| Developing improv using certain exercises
Sign in to disble this ad
Hey Janek,
In order to improve my soloing (particular the form, structure and motivic development) I've been using "containment" methods (not sure if this is the correct term) where I will impose a limit on myself. For example, over a 4 chord vamp, I can only solo using notes on the G string, or just chord tones (1 3 5 7). I've found restricting myself this way as forced me to make my solo a lot more interesting in terms of rhythm and developing ideas.
Have you any ideas or tips on how to develop this further? The obvious I guess is to increase the number of possible notes, or use a semitone above and below each chord tone or something.
Your thoughts (and anyone else's) welcome!
Cheers
Mike |