Go Back   TalkBass Forums > Bass Guitar Forums > Bass Guitar Forums > Amps [BG]
Register Rules/FAQ/CUP Members List Search Today's Posts Mark Forums Read



Supporting Membership
Thank You

Latest Supporting Member
Donate to Upgrade Today

Reply
 
Thread Tools Search this Thread
  #1  
Old 11-26-2012, 10:02 AM
SilkyStrings's Avatar
Registered User
 
Join Date: Aug 2006
Location: Los Angeles, CA
Supporting Member
Question Speaker cabinet sensitivity : relevant?

I've been looking at some specs on the newer speaker cabinets, since I'm considering a cabinet upgrade at the moment. I have noticed that Aguilar's newer DB112 cabinet is rated at 95dB, versus 102dB for the older GS112. From my rudimentary understanding this means that the older GS series cab will be at least twice as loud as the DB series cab given the same power output from the amp due to it's higher sensitivity. I love having headroom so is there something I'm missing here?

Using my Aguilar Th-500 won't I be giving up some volume going with the newer DB112 cabinets, or is this difference just due to front porting versus rear porting?

I'm very curious about this.
  #2  
Old 11-26-2012, 10:11 AM
KJung's Avatar
Registered User
 
Join Date: Apr 2005
Supporting Member
Unfortunately, those published spec's are pretty worthless. Most of the sensitivity specs are based on the upper midrange (1K), and are more a measure of the brightness of the cab up top than anything else.

The DB cabs (which use the same drivers as the GS cabs), are tuned to enhance the mid mid response a bit, and to my ear, are actually 'louder per watt' since the human ear is more sensitive to midrange.

Location of ports means very little.

IMO!
  #3  
Old 11-26-2012, 10:12 AM
Registered User

Amp tinkerer at Ampstack
 
Join Date: Jul 2009
Location: Bristol, UK
Manufacturers quoted specs can be a bit dodge. I think Aguilar revised theirs, so you might have a pre and post revision comparison there. I think AlexClaber of Barefaced called them out about it, then they revised. 102db is pretty unrealistic for the GS112, since that would make it louder than an SVT 8x10 on its own (Based on their site, which BFM has said is pretty straight up on specs).
__________________
Check out Ampstack on Facebook for vintage amp nerding.

Last edited by Mr. Foxen : 11-26-2012 at 10:52 AM. Reason: typo
  #4  
Old 11-26-2012, 10:42 AM
SilkyStrings's Avatar
Registered User
 
Join Date: Aug 2006
Location: Los Angeles, CA
Supporting Member
OK thanks for clearing that up. I feel better now!
  #5  
Old 11-26-2012, 10:56 AM
JimmyM's Avatar
Registered User

Endorsing: Ampeg
 
Join Date: Apr 2005
Location: Apopka, FL
Supporting Member
Ya, don't worry about raw numbers unless there is actually some meaningful context.
__________________
Ampeg Portaflex Club #1
  #6  
Old 11-26-2012, 11:06 AM
Registered User
 
Join Date: May 2001
Location: Orangevale, CA 95662
Supporting Member
A charts beats printed specs every time.
If no chart is available, the spec should tell you the average dB sensitivity, the range where it is valid, and the size of the range.

95 SPL, +/- 3dB, 60 Hz to 15,000 Hz.

This means you will have a swing of 6dB max, within the 60~15K range.
Most cab makers choose to (lie by omission) and use 10dB, or 20dB total swing.
They call this "usable range" or some such.

Another possibility is they are outright lying. Then all bets are off.
They can measure the cab in a corner, and this will give a big boost to the chart compared to center stage or outdoors.
With so many creative ways to lie ...er 'exaggerate', you'd think Congress wrote the specs.
  #7  
Old 11-26-2012, 11:53 AM
SilkyStrings's Avatar
Registered User
 
Join Date: Aug 2006
Location: Los Angeles, CA
Supporting Member
Actually just checked the Aguilar website, they do indeed now show the GS112 as 95dB samee as the DB112. Interestingly the SL112 is showing 99.9dB, which seems high, perhaps this cab is more mid forward?

I'm guessing the DB or SL cabs are a better match for my TH500 since most have suggested the TH500 liking a tighter low end cabinet, or is this just about the trendiness of the 'old school' look in the newer designs?
  #8  
Old 11-26-2012, 01:58 PM
Registered User
 
Join Date: Sep 2010
Sensitivity is relevant, and yes your on the right track looking for the highest SPL.

But as mentioned manufactures ratings can be very overrated.

Most common used single 12" speakers wont do more than average of 94 to 97 dB.

And yes if you look at a response chart of any speaker there wil be a huge peak at the top end of the response. Usually this peak occurs where the speaker will start to have a phase shift and will also be where the beaming frequencies appear. So pretty much worthless in the bass frequency range.
So yes its great if the speaker does have good highend, but this is also where off axis response is getting poor, so again its meaningless in trying to judge sensitivity. Below 1000hz is where it counts. and the reall meat is below 600hz

So speaker manufactures and cabinet builders love to use the higher peaks to make the average response look higher than it really is.

