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12-25-2012, 12:22 AM
| | Registered User | | Join Date: Apr 2009 Location: San Francisco Bay Area, CA | | | Depends on my volume needs. Cafes? 1x15. Bars? 2x15. The bigger cab isn't so much because I need it to get louder... it's more because the height of the cab makes it much easier to hear myself, since no PA support means no monitors, too. | 
12-25-2012, 12:24 AM
| | Registered User | | Join Date: Jul 2008 Location: Jax FL USA | | Acoustic drums... like for kids?  | 
12-25-2012, 12:51 AM
|  | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by Downunderwonder You and me can play 500 people with a little rig but this is TB dude. |
Coincidentally enough, last night's gig was in front of about 500 people. Used a BA110...35w, single 110 practice amp. Vocals only PA.
No, not really. You can see the REDDI hiding behind the mic stand. But it did the job for me as a stage monitor. Almost ran out of clean headroom but it hung in there and everyone could hear me as well as they always could in a medium-loud 7-pc band with horns. That said, I do like big tube rigs better, but I certainly wasn't unhappy with the tone or the volume level.
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Ampeg Portaflex Club #1
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12-25-2012, 01:03 AM
| | Registered User | | Join Date: Aug 2009 Location: New Zealand | | | Yeah, you rock far and away bigger than me, what was the question again?
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Team Trace Elliot #1, Mediocre Bassist #399, Old Basstard #86 Kala U-Bass #22
Swamp Kauri custom 5str. Stagg EUB. Krappy 5er FL.
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12-25-2012, 07:35 AM
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Originally Posted by emblymouse Small bar type gigs 500<. Rock.
Love my Bag End 1XS12+1XS15 stack. Nice tone and I know I can be heard ok, but I'm thinking about the low end in the back of the room.
What works for you? | A local bassist uses the Ampeg Porta bass and he's never loud enough. I use an SWR BBII but with real tasteful drummers. Volume is down but we kick it hard. If your people are wincing its a clue.
Of course the more powerful stuff comes out when we are a duo and I need to fill more not be louder. It comes out when the volume comes up. I rarely get PA support and yes I balance with the drummer. That's when the floor fills with the dancing honies oh and their dates.
Happy Holidays everyone!
Last edited by chadds : 12-25-2012 at 09:32 AM.
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12-25-2012, 11:03 AM
| | Registered User | | Join Date: Jan 2010 Location: valparaiso, in. | | | I've played in several 500 capacity bars, and PA support wasn't really necessary. What makes PA support necessary is the layout of the bar. An L-shaped bar is dependent on where the stage is located, as are the bars which have the sort of multiple rooms with a center area. I would think your rig would be just fine for 95% of the rooms. | 
12-25-2012, 11:50 AM
|  | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by chadds A local bassist uses the Ampeg Porta bass and he's never loud enough. | Jerrold Tiers, former head engineer of Ampeg, calls the Portabass line "great little heads matched with really quiet cabs."
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Ampeg Portaflex Club #1
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12-25-2012, 12:20 PM
|  | Everything's Jake! Endorsing Artist Lakland**Bag End**Schroeder | | Join Date: Jan 2006 Location: W' Sconsin | | Thanks for all the comments. The tone and volume for me are satisfactory, I'm happy with this rig. I'm in a new thing, a 3 pc. Texas blues band, and it looks more likley to be the 100-200 small bar situations. I agree w/ the mix it to the acoustic volume of the drums (this guy is loud) but they are telling me to turn it up. 
I have a line on an Epifani UL 310 and it got me to thinking if there was a good way to incorporate it, or if it would have any more meat in the bottom with that bigger box as a standalone. It weighs like 2 lbs. more than my S15. | 
12-25-2012, 12:24 PM
| | Registered User | | Join Date: Sep 2005 Location: New Zealand | | Quote: |
You and me can play 500 people with a little rig but this is TB dude.
| It also depends on the audience and the style of music, I reckon. I would not do a biker bar/club with a little rig where we are expected to play loud/full on rock. They expect the guitard's Marshall rig and to see the bass rig, it is part of what they pay for - even if we don't crank it  . They pay, they notice and we provide what they want to see and hear. It obviously also comes down to what FOH is available too. I am inclined to agree that, at least in theory , there is no need to be louder than the acoustic drum sound - of course, some drummers play considerably louder than others and some kits can be considerably louder than others. A pro sound engineer once told me that a good stage kit played by a hard hitting drummer is equivalent to about 400 watts.
