Full Sail University offers any band with 50 minutes or more material the opportunity to come in and record (audio and video) their material for free. Granted, you are guinea pigs for the students, but... the price is right, and the Instructors are right there in the process. That "price" includes full access to the audio mix as well the video feed.
The audio mix consists of the raw feed as well as the FOH mix and a Remote mix that was sent to a completely separate room on campus. The raw feed was sent side stage for a monitor mix, and subsequently sent FOH and Remote. Video feeds consisted of 3 motorized/gyro stabilized mounted cameras and two shoulder held cameras. Their feeds were sent to a video director's monitoring desk at the FOH position.
All said, we were not completely sold with either off stage mix (it didn't sound like 'us')... so we took the raw audio feed and our sound man set the levels where he felt they were appropriate. Had he the option, he would have reset EQ and compression levels, but that was not the case.
Once we had audio feeds to our liking (or, as close as we could get them) we sent the audio and video feeds to a studio in New York, who did the editing and special effects.
For what it's worth - there was no 'punch in / punch out' editing on the audio. In actuality - we didn't even record full versions of the songs. We needed 10 - 20 seconds of "good footage" of each song and rarely recorded more than a verse / chorus / bridge of each song. In total, we recorded 47 'songs' in little more than 140 minutes of 'Tape Time'. All songs were one take. Considering we'd just come off a stint of 6 months, 3 nights a week at a club, we were pretty tight.
My set up was a direct line out of my Demeter Pre, and a mic on my ACME (located between one of the tens and the 5" mid). On some songs I used a MicroPog pedal where the original was a synth bass line. Not ideal, but effective, to some degree. Personally, I think my tone is brighter than recorded (more mic feed than DI, and a bit more compression than I care for) but, overall I'm quite satisified with the presense of the bass in the mix...
...of course, I had nothing to do with that...
...it was the Roscoe LG3000.