Aguilar claims 99.9 dB sensitivity and claims a 7oz neo magnet
Really Really smells like a Eminence Deltalite 11 2512

Aguilar is most likely trying to be a little more honest with rating and decided to use the driver manufactures rated number to try and stay out of to much trouble. In this case 99.9 dB
Which has been gracefully averaged higher by them as well.

But if you look at response chart of the 2512 you will see below 1000hz sensitivity is about 98dB and below 300hz it drops down to 96dB which is actually pretty good for a 12" most of them are much lower average around 94 to 95dB below 1000hz

If you load that driver into a modeling program it shows the average SPL to be 96.9 dB which is much more realistic number when your actually talking about lower frequency performance and where the bass guitar actually is. And its not a biased number coming from a manufacture. Its based on the actual Mechanical and Electrical measurements of the driver

Last edited by BogeyBass : 11-26-2012 at 02:03 PM.
  #9  
Old 11-26-2012, 02:37 PM
Registered User
 
Join Date: Aug 2012
Location: Germany
Quote:
Originally Posted by BogeyBass View Post
If you load that driver into a modeling program it shows the average SPL to be 96.9 dB which is much more realistic number when your actually talking about lower frequency performance and where the bass guitar actually is. And its not a biased number coming from a manufacture. Its based on the actual Mechanical and Electrical measurements of the driver
+1

There are many different drivers out there with less moving mass and higher fs and therefore excellent efficiency (which is SPL). Trying do give a cab's response a strongly low response impacts the efficiency as well down to lower values.

If someone likes to deal with a response point of 65..70Hz (which is pretty enough for a 4-string bass) then it is possible to achieve excellent efficiency.
There are some drivers out there like the legendary EV 12L with an efficiency of nearly 100dB but, some lack of response at the bottom.

Last edited by ThisBass : 11-26-2012 at 04:10 PM.
  #10  
Old 11-26-2012, 04:05 PM
SilkyStrings's Avatar
Registered User
 
Join Date: Aug 2006
Location: Los Angeles, CA
Supporting Member
I imagine two cabs together also increases this efficiency?

I'm also wondering if a good 4x10 cab will out perform a pair of these newer 12's such as Genz Benz, Aguilar, etc. There is another thread on here about this, in other words will a pair of twelves be a compromise, I'll have to go back and re-read it.

No shortage of options out there but my choice has to fit in my car!
  #11  
Old 11-26-2012, 04:14 PM
JimmyM's Avatar
Registered User

Endorsing: Ampeg
 
Join Date: Apr 2005
Location: Apopka, FL
Supporting Member
Quote:
Originally Posted by SilkyStrings View Post
Actually just checked the Aguilar website, they do indeed now show the GS112 as 95dB samee as the DB112. Interestingly the SL112 is showing 99.9dB, which seems high, perhaps this cab is more mid forward?
That was my impression of the SL112 as opposed to the DB410 they had on the floor at Sam Ash a couple months ago.
__________________
Ampeg Portaflex Club #1
  #12  
Old 11-26-2012, 05:05 PM
Registered User
 
Join Date: Aug 2012
Location: Germany
Quote:
Originally Posted by SilkyStrings View Post
Actually just checked the Aguilar website, they do indeed now show the GS112 as 95dB samee as the DB112. Interestingly the SL112 is showing 99.9dB, which seems high, perhaps this cab is more mid forward?

I'm guessing the DB or SL cabs are a better match for my TH500 since most have suggested the TH500 liking a tighter low end cabinet, or is this just about the trendiness of the 'old school' look in the newer designs?
...should be a EVM 12L driver which is indeed mid forward and with an efficiency of 100 dB but, with a response not lower then 70Hz.
  #13  
Old 11-26-2012, 05:12 PM
Registered User
 
Join Date: Sep 2010
Quote:
Originally Posted by SilkyStrings View Post
I imagine two cabs together also increases this efficiency?
yes doubling of speaker area will increase sensitivity by 3dB

So a single 12 would be 96dB
and a 2x12 would be 99dB
and a 4x12 would be 102dB
and a 8x12 would be 105dB

and I highly recommend using a minimum of 2 drivers

it is why my opinion is a 2x12 or 2x15
would satisfy almost 80% of all bass players

which gives decent power handling and average sensitivity
of 99 to 101 dB

10" speakers lack sensitivity a 4x10 only hits 97 to 98 dB
plus the dispersion is lacking

A vertical 2x12 could perform similar or equal to a 4x10
but a 2x12 could have more lowend and depending on driver used actually have more highend than a 10". Plus being a vertical alignment will offer more off axis response. Which is beneficial to the player and band members. Plus a higher stack offers better monitoring on stage for the player simply because its closer to ear level.

Keep in mind there is many lowcost 2x12 cabinets that would never keep up with a 4x10. But a high quality 2x12 with 5mm or higher xmax would do just fine.

The only real drawback to stacking single high quality 12's
is the cost is higher.

