! And thank you, thank you, thank you for playing real bass lines instead of slapping. We get a much better idea of how the amp sounds in the real world.
I think I prefer the SVT 7 Pro. | Amen! | 
04-26-2012, 06:50 PM
| | Registered User | | Join Date: May 2006 Location: austin,tx | | Quote:
Originally Posted by cybersnyder Sweet! And thank you, thank you, thank you for playing real bass lines instead of slapping. We get a much better idea of how the amp sounds in the real world.
| Another Amen to that. | 
04-26-2012, 06:56 PM
|  | Face it. Nobody cares what you post. | | Join Date: Nov 2006 Location: So. California | | Quote:
Originally Posted by johnk_10 ...i think that setting the tone controls at 12:00 on both amps gives a better idea of each amp's 'baked in' tone. | Slap me in the face with a dead rabbit if I'm wrong, but...to me it seems that the Streamliner 'baked in' tone is to be found with the bass at 9 or 10 o'clock, the mid at 2 or 3 o'clock, and the treble at around 1:00. Of course, that opens up a whole other can of worms. Is an amp's 'baked in' tone determined by having the tone controls set at noon? Greater minds (and ears) than mine will need to figure this one out.
M. M.
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