OTOH I would happily take a single fifteen to a 100+ venue with my folk/jazz/semi acoustic trio.
The Golden Rule - there is no Golden rule  .
Last edited by Tim1 : 12-25-2012 at 12:29 PM.
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12-25-2012, 12:38 PM
|  | Registered User | | Join Date: Aug 2007 Location: Toronto Ontario Canada | | I use a pair of Acme B2 2x10s in a vertical stack with or without PA support. A decent PA is an occasional thing in my world. 
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Paul
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12-25-2012, 12:54 PM
| | Registered User | | Join Date: Nov 2009 Location: Saginaw, MI | | Quote:
Originally Posted by Foz Acoustic drums... like for kids?  | I have been searching for that set for at least 20 years, it was the first drumset that I've ever owned. IT lasted me one week after Christmas back in 82.
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Beat by beat, note by note, Official U. S. Peavey Cirrus Club #142, SWR Fan Club member #83, Drummers who became bassist #7.
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12-25-2012, 12:56 PM
|  | If Mark is your Queen that must make me King ;) Endorsing Artist Cataldo Basses and manufacturer of the Badbird Bridge | | Join Date: Feb 2006 Location: Rochester NY USA | | | I use a 2x15 or two 1x15s
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Scott Dasson maker of the Badbird Bridge. The direct replacement bridge for vintage Gibson Thunderbirds. "Intonation without modification"
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12-25-2012, 01:45 PM
| | Registered User Authorized Greenboy Designs Builder, Scabbey Road | | Join Date: Sep 2005 Location: Eastern, PA USA | | Quote:
Originally Posted by swspiers fEARful 1212/6/1 does it for me... | Same here. | 
12-25-2012, 03:38 PM
|  | Walter Woods or Aguilar to LDS - the best! | | Join Date: Apr 2006 Location: NE Ohio | | | 2-12 cabinet.
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12-25-2012, 07:44 PM
| | Registered User Uncompensated endorsing user: fEARful | | Join Date: Apr 2010 Location: Western PA | | | One or two fEARful 12/6s. | 
12-25-2012, 07:48 PM
| | Registered User | | Join Date: Aug 2005 Location: Winnipeg Manitoba, Canada | | | I always roll in my 6U rack that holds my Crest Prolite 2.0 and 2 Sansamp RBI's in and a Mesa PH412 or PH610 into my shows. Better to have more cab then you need then not enough. | 
12-25-2012, 07:59 PM
| | Registered User | | Join Date: Dec 2002 Location: South of the USA | | | Use any vintage Acoustic amp/cab and those in the back of the room will faint, while you will be fine on the stage...
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Happy owner of ACC (Acoustic) 116(1x15");140;B200(1x15");330;B600H;106(2x15");40 2(2x15");406(1x18') and small G20
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12-25-2012, 08:10 PM
| | Registered User | | Join Date: Apr 2004 Location: Nova Scotia, Canada | | | With my Ramirez, or Azola Baby Bass, Phil Jones Bass Buddy preamp, 2 Bergantino IP112 and 1 Berg HT112.
However, this might be a little over-kill. But I like it. | 
12-25-2012, 08:28 PM
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Originally Posted by Tim1 They expect the guitard's Marshall rig and to see the bass rig | ...which should kick the sawdust off the floor and provide a visual of the sound waves moving through the room in atmospheric dust and vaporized sweat. | 
12-25-2012, 08:29 PM
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Originally Posted by Tvrtko Use any vintage Acoustic amp/cab and those in the back of the room will faint, while you will be fine on the stage... | You need to move the first 10 rows back a little anyway... | | Thread Tools | Search this Thread | | | |
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