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11-19-2012, 03:19 PM
| | Registered User | | Join Date: Sep 2007 Location: Detroit | | | P bass -- cord -- GK400rb -- LDS 1x15. Bam!
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Michael May & The Messarounds
1953-54 P; GK400RB; LDS 1x15 Neo 8 ohm
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11-19-2012, 04:49 PM
|  | Registered User | | | | | Nice a lot of ampegs & fenders over here.
I'm going into ADA b500b amp to two 410s. Eden & hartke. Bringing back the full stack! Just have to figure out preamp situation looks like a pedal board w/ a few pedals is imminent until I can afford a proper tube preamp. Likely fender or ampeg. | 
11-20-2012, 12:09 PM
| | Registered User | | Join Date: Apr 2006 Location: Huntington Beach, CA | | Quote: |
Originally Posted by chuck norriss Nice a lot of ampegs & fenders over here.
I'm going into ADA b500b amp to two 410s. Eden & hartke. Bringing back the full stack! Just have to figure out preamp situation looks like a pedal board w/ a few pedals is imminent until I can afford a proper tube preamp. Likely fender or ampeg. | I highly recommend the Ampeg SVP-BSP if you can find one. | 
11-20-2012, 12:54 PM
|  | Registered User | | | | | I'd be happy w any ampeg pre. I'll look for it thanks for the tip. Actually there's on in the ads now but I can't afford that.
Last edited by chuck norriss : 11-20-2012 at 12:59 PM.
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11-20-2012, 01:30 PM
| | | | I'm wondering why you guys need a tuner in line ... I really enjoy playing around with effects but as other have mentioned I do not see myself using them for actualy playing, unles is and intro or something like that I guess, maybe I'm not very creative... It's been a while since I don't actually gig with a band but I did it for around 10 years and never used anything between the bass and the amp, the amp I used to use had a Limiter, an EQ and a chorus built in and I did use those from time to time though.
Currently I have a MIM Jazz Bass and a Ampeg BA110 and it sounds very nice. | 
11-20-2012, 01:43 PM
|  | Registered User | | Join Date: Apr 2009 Location: Atlanta | | My no brainer rig. Just need muscle to move it.  | 
11-20-2012, 01:46 PM
|  | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | I tried plugging straight in for the first time in a long time last night. HATED IT! Where's my fuzz on the Sly songs? Where's my OC-2 on the Hollywood endings? Admittedly, I didn't miss the SYB-3 I use as an envelope filter, but I sure missed distortion and octaver!
Sorry, but I won't be joining the club anytime soon.
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Ampeg Portaflex Club #1
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11-20-2012, 01:53 PM
| | Registered User | | Join Date: May 2012 Location: Ojinaga, Chihuahua, Mexico | | Dean edge pro--Peavey Mark IV--Peavey 2x15 
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Dean Club #71
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11-20-2012, 02:38 PM
|  | Registered User | | | | Quote:
Originally Posted by rpmcmurphy My no brainer rig. Just need muscle to move it.  | Oh dayummn. | 
11-20-2012, 02:39 PM
|  | Registered User | | | | Quote:
Originally Posted by JimmyM I tried plugging straight in for the first time in a long time last night. HATED IT! Where's my fuzz on the Sly songs? Where's my OC-2 on the Hollywood endings? Admittedly, I didn't miss the SYB-3 I use as an envelope filter, but I sure missed distortion and octaver!
Sorry, but I won't be joining the club anytime soon. | http://youtu.be/HZHwxIL9oYo | 
11-20-2012, 02:52 PM
|  | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | LOL! Exactly!
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Ampeg Portaflex Club #1
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11-21-2012, 01:59 AM
| | | | Yamaha BB424 -> GK MB200 -> GK MBE212
Tuner is not in the chain, but in the Aux out of the amp. | 
11-21-2012, 06:45 AM
| | Registered User | | Join Date: Feb 2009 Location: Houston,Tx | | | What I use is Fenders or Musicman Basses, strung with TI flats, into a ThunderFunk 550-
B or TH500, into a Berg NV610 or a Berg HS410 or an Aguilar GS210 & GS212 stack, depending on the gig | 
11-21-2012, 07:19 AM
|  | Registered User | | Join Date: Jan 2001 Location: Big Bethel, Virginia | | | The P lets me plug straight in with confidence I'll cut through any sonic setting. The standard P configuration has such a strong personality it overcomes bad wood, amps, speakers and rooms. Well above the lowest freqs, it has a characteristic hump that makes it sound like a bass, so I can gut the bottom and it still works fine. All I ask, like someone mentioned above, is to string it with flats (I like TI too) so my sound can cut without stepping all over the guitars.
If the sound is sproingy, especially if it's also scoopy, a lot of bottom is needed to support it and it gets obnoxious and tiring to the ear when it becomes necessary to gut the bottom to suit the room, because obviously if it is going to compete with guitars by stepping all over them, it needs more volume than if it was being heard as an independent voice by being a bass.
After years of trying to get people to call it an electric bass, a lot of players are going back to calling it a bass guitar. What's bad is they're thinking of it as a bass guitar. Trying to solve bass problems, both musical and audio problems, with a guitar, saddles your thinking with a huge handicap. The last thing a band needs is to lose a bass and gain another guitar.
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"I ask Leo 'Why does one sound different than the other?' And he goes, 'It's mostly the resonance of the wood....I can't tell God how to grow a tree.'" --John K
Last edited by kurosawa : 11-21-2012 at 07:26 AM.
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11-21-2012, 03:08 PM
| | Registered User | | Join Date: Apr 2006 Location: East Oakland, California | | | I used to run a huge pedalboard, and I still have dozens of pedals at home. But my last two bands being dual guitar 4 or 5 piece groups, I have been concentrating on dynamics instead of far out tones.
I have to say. I get a lot more compliments as a band and as a bassist when I am focussing on the dynamics. I have even had people come banging on the door of our rehearsal spot to tell us how much the last song killed.
I think a large part of that is playing delicate and pretty for the quiet parts, and dropping a 16lb sledge hammer on the audience during the louder parts.
And you know, my Sterling and my Mesa certainly aid and abet in that regard!
I kind of wish I had gotten past effects at a younger age so that I had spent more time developing my dynamics and technique. Not that I am any slouch.
(ahem)
But I could potentially be farther along by now.
OTOH I do have a whole arsenal of techniques that I have worked up using fuzz boxes (pinch harmonics) and envelope filters (dynamics again!).
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Stingray club #90, Sterling club #90, EBMM club #102. Ovation Magnum club #1, Mesa Bass 400,400+ Club #14, Big Cabs Club #179, Mesa Boogie club #1317, Synth Pedals club #41
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11-21-2012, 03:10 PM
| | | | '01 Fender American Standard P-Bass straight into an Ampeg PF-500 or Orange Terror Bass 500, Ampeg PF115 cab. Thumps so lovely. Never needed anything else. Bigger gigs get DI'd.
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Kris Hayes
musicproinsurance.com
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11-21-2012, 03:11 PM
| | | Quote:
Originally Posted by rpmcmurphy My no brainer rig. Just need muscle to move it.  | Lovely, dude!
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Kris Hayes
musicproinsurance.com
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11-23-2012, 02:46 PM
| | Registered User | | Join Date: Oct 2009 Location: Austin, TX | | | 51-P RI > TB-600 > Schroeder 1212R | | Thread Tools | Search this Thread | | | |
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