Quote:
Originally Posted by the low one It's a great little combo. I've had mine for about 15 years and gigged, rehearsed and recorded with it loads.
You say that's not your photo but is it the same model? I have the green carpet model as pictured, the original model, and I believe it's better than later models when Trace was taken over.
I use a P bass with all the eq at 12:00 and the mid shift and treble boost on. Can you confirm what your settings are again please. Always good to get more settings to try out. |
I'm pretty sure it was just like the model above, which I think is the 100W model, not the more powerful 150W US version as far as I know, but I don't really know how to tell them apart. I know newer ones have the number 15 written on them, but I don't know about the green carpet ones, the one I played was here in a rehearsal studio in London. It's given me serious GAS, I might even call the studio and make them an offer on it..
The settings, as far as I remember were:
Input - Passive (the USA DLX Jazz is pretty quiet, even in active mode)
Gain - all the way up
Bass - around 2 o'clock
Deep switch - not engaged. (The difference that switch makes is immense, probably great for a metal tone or slap, but def. not for me).
Mid - up almost all the way
Mid Shift - On
Treble - up pretty high, about 3 o'clock. Didn't find it harsh at all.
Volume was at least 2/3 of the way up, but mostly up pretty high. The thing sounded totally badass, and reacted beautifully to dynamic fingerstyle playing. My Fender Bassman TV15 sounds fantastic, and I love playing through it, but the Trace combo just had something about it, perhaps a bit more mid range punch and clarity than I'm used to with the Fender. Tone is really difficult to quantify but I definitely heard my ideal tone in there.
*edit - forgot to mention, the treble boost was also switched on.