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05-20-2010, 08:12 PM
| | Registered User | | Join Date: May 2010 Location: NH | | | Trade my SWR Bass 350 for Ampeg SVT350H
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So here's the deal:
I was offered a trade... an Ampeg svt350h for my SWR Bass 350 (red face).
Is this a good trade?
Anyone ever tried both of these heads?
Just looking to change up my tone a bit... I play through a peavey 410tx and a 115bx (combined for a 4 ohm load).
I have seen lots of reviews saying the SVT350H doesnt have much headroom, but I seem to have the same issue with my SWR.
Guess I'm just looking for a bit of input in my decision.
Thanks in advance!  | 
05-20-2010, 09:51 PM
|  | Registered User | | | | | That's a lateral move, IMO - I don't care for either of those heads...
- georgestrings | 
05-20-2010, 11:46 PM
|  | Registered User | | Join Date: May 2006 Location: Arlington Heights, IL | | | I think the Ampeg would have a more grindy pick playing tone compared to the SWR head. Otherwise, as George stated, it's lateral move and you really don't gain much - just a different tone. You won't magically gain more volume in this situation. | 
05-21-2010, 05:13 AM
| | Registered User | | Join Date: May 2010 Location: NH | | | thanks for the input guys. | 
05-21-2010, 06:43 AM
|  | Registered User | | | | Quote:
Originally Posted by Gearhead17 I think the Ampeg would have a more grindy pick playing tone compared to the SWR head. Otherwise, as George stated, it's lateral move and you really don't gain much - just a different tone. You won't magically gain more volume in this situation. |
Agreed - IME, the Ampeg will sound a bit warmer than the SWR, but that'll be the biggest difference between the 2...
- georgestrings | 
05-21-2010, 08:31 AM
| | Registered User | | Join Date: Sep 2001 Location: La Salle, IL USA | | | I played both...owned the SWR350. IMHO, the SWR350 completely outclasses the 'Peg, which sounded like one dimensional mush to my ears. | 
05-21-2010, 09:52 AM
| | Registered User | | Join Date: May 2010 Location: NH | | Quote:
Originally Posted by T. Alan Smith I played both...owned the SWR350. IMHO, the SWR350 completely outclasses the 'Peg, which sounded like one dimensional mush to my ears. | thanks for the info T. Alan.
looks like I should stick with the SWR for now. I'm definitely looking for something with more headroom, but cannot spend a ton of cash, any suggestions? I'm looking into a Peavey Firebass 700... would this be better compared to the SWR as far as tone, volume, headroom are concerned? Thanks! | 
05-21-2010, 01:47 PM
| | Registered User | | Join Date: Sep 2001 Location: La Salle, IL USA | | Quote:
Originally Posted by soothsayer86 thanks for the info T. Alan.
looks like I should stick with the SWR for now. I'm definitely looking for something with more headroom, but cannot spend a ton of cash, any suggestions? I'm looking into a Peavey Firebass 700... would this be better compared to the SWR as far as tone, volume, headroom are concerned? Thanks! | If your SWR350 is in nice shape, I would give serious consideration at an Aguilar Tonehammer to put in front of it if you wanted to phatten up your sound. Do you run w/outboard(not the bult in limiter) compression? While I can wholly understand wanting more headroom(remember- I owned a 350  ), your rig should be screaming pushing 350w into those cabs. Your not cutting mids or boosting lows, are you? Also, careful with that enhancer. | 
05-21-2010, 02:20 PM
| | Registered User | | Join Date: Apr 2009 Location: San Francisco Bay Area, CA | | Quote:
Originally Posted by Gearhead17 I think the Ampeg would have a more grindy pick playing tone compared to the SWR head. Otherwise, as George stated, it's lateral move and you really don't gain much - just a different tone. You won't magically gain more volume in this situation. | You are correct, sir.
In terms of volume, OP would be making pretty much a lateral move.
Tone-wise, I like the Ampeg better, it's fairly easy to dial in an aggressive rock sound. If that's what one is going for. I've never played any SWR stuff that I really liked the sound of very much.
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05-21-2010, 02:22 PM
| | Registered User | | Join Date: Sep 2001 Location: La Salle, IL USA | | | Wow. You guys are hearing, seeing & feeling these heads quite different from me. | 
05-21-2010, 02:31 PM
| | Registered User | | Join Date: May 2010 Location: NH | | Quote:
Originally Posted by T. Alan Smith If your SWR350 is in nice shape, I would give serious consideration at an Aguilar Tonehammer to put in front of it if you wanted to phatten up your sound. Do you run w/outboard(not the bult in limiter) compression? While I can wholly understand wanting more headroom(remember- I owned a 350  ), your rig should be screaming pushing 350w into those cabs. Your not cutting mids or boosting lows, are you? Also, careful with that enhancer. | My 350 is in very good condition. I'll have to check into the tonehammer. At one point I had a BBE OptoStomp compressor, but it just didn't do it for me. Usually I have my Bass knob at about 3 oclock (slight boost) and I boost the low-mids to get more "oomph" but it tends to get a little barky when I really lay into the strings. Also, I tend to leave the treble flat as I am not a huge fan of the sharp ultra-bright tone. Ultimately, I am looking for a smooth, round tone that will still cut through the mix. I play in a band with two guitars and a LOUD drummer (not a complaint!  ). The guitar players have 2x12 combos (fender twin reverb, and a VOX something-something). What position would you recommend for the enhancer? | 
05-21-2010, 02:39 PM
| | Registered User | | Join Date: May 2010 Location: NH | | | just checked out the tonehammer.... I LIKE. I'm going to start saving my pennies. | 
05-21-2010, 02:59 PM
|  | Registered User | | | | Quote:
Originally Posted by T. Alan Smith Wow. You guys are hearing, seeing & feeling these heads quite different from me. |
Yeah, no doubt - although I really like most SWR cabs I've played thru, and still play thru a Goliath Sr on a regular basis, I've never cared much for the sound of their heads... Funny thing is, with G-K it's the opposite - I've liked every one of their heads I've played thru, but didn't care for *most* of their cabs - although their latest stuff is pretty good, especially factoring in cost...
- georgestrings | 
05-21-2010, 03:01 PM
| | Registered User | | Join Date: Apr 2009 Location: San Francisco Bay Area, CA | | | Yeah, also not a big fan of SWR heads.
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05-21-2010, 04:27 PM
|  | Registered User | | Join Date: May 2006 Location: Arlington Heights, IL | | | I recommend the Enhance knob all the way to the left to keep the mids intact. Otherwise, you might as well let the guitarists win. | 
05-21-2010, 04:37 PM
|  | Vanilla Thunda | | | | | If aggressive sound is what your after take a look at the Gallien Krugger 701rbll or 1001rbll, I use the 1001rbll and it handles hard rock, funk really well. Both Flea and Justin Timberland from Tool use GK.
__________________ Basses | Spector NS20004:G&L SB2: Dean Edge Q5:Warwick Corvette$$:Fender Marcus Miller Jazz | Gear | Mesa mpulse 600:MarkBass std104hr : | Bands |Sober:LiQuiD EarTh:CELLBOUND | SPECTORŽ Club #324 | 
05-22-2010, 01:40 PM
| | Registered User | | Join Date: Apr 2009 Location: San Francisco Bay Area, CA | | Quote:
Originally Posted by Gearhead17 I recommend the Enhance knob all the way to the left to keep the mids intact. Otherwise, you might as well let the guitarists win. | The "enhance" knob is a mid scoop?
I don't get why these companies put such crappy, counter-productive features on their amps.
Why not just use a knob labeled "mids"?
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