| Seems as though we are on similar tracks. I've been playing twice as long and have recently been playing through rehearsal studio equipment. While it has been interesting hearing the 4 tens and 1 fifteen combo through a bunch of different heads, I am usually confused by the amount of knobs and mystical effect buttons on the amps. I usually set my (active) bass to neutral and flatten out the b-m-t to high noons turning off any EQ or anything else, and adjust in increments till I hear a familiar sound, then enhance/adjust with my bass b-m-t.
Like your style, I need to have a little edge on it for the tasty pop/slap every now and then and prefer deep throaty lows.
-richard
__________________ '99 Music Man Sterling, Sparkle Blue, Cremona DB, Mark Bass II, Avatar B410, Eden D212 |