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View Poll Results: Which one gets the flats?
MIA Fender Jazz Deluxe 30 46.88%
Squier Modded P (with EMG's) 11 17.19%
Mighty-Mite Parts P-bass 21 32.81%
Peavey USA Foundation (p/j) 2 3.13%
Voters: 64. You may not vote on this poll

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  #1  
Old 07-15-2006, 01:01 PM
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Which bass to put flats on?

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Fender MIA Jazz Deluxe

Squier Modded P

Mighty-Mite parts P

Peavey USA Foundation

Which one?
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  #2  
Old 07-15-2006, 02:11 PM
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As long as it's not the MIA DLX Jazz. That bass deserves some roundwound stainless steel strings.
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  #3  
Old 07-15-2006, 02:13 PM
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I love flats with an active jazz set up
  #4  
Old 07-15-2006, 02:25 PM
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I popped the flats on the jazz. That's some good stuff. Stainless flats, and an active setup really delivers the tone. Very nice stuff!
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  #5  
Old 07-15-2006, 02:37 PM
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Quote:
Originally Posted by Trevorus
I popped the flats on the jazz. That's some good stuff. Stainless flats, and an active setup really delivers the tone. Very nice stuff!
So, now you just have three more basses you need to put flats onto right
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  #6  
Old 07-15-2006, 02:38 PM
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Quote:
Originally Posted by Aaron Noguer
So, now you just have three more basses you need to put flats onto right
Not quite.

I tried it on my EMG equipped p-bass, and it never sounded right, but the Jazz with the active preamp and DiMarzios just works.
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  #7  
Old 07-15-2006, 02:46 PM
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Quote:
Originally Posted by Trevorus
but the Jazz with the active preamp and DiMarzios just works.
my 5 string Benavente with flats has a pair of DiMarzio Ultra Jazz and a Suhr pre
  #8  
Old 07-15-2006, 02:50 PM
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Quote:
Originally Posted by James Hart
my 5 string Benavente with flats has a pair of DiMarzio Ultra Jazz and a Suhr pre
Mine is equipped with model J's, and a Suhr pre as well. It's a 1998 model; that was the last year of the Suhr preamp.
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  #9  
Old 07-15-2006, 02:52 PM
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Quote:
Originally Posted by Trevorus
Mine is equipped with model J's, and a Suhr pre as well. It's a 1998 model; that was the last year of the Suhr preamp.
cool! Which flats are you using? I just moved to the heaviest LaBella Deep Talkin' I could order... Hard to wrestle, but that tone is SOOOOO worth it to me!
  #10  
Old 07-15-2006, 02:53 PM
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Plain old Fender Stainless Flats. The only ones I could find in town that weren't like 40 dollars.
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  #11  
Old 07-15-2006, 03:01 PM
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Flats and Active EQ are quite a powerful combination.

TI Flats on my 55-02 could get everything from thumpy P bass to snappy Jaco bridge tone to the a tone similar to a 'Ray with flats. Fantastic!

I've been bitten by the slapping bug, so now the 55-02 has DR Hi-Beams. This just means I need another 55-02 to leave strung with flats, right?

Also, I'd replace the EMG pickup in the MM P bass with a Lindy Fralin P pickup. Proceed to string with flats (TIs!) and you'll be in P+flats heaven.
  #12  
Old 07-15-2006, 03:03 PM
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Yeah, get another lakie, and pop some flats on there! Nothing like buying a bass to go with some strings!
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  #13  
Old 07-15-2006, 03:07 PM
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Quote:
Originally Posted by Trevorus
Yeah, get another lakie, and pop some flats on there! Nothing like buying a bass to go with some strings!
that's why I need another fretless 6 now


one with DR Hi-Beams
one with LaBella Flats



my fretted 5 got the flats since my fretted 7 is here!
  #14  
Old 07-15-2006, 09:11 PM
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All of them. That's the sound they like down at Farm College
  #15  
Old 07-15-2006, 09:51 PM
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P-Bass with flats is a great combination.
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  #16  
Old 07-15-2006, 09:51 PM
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Quote:
Originally Posted by Eric Cioe
P-Bass with flats is a great combination.
I may have to do that when I change my Squier back to passive.
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  #17  
Old 07-16-2006, 07:23 AM
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flats on jazz bass = sex
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  #18  
Old 07-16-2006, 07:52 AM
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Quote:
Flats and Active EQ are quite a powerful combination.

TI Flats on my 55-02 could get everything from thumpy P bass to snappy Jaco bridge tone to the a tone similar to a 'Ray with flats. Fantastic!
Definitely, you can get a wider variety of sounds from flats than many assume. I think a lot of people associate flats with that old Motown "thump." You can get that, sure, but the nice thing about flats is that they tend to give you a solid, focused fundamental without all those metallic, ringing harmonics which you can then shape with outboard processing.

I did a track a while back with flats on my Jazz fretless on which I played over the bridge pickup and used a resonant lowpass filter plugin to get a strong midrange peak (a trick inspired by the Wal's active electronics). It almost came off sounding more like a Steinberger than a Fender. It's kind of up to you to do what you want with the "raw sonic material" flats provide you with.
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  #19  
Old 07-16-2006, 03:04 PM
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Originally Posted by Trevorus
Not quite.

I tried it on my EMG equipped p-bass, and it never sounded right,
I agree, I didn't like the sound I was getting with the EMGs that were on my fretless P when I got it; I kept the flats [cromes] and changed the pickups to Duncan antiquitys, now, that's the sound I wanted!
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  #20  
Old 07-16-2006, 03:08 PM
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I say you put it on witch ever you use the most...
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