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09-01-2011, 09:58 AM
| | | | 3 basses 3 different strings What kind of strings should I get?
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I want each of my bass guitars to have their own unique sound.
what strings sound good?
Fender Jazz Bass
Squire P-bass
Squire P-bass
For example:
If I wanted to sound like John Entwhistle, what kind of strings should I get, and which bass should i put them on?
* Note: I do not want to replicate John Enwhistle.
Last edited by AudioOfTime : 09-01-2011 at 10:52 AM.
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09-01-2011, 10:01 AM
| | | A quick google search revealed this: John Entwistle Gear: Strings, Picks & Action | John Entwistle Bass Gear | Whotabs
However if you want to sound like Entwhistle then it is more important you learn to play like Entwhistle and even still there are limits.
I try to sound like me and I pick strings based on tone and feel I like, well that plus longevity. I use Ernie Ball Regular Slinky as my standard. I also like D'addario Chromes when I want flatwound. I have been debating trying out DR Black Beauties.
Ken
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09-01-2011, 10:03 AM
|  | Banned Endorsing Artist: HCAF | | Join Date: Apr 2002 Location: The Woodlands, TX | | | Get a Fenderbird
lern2histechnique
copy his rig
in 25 years you'll be close :thu:
strings are going to be the last thing of about 1,232 variables and factors you'll need to cop real authentic Ox toane. | 
09-01-2011, 10:09 AM
|  | Registered User | | Join Date: Dec 2004 Location: Durham NC | | I would put Rotosound stainless strings on one of the P Basses, sell the other two and buy a Tech 21 Leeds pedal.
Then, I would practice.  | 
09-01-2011, 10:40 AM
| | | Quote:
Originally Posted by rockstarbassist Get a Fenderbird
lern2histechnique
copy his rig
in 25 years you'll be close :thu:
strings are going to be the last thing of about 1,232 variables and factors you'll need to cop real authentic Ox toane. |
Im just trying to find unique strings that work for my basses dude. replicating enwhistle is not what i am aiming for. | 
09-01-2011, 10:45 AM
| | Registered User | | Join Date: Mar 2007 Location: White Plains | | | Put a set of rounds on one P bass and a set of flats on the other. Then put whichever you like more/less on the J bass.
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09-01-2011, 12:59 PM
|  | I'm just a cover of a real bassist | | Join Date: Dec 2010 Location: 6.7 m (22 ft) below sea level | | | To me the J-Bass seems more suitable for flatwounds. Chromes may bring that specific, well defined sound. Stringing the P-basses... Standard nickel roundwounds for the allrounder and a slap-happy set of thin steels for the other? In the end, you're the one who has to play them.
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09-01-2011, 01:05 PM
| | | | rotosound 66's on one p (these are what the ox used)
thomastic jazz flats on the other p (they rule)
dr sunbeams on the jazz (they also rule)
for real. | 
09-01-2011, 01:38 PM
|  | Supporting Member | | Join Date: Aug 2011 Location: New York City | | | If you want The Ox' tone, get a set of Rotosound Swing Bass 66s. Be warned, they will redefine what you call "fingertip pain" before they redefine what you call "callouses." Also, they tend to expire quickly. I can get usually about a month's worth of playing, but I have oily hands. Personally, I think these types of strings are most conducive for the more trebbly sound of a Jazz, but to each his own. | 
09-01-2011, 01:40 PM
| | Registered User | | Join Date: Sep 2009 Location: Eastern Wisconsin | | | Put Rotosound rounds of the Jazz,
Chromes on one P
TI Jazz flats on the other P.
They all sound totally different. And awesome.
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Lefty Union #203, SX Club Member Quote: |
Originally Posted by SurferJoe46 Bass tone isn't rocket surgery anyway. | | 
09-01-2011, 07:35 PM
|  | Registered User Owner: BassStringsOnline.com | | Join Date: Jul 2006 Location: LA California | | | on the P's... One set of Pressure Wound, One set of Flats.
Jazz.. Rounds, or Black Nylon Tape Wound... depending on the kind of sound you are going for...
IMHO | 
09-01-2011, 09:13 PM
|  | Supporting Member and fetch player | | Join Date: May 2003 Location: Colorado, USA | | | For a wide variety of tones you could go with stainless rounds on the Jazz, then nickel rounds on one P and flats on the other.
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09-01-2011, 09:18 PM
|  | Registered User | | Join Date: Jan 2009 Location: N.H. | | | I recently did this to 3 of my basses.
One with D'Addario half round wounds.
One with D'Addario round wound nickels
One with Pedulla round wounds.
Stayed away from Stainless rounds , way too brite for my taste. | 
09-01-2011, 09:34 PM
| | Registered User | | Join Date: Jan 2007 Location: Los Angeles | | Easy--IMHO
Nickel DR Lo-Riders on the Jazz
LaBella Flats on one of the P's, and NEVER change them.
Roto Swingbass nickels on the other P. | 
09-01-2011, 09:38 PM
| | Registered User | | Join Date: Apr 2006 Location: Northern CA. | | | A set of rounds on one P, flats on the other P, and maybe some tape wounds on the jazz. | 
09-03-2011, 09:08 AM
| | Registered User | | Join Date: Aug 2010 Location: Louisville Kentucky | | | DR Fatbeams on the Jazz
Rotosound Steels on the P
La'Bella flats on the other P.
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09-13-2011, 02:17 PM
| | Registered User Weekend Warrior | | Join Date: Feb 2011 Location: O'fallon IL/Scott AFB | | Quote:
Originally Posted by Catbuster DR Fatbeams on the Jazz
Rotosound Steels on the P
La'Bella flats on the other P. | I agree, I have a (somewhat) similar set up (Rickenbacker with Elixers, Geddy Lee Jazz with DR hibeams, and Frankenstiened P-Bass with La'Bella flats) and it gives me a ton of options for tone when playing different styles and genres. Versatility is more for what I'm going for but if you're specifically going for an entwistle tone, maybe rotosound roundwounds are your best bet. It's somewhat subjective since a lot of the tone is your playing and hands, but to piggy back off of Catbuster, this is a great way to get the most of your different basses and their tone. Hope that helps.
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10-09-2011, 10:15 PM
| | | Quote:
Originally Posted by Amnshall I agree, I have a (somewhat) similar set up (Rickenbacker with Elixers, Geddy Lee Jazz with DR hibeams, and Frankenstiened P-Bass with La'Bella flats) and it gives me a ton of options for tone when playing different styles and genres. Versatility is more for what I'm going for but if you're specifically going for an entwistle tone, maybe rotosound roundwounds are your best bet. It's somewhat subjective since a lot of the tone is your playing and hands, but to piggy back off of Catbuster, this is a great way to get the most of your different basses and their tone. Hope that helps. | How would you describe the sound of each of your bass guitars with those strings? | | Thread Tools | Search this Thread | | | |
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