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04-16-2011, 08:57 AM
| | Registered User | | Join Date: Apr 2011 Location: greece | | | Brightest Flatwood Strings?
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Hallo to everybody, i was wondering which flatwood string sounds brightest? Ghs brite flats, daddario chromes, or labella deep talking, or something else? i have been playing boomers for ages and got to precision flats, they are great but it feels like something is missing...i am into reggae, ska, punk rock, so i need a little high end. | 
04-16-2011, 11:14 AM
|  | Registered User | | Join Date: Apr 2010 Location: Cary, Il | | | contradiction in terms... | 
04-16-2011, 11:20 AM
| | Registered User | | Join Date: Jan 2010 Location: Maryland, USA | | | You are wasting your time and money if you keep searching for flats as bright as rounds. Well, Rotosound 77 flats are the brightest flats, IME. But you have to change them with a new set VERY frequently because they lose the zing in couple days.
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2004 Fender USA Precision (Butterscotch, maple)
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04-16-2011, 11:23 AM
| | Registered User | | Join Date: Jul 2009 Location: Arizona | | | Rotosound Jazz Bass 77. I had a set on my OLP 5 string and they were very bright for flats.
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04-16-2011, 11:23 AM
| | Registered User | | Join Date: May 2008 Location: Calabash, NC | | | I don't have any experience with LaBella Deep Talkin' flats, but from what I've read here on TB, they're the quintessential thumpy, old school sounding flatwound. I've played Chromes and Precision flats. Chromes are pretty zingy for a flat right out of the pack, but mellow out after a while. Precision flats are pretty thumpy themselves, almost a bit too thumpy for my tastes. If you're looking for bright I've heard Rotosound flats are pretty bright.
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04-16-2011, 11:24 AM
| | Registered User | | Join Date: Jan 2010 Location: Perth, Scotland | | | The rotosound Steve Harris strings are very bright but they are also quite high gauge if i remember right so you might not like the feel.
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04-16-2011, 11:26 AM
| | Registered User | | Join Date: Nov 2008 Location: Kansas City | | | roto 77
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04-16-2011, 11:47 AM
| | Registered User | | Join Date: Jul 2009 Location: Arizona | | The Steve Harris strings are just heavy gauge Roto 77s so that is 3 votes for those 
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04-16-2011, 11:51 AM
|  | Faith, Family, Fitness, and Frets | | Join Date: Feb 2005 Location: New Jersey | | | You can't go wrong with EITHER the Chromes or the Rotos. Both will give you what you are looking for.
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04-16-2011, 11:55 AM
| | Registered User | | Join Date: Apr 2011 Location: greece | | | Brightest Flatwood Strings Thankz a lot guys!I am not looking for flats as bright as roundwoods, theres no reason for that..i just need some brightness!i think i am going to give a go on rotosound 77's, im tuning one whole step down A for G, so the tension might be perfect | 
04-17-2011, 04:22 AM
| | Dry and Heavy | | Join Date: Oct 2004 Location: Swiss Alps | | | IME Chromes keep the high mids bump better than Rotos after breaking in. The Rotos just go all thumpy in my hands. | 
04-17-2011, 04:44 AM
| | Registered User | | Join Date: Nov 2006 Location: Ireland | | | I'm surprised no one has mentioned TI Jazz flats yet. As flats go, they are fairly bright. However, their tension is low, which does not suit everyone. Worth considering though, IMO.
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04-17-2011, 04:45 AM
|  | My basses pay the bills that pay for more basses Unofficially Endorsing Genz Benz, Fender, Avatar TB-153 Cabs, Musicman | | Join Date: Apr 2008 Location: Scottsdale Az | | | The D'Addario Chrome flats have plenty of zing. I have had a pair on my 73' jazz for about 5 months now (I gig about 5 times per week) and they still have plenty left. I have not tried any of the other flats mentioned, but I feel like I could throw sown on any of the styles you mentioned with these chromes, and that is after 100+ gigs. | 
04-17-2011, 04:54 AM
| | Registered User | | Join Date: Dec 2002 Location: Cookeville, TN | | | Over the long haul, the old Fender flats keep their zing the longest. I have a set here that I bought at least 13 years ago........ you can slap on these they're so bright.
Chromes are bright when new, but I certainly wouldn't consider them to be that way once played in. They're no where near as bright as the old Fenders..... again, after they've been played in for a while. | 
04-17-2011, 05:09 AM
|  | Registered User Endorsing Artist: Marco Bass Guitars | | Join Date: Jul 2000 Location: Wylie (D/FW), TX | | I think the brightest flats aren't flats at all, they are Half Rounds  | 
04-17-2011, 09:08 AM
| | Registered User | | Join Date: Mar 2011 Location: Maine | | | I've only tried chromes, percision flats, and roto 77. From those the roto's where brighter by far. | 
04-17-2011, 09:52 AM
| | Dry and Heavy | | Join Date: Oct 2004 Location: Swiss Alps | | Quote:
Originally Posted by ljazz Over the long haul, the old Fender flats keep their zing the longest. I have a set here that I bought at least 13 years ago........ you can slap on these they're so bright.
Chromes are bright when new, but I certainly wouldn't consider them to be that way once played in. They're no where near as bright as the old Fenders..... again, after they've been played in for a while. | I'd definitely agree with that, but those strings are no more! | 
04-17-2011, 12:16 PM
|  | Registered User | | Join Date: May 2005 Location: Bend, Oregon | | | I've had the new Fender flats on a Jazz for a few months now and they are still pretty bright.
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04-17-2011, 03:36 PM
| | | Quote:
Originally Posted by bertbassplayer I think the brightest flats aren't flats at all, they are Half Rounds  | From my experience I'm inclined to think that way as well. To OP if all else fails try GHS Brite Flats, they're the sweetest sounding groundwounds. | 
04-19-2011, 06:26 PM
| | Registered User | | Join Date: Apr 2011 Location: Metro Atlanta | | | Definately D'Addario Half/Groundwounds. They take a little while to break in and make smooth though. | | Thread Tools | Search this Thread | | | |
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