|  | | 
02-09-2013, 02:11 PM
| | | | Are there any awesome benefits to having a head & cab instead of a combo? Hi everyone.
I've had the same Ashdown combo for my entire playing life and it's served me very well. Until recently, at least. I've started to have gigs in larger venues and the 180w just isn't cutting it. So, I've been looking into getting a new amp. I'm far from being able to afford one just yet, so this is just to help me figure out what I want to do before I do it.
I'm unsure whether to go for another combo (albeit larger) or a separate head and cab. What are the benefits of the separate head and cab, or should I just go with another combo? Because my current one seems just fine (in terms of ease of use/practicality)!
Cheers,
Nick
__________________
Playing bass is nice isn't it! :)
Follow me on Facebook, Twitter, and YouTube.
| 
02-09-2013, 02:13 PM
| | Registered User | | Join Date: Aug 2009 Location: New Zealand | | | A thousand more opportunities to indulge G.A.S.
__________________
Team Trace Elliot #1, Mediocre Bassist #399, Old Basstard #86 Kala U-Bass #22
Swamp Kauri custom 5str. Stagg EUB. Krappy 5er FL.
| 
02-09-2013, 02:15 PM
| | | | Separate head and cab give you the option to use more or less speakers depending on the size of the gig/ volume of the band
__________________
Washington State Bassist Club #40, Wood Matters Club Member #18
"If ignorance is bliss, why aren't more people happy"
| 
02-09-2013, 02:22 PM
|  | souped up | | Join Date: Feb 2013 Location: Texarkana TX | | | We used to practice at the drummers house, his jamroom is upstairs. I would leave an old 115 cab there so i only had to carry bass and a head. Lugging a cab to band practice every week would have sucked.
Also, at the bigger clubs i just run 115 and a DI. At smaller places we dont bring the subs so i run 2 15" cabs to get more volume since im not in the board. | 
02-09-2013, 02:28 PM
|  | Registered User | | Join Date: Jun 2011 Location: West Bend, Wisconsin | | | 1. The ability to have a Large and a Small sized rig, depending on the gig. One speaker cab or two.
2. The ability to replace/upgrade your amp separately from cabs and vice versa.
3. The ability to leave one cab semi-permanently at a rehearsal space/studio so that you din't have to cart it there and back every time you go there. The other cab at home should satisfy any practicing you need to do there.
__________________ Endless Blue
Ibanez Soundgear SR505, DR Hi-Beams
MXR M87 Bass Compressor & M80 Bass DI+
Source Audio Soundblox Pro Multiwave Bass Distortion & Envelope Filter
Gallien-Krueger MB500, Neo 212-II | 
02-09-2013, 02:30 PM
| | Registered User | | Join Date: Nov 2009 Location: Anacortes Wa. | | | I'm finding that having a potent head and a couple of cabs, is the best solution.
Every time I'd bring my combo to a gig, it wasn't enough.
__________________
Tobias Club #91.
| 
02-09-2013, 02:31 PM
|  | Registered User Endorsing Artist: Lakland Basses & GK Amps | | Join Date: Dec 2007 Location: Lancaster, TX | | | The ability to have one fixed (if needed) while still being able to use the other...
__________________
Warmoth Owners Club #33 , LOG (Lakland Owner Group) 407, 5 String Club # 165, GK member #333
| 
02-09-2013, 02:32 PM
| | | | And most of the time, separate cabs can handle more then combos
__________________
I walked in, I looked around and I didn't spot anything special.. So I left the place again..
| 
02-09-2013, 02:33 PM
|  | Registered User | | Join Date: Jun 2011 Location: West Bend, Wisconsin | | Quote:
Originally Posted by Mr_Music90 And most of the time, separate cabs can handle more then combos | True. Many combo amps are aimed at hobbyists while a lot of separate head/cab components are aimed at pros.
__________________ Endless Blue
Ibanez Soundgear SR505, DR Hi-Beams
MXR M87 Bass Compressor & M80 Bass DI+
Source Audio Soundblox Pro Multiwave Bass Distortion & Envelope Filter
Gallien-Krueger MB500, Neo 212-II | 
02-09-2013, 02:40 PM
| | | Quote:
Originally Posted by scottfeldstein True. Many combo amps are aimed at hobbyists while a lot of separate head/cab components are aimed at pros. | Combos are fine for at home or at the studio, but when you go live and play at a venue which ain't small, I would go for a separated cab and head 
__________________
I walked in, I looked around and I didn't spot anything special.. So I left the place again..
| 
02-09-2013, 02:58 PM
| | | Thanks for your help, everyone!
I think I'll be getting a separate head and combo then. ;D 
__________________
Playing bass is nice isn't it! :)
Follow me on Facebook, Twitter, and YouTube.
| 
02-09-2013, 03:04 PM
| | | Quote:
Originally Posted by nicklathambass Thanks for your help, everyone!
I think I'll be getting a separate head and combo then. ;D  | Cool, will it be a Ashdown as well?
__________________
I walked in, I looked around and I didn't spot anything special.. So I left the place again..
| 
02-09-2013, 03:07 PM
| | Registered User | | Join Date: Apr 2006 Location: SF Bay Area | | | answer is no. there are NO real benefits to having a head/cab exclusively.
look at pro level combos that allow the amp section to be removed for use with other cab combinations if you ever need it. otherwise you will have a great all-in one unit that can cover most normal gigs (as most players don't regularly do 500-1000 person venues or stadium gigs without PA support)
there are some really great combos with pro features to look at these days that provide this option. Some examples are:
Mesa Walkabout
Mesa M3/M6
Genz Benz Shuttle series
Markbass
Amgeg PF series (350, 500, 800)
(there are others too)
no one can honestly say that these amps are not working pro level gear.
good luck, and most importantly ....
enjoy!
