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  #1  
Old 12-01-2010, 08:47 AM
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c# tuning for a 5 strings basses, need advice

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Hi men,
I'm an Italian bass player, I play mostly Metal.
I have a question for you, i need advices!!!!!!!!!!
My band decided to use a different tuning to help our singer, We have understood that he feels better and goes better if we play 3 half-steps down. So the common E will become a C#. Now, I have only 5 strings basses. I have thoughts about two possibilities:
1) I could tune 3 half-steps down my bass , so it will be, from low to high B-C#-F#-B-E ( I don't think that tuning down the lowB is a good idea ). In this case I should need a set of strings with a big diameter in order to keep a good tension of strings. For exaple a set so made: 045-065-085-105-130/135
2) or I can take advantage of my 5th string. I could tune my bass 1 step up, and I'd have ( from low to high ) C#-F#-B-E-A. In this case I will need strings with a small diameter, just like 040-060-075-095-118
What do you think about? Which is in your opinion the better choice?

Please excuse me for my bad English, I hope you can understand my question
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  #2  
Old 12-01-2010, 08:56 AM
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Why don't you just tune BEADG? You have a C# on the low B string at the 2nd fret that way.

I find the BEADG tuning works for 99% of what I need to play. The ONLY thing it doesn't work for is a song where I need a low B flat. That has only happened once.

The whole point of the detuning thing is to allow guitar players a way to play notes below the low E. But with the 5 string bass you have 5 notes below E with the standard tuning.

Also I don't buy the argument that the low string needs to be C# when played open. Do you really think anybody in the auidence can tell if you play a low C# open or fretted? Of course they can't.
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  #3  
Old 12-01-2010, 08:58 AM
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If you're not going to drop the B I would just tune up a step. seems to make more sense and keeps everything consistent. I'd think you'd want to go with like a 115 - 120 for your C#
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  #4  
Old 12-01-2010, 09:09 AM
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Ric5 you are fully right. The reason of my question is that I would like to maintain the same positions of my guitar players. We do a large use of E ( or C# ) played at "zero fret", excuse me but I don't know the right word in English. For example
G-----------
D-----------
A------2--3-
E--000---0-0
So for me will be easier to have the same tuning of my guitar players
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  #5  
Old 12-01-2010, 09:13 AM
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Yes, tuning a step up should be a smart thing to do, especially if you're really riding the open C# all night.
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  #6  
Old 12-01-2010, 09:21 AM
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+1 on tuning up to c# using a thinner string. I think that would work nicely. Don't forget the truss adjustment.
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  #7  
Old 12-01-2010, 09:25 AM
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Quote:
Originally Posted by T40Chump View Post
+1 on tuning up to c# using a thinner string. I think that would work nicely. Don't forget the truss adjustment.
I agree with this.
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  #8  
Old 12-01-2010, 09:34 AM
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One of my old bands tuned this way, so I tuned my whole 5 string down- G#, C#, F#, B, E, IIRC. Used a .145 string for the G#, and a .130 for the C#- it was the lowest 4 strings from a 5-string set with the added .145, and it sounded pretty awesome. Mind you, I didn't use the lowest notes a ton, but when I did, it meant business!
  #9  
Old 12-01-2010, 09:59 AM
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5 string bass and guitarists/singers that tune down

I have performed with a few guitarists that used lower tunings and my solution was to either play the piece with standard tuning OR I use a 12 string guitar capo (heavier spring) on the 5 string bass (put at 2nd fret for C# tuning) and play it like a 4 stringer with an extra top string. My wimpy classic rock singer does ACDC You Shook Me All Night Long in the key of 'D' and this was the best way I can up with to accommodate him. Using this technique I play the song using standard fingering just in a different starting position. Then it is quick to remove or reset for the next song. Weird perhaps but it has been working for a year with this guy.
  #10  
Old 12-01-2010, 10:09 AM
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I see you will be using this as a regular setup with your band. I would setup a bass special for this band; different strings, intonation, and truss rod adjustments. You might want to think about picking up a 4 string bass to do this to... I seems to me to be the BEST solution IMO.

Last edited by bassmeknik : 12-01-2010 at 10:11 AM.
  #11  
Old 12-01-2010, 10:19 AM
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bassmeknik I would buy a different bass, but in this moment I have no money for it. And I can't sell one of my 5 strings basses... one is a custom handmade that I love, one is a gift from my girlfriend!
So i'd like to keep the standard tuning on a bass and to tune in drop c# the other one
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  #12  
Old 12-01-2010, 10:19 AM
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"We do a large use of E ( or C# ) played at "zero fret", excuse me but I don't know the right word in English."
Your description is explained just as I would... "Zero fret" also may be expressed as "open string"
  #13  
Old 12-01-2010, 10:27 AM
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Definition of "open string"
playing a string with out fretting it or played at the "zero fret"
  #14  
Old 12-01-2010, 10:34 AM
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open string... yes Bassmeknik, thank you, I didn't remember
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  #15  
Old 12-01-2010, 03:19 PM
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Look for a set that looks like this;

.124 .084 .061 .043
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  #16  
Old 12-01-2010, 03:32 PM
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Quote:
Originally Posted by ItalianMetal View Post
I could tune 3 half-steps down my bass , so it will be, from low to high B-C#-F#-B-E ( I don't think that tuning down the lowB is a good idea )
G# C# F# B E is a good idea, the G# sounds gorgeous! You could use a .145 from D'Addario (that will be at low tension). I recommend a .150 / .158 from Circle K Strings, they are excellent strings for low tunings and sell tension-balanced sets for any amount of detuning.

Last edited by ixlramp : 12-02-2010 at 04:20 PM.
  #17  
Old 12-02-2010, 09:17 AM
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Quote:
Originally Posted by ixlramp View Post
G# C# F# B E is a good idea, the G# sounds gorgeous! You can use a .145 from D'Addario (that will be at low tension) or a .150 / .158 from Circle K Strings.
Yup, that's how I'd do it if I were going full C# standard. The 'ol Pantera tuning. One of my faves.
  #18  
Old 12-02-2010, 10:24 AM
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Quote:
Originally Posted by rockstarbassist View Post
Yup, that's how I'd do it if I were going full C# standard. The 'ol Pantera tuning. One of my faves.
That's what I do even when I drop to C# - take that A# down to G# too.
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  #19  
Old 12-03-2010, 11:14 AM
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I agree with the previous two posters, and would like to second the recommendation for Circle K Strings. I tune G C F Bb Eb myself in my main band, and use the .166 balanced set from Circle K. Sounds delicious!
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  #20  
Old 12-03-2010, 01:41 PM
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Quote:
Originally Posted by eyvindwa View Post
I agree with the previous two posters, and would like to second the recommendation for Circle K Strings. I tune G C F Bb Eb myself in my main band, and use the .166 balanced set from Circle K. Sounds delicious!
2 full steps = . \m/

We're about to start writing/playing in Drop B. Kinda excited.
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