Otherwise single 15's are not much larger, but offer the highest
sensitivity. average 15 is 97 to 99dB
so a pair of 15's is the best bang for the buck for having a portable system with good sensitivity and needing less power.

People tend to laugh at 200 to 250 watt heads, but its really all you need with a efficient speaker system.
Even at that a overdriven 150 watt tube head will have alot of presence in a band.

Just goes to show when JBL came out with 5mm drivers with better thermal ratings. A 2x15 cabinet loaded with K-140's
could still make 80% of bass players happy.
And the more robust fullrange neo speakers of the day dont really go much beyond 5mm. they are just lighter.

So Sunn and Fender figured this krap out over 40 years ago with there 2x15 cabinets
you just had to be able to afford the upgrade speakers offered by Fender or the standard speakers offered by Sunn.

maybe the weight is the only limit, but modern neos and cabinet design has fixed that. Single 12's or 15's should fit in just about any car.
  #14  
Old 11-26-2012, 05:24 PM
Development Engineer: Genz Benz
 
Join Date: Feb 2006
Supporting Member
Quote:
Originally Posted by BogeyBass View Post
yes doubling of speaker area will increase sensitivity by 3dB

So a single 12 would be 96dB
and a 2x12 would be 99dB
and a 4x12 would be 102dB
and a 8x12 would be 105dB
Note that this is only close to true below a critical frequency that depends on the driver spacing. Most of this coupling occurs below a couple hundred Hz on a 12" driver, primarily where the efficiency begins to suffer from loss of boundery. The coupling ratio also decreases with each doubling of drivers, otherwise you would exceed 100% efficiency once you get past the ~7th or 8th doubling. At that point the simplified calculations begin to look like a perpetual motion machine... attractive to marketers but not to engineers

I believe (from memory) that somewhere around 112dB/1W/1M is about 100% electrical to acoustic power transform. This is for an omnidirectional of full space source radiator. Perhaps somebody who does this every day could comment in more detail?
__________________
Engineer: Genz Benz
  #15  
Old 11-26-2012, 05:47 PM
Registered User
 
Join Date: Sep 2010
Yes Sir of course AgedHorse

I was just showing basic numbers to show that adding more speakers increases sensitivity.

But of course many variables like coupling, temperature ,humidity
room gain, cabinet volume, wind and how many beers you drank can effect actual real world sensitivity.

but I do feel alcohol has a large effect on my sensitivity
or even how many blonds are standing in the same room.
  #16  
Old 11-26-2012, 06:03 PM
Development Engineer: Genz Benz
 
Join Date: Feb 2006
Supporting Member
Alcohol modified sensitivity is something that I try to avoid at all costs. Nothing like being in monitor world when things come apart on stage for this reason!
__________________
Engineer: Genz Benz
  #17  
Old 11-26-2012, 06:10 PM
Registered User
 
Join Date: May 2001
Location: Orangevale, CA 95662
Supporting Member
  #18  
Old 11-26-2012, 06:10 PM
Registered User
 
Join Date: Oct 2009
Location: Toronto
Quote:
Originally Posted by agedhorse View Post
I believe (from memory) that somewhere around 112dB/1W/1M is about 100% electrical to acoustic power transform. This is for an omnidirectional of full space source radiator. Perhaps somebody who does this every day could comment in more detail?
According to this online calculator your memory is 100% correct.
__________________
"Never attribute to malice that which is adequately explained by stupidity." - R. J. Hanlon
  #19  
Old 11-26-2012, 06:17 PM
Registered User
 
Join Date: Jun 2011
Location: DC
Sensitivity is probably MORE important than power handling and amp power rating. You can have a range of 15+ db of sensitivity between different speakers/cabs. That's the equivalent of having 32 times more power. But more sensitive speakers aren't necessarily proportionally more expensive in terms of their respective power equivalency.

So if you have 2 102db JBL 15s in a cab for 105db at 1w/1m, and a 96db 4x10, you can get the same volume out of 100w that you could with 400 from the 4x10.
  #20  
Old 11-26-2012, 07:31 PM
Development Engineer: Genz Benz
 
Join Date: Feb 2006
Supporting Member
Quote:
Originally Posted by OtisRocks View Post
According to this online calculator your memory is 100% correct.
Good grief, I haven't lost my mind???

Something else to note is that while the raw sensitivity number may be important, it's also important to know how this number is derived. Things like measured bandwidth, boundery conditions and at what power level the number is normalized to all factor into the real world sensitivity.
__________________
Engineer: Genz Benz
Reply


Thread Tools Search this Thread
Search this Thread:

Advanced Search

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are Off
Pingbacks are Off
Refbacks are Off

Visit TalkBass on Facebook   Download our iOS app   Download our Android app

All times are GMT -6. The time now is 11:00 PM.




© 2012 Talk Music Group Inc. All rights reserved.
Play guitar too? Visit TalkGuitar.com
Powered by vBulletin® Version 3.6.12
Copyright ©2000 - 2013, Jelsoft Enterprises Ltd.