__________________
LIFE is good - remind yourself of that every day
Lull M4V
MIA Deluxe Jazz
Turner Ren 4 fretless
Mesa Walkabout 12 + Scout 12
TC Electric RH450
Ampeg PF500/115HE | 
02-09-2013, 03:13 PM
| | Registered User | | Join Date: Jan 2013 Location: NW Mass/SW VT | | | As partial insight:
I'm probably going to turn my combo into a head and cab, mostly because it will be a heck of a lot easier to move in two pieces that weigh less. If I wasn't a cheap [bass-tard] I could go lighter yet with a lightweight amp and cab, but even a heavy amp like the big-hunk of iron that Peavey used for a transformer on the TNT is a lot easier to move in a small cabinet by itself than as part of a large, heavily built awkward box with a heavy speaker in it, unless you absolutely, positively needed to do it in one trip, and then you can strap it all to a hand cart - but if you are going to hand-cart it anyway, a combo is about the same, until you get to a set of stairs...
This line of thought is aggravated by old age and decrepitude. In my jazz band days I used to haul a big sunn cabinet or combo (I don't recall which) up into the bus (I was playing trombone, not bass, but I was good at getting the bus loaded with gear), but I was young and strong. I've horked the 80 lb TNT around a few places and up stairs, and I can still do that, but it lacks the appeal that it might have had 30 years ago. For now it's fine (I doubt it needs to move while I figure out how to play bass) but once I need to move it again, a lighter cabinet and multiple parts that weigh less each look very appealing. Spending big bucks on 3 lb amps and neo speakers, less so, since I AM a cheap [bass-tard] and not actually gigging, where the benefits of lighter but more expensive gear would be more noticeable.
On the third hand, if a 3lb micro head will crank out the volume, then a combo with a 3-lb micro head built in would not weigh much more than a plain cabinet - if it had outputs for a second speaker it might not be a bad choice, but the head and separate cabs is still more versatile in theory, though possibly less so in practice unless you have lots of extra cabs to play around with...
__________________
Yamaha RBX270 (mfd. by kaohsiung Yamaha Ltd, Taiwan) D'Addario EBT92s, Peavey TNT130
Blessing Artist metal pneumatic piccolo fretless bass (that's a trombone, folks ;-)
| 
02-09-2013, 03:33 PM
|  | souped up | | Join Date: Feb 2013 Location: Texarkana TX | | Quote:
Originally Posted by pfschim answer is no. there are NO real benefits to having a head/cab exclusively.
look at pro level combos that allow the amp section to be removed for use with other cab combinations if you ever need it. otherwise you will have a great all-in one unit that can cover most normal gigs (as most players don't regularly do 500-1000 person venues or stadium gigs without PA support)
there are some really great combos with pro features to look at these days that provide this option. Some examples are:
Mesa Walkabout
Mesa M3/M6
Genz Benz Shuttle series
Markbassp
Amgeg PF series (350, 500, 800)
(there are others too)
no one can honestly say that these amps are not working pro level gear.
good luck, and most importantly ....
enjoy! | very good points, but you are missing the one benefit of not having to lug a ton of combo amp to every practice. No big deal to some... major benefit to others. | 
02-09-2013, 03:40 PM
|  | Registered User | | Join Date: Mar 2000 Location: Layton, UT | | | My CMD 102p combo is 44 lbs. I am not big (5'10",155 lbs) nor young (60) but can carry it easily. The second cab is 43 lbs. How is carrying the combo harder? Of course. I have a second rig - so nevermind
__________________
P5, 5/1, SKB 3005, CS '59 NOS P, Fender JPJ
CMD 102P + 102HF, LMII + TC 115 Composite
Xwire, Tonebone, TU2, Compressore, VV volume, Pedaltrain
| 
02-09-2013, 03:46 PM
| | Registered User Endorsing artist: Lakland basses | | Join Date: Mar 2012 Location: Chicago | | | Nick-
You didn't mention what configuration your Ashdown is- have you considered simply adding a matching speaker cab? Provided it has a speaker-out jack and you watch your impedance load that might be an easy solution for you.
__________________ Quote: |
The life which men praise and regard as successful is but one kind.
| -Thoreau
| 
02-09-2013, 04:30 PM
|  | Registered User | | Join Date: Aug 2007 Location: Toronto Ontario Canada | | | very often a combo is a series of compromises between engineering and marketing. Separates are less so.
__________________
Paul
| 
02-09-2013, 05:00 PM
| | Registered User | | Join Date: Apr 2006 Location: SF Bay Area | | Quote:
Originally Posted by 45acp very good points, but you are missing the one benefit of not having to lug a ton of combo amp to every practice. No big deal to some... major benefit to others. | the Walkabout is 47lbs and its on the heavy side for these kind of rigs. Does not sound like a "ton of combo" to me.
__________________
LIFE is good - remind yourself of that every day
Lull M4V
MIA Deluxe Jazz
Turner Ren 4 fretless
Mesa Walkabout 12 + Scout 12
TC Electric RH450
Ampeg PF500/115HE | 
02-09-2013, 05:15 PM
| | | | An awesome benefit to me is that I can use a V4-b. And as others have said, there is the weight issue. But then again, I use a V4-b. Guess the weight benefit is lost on me.
__________________
Crappy Bassist with Expensive Gear Club # 109,
Ampeg V4 Club #12,
| | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |