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04-06-2006, 05:14 PM
| | Registered User | | Join Date: Jul 2003 Location: Marietta, Georgia | | | Can you get a smooth punchy sound with flats?
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Im thinking about throwing some flats on my stingray. I want clarity, definition and punch but still a smooth tone. I hope im not being too contradictory. Can this work? Any ideas for brands to achieve this? | 
04-06-2006, 07:13 PM
| | | | You might get some punch with a Stingray, but I would expect it to be more thumpy than punchy. | 
04-07-2006, 07:33 AM
| | Registered User | | Join Date: Dec 2005 Location: Sebring, FL | | | TIs!!!! TIs!!!!! Thomastik-Infield!!! Thomastik-Infield!!!
Bright, Clear, but super smooth and punchy. You must try out these strings, you basically described them in what you're looking for.
Last edited by ElBajista : 05-02-2006 at 08:05 PM.
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04-07-2006, 08:14 AM
| | | | d'addario flats work for me on my p bass | 
04-07-2006, 12:06 PM
| | Registered User | | Join Date: Aug 2004 Location: Charlotte | | | Another vote for TI Jazz Flats.
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04-07-2006, 12:59 PM
| | Registered User | | Join Date: Feb 2002 Location: UK | | | Rotosound SM77's
They are the brightest and most punchy flats I have used, though I haven't tried D'addario yet.
Last edited by the low one : 04-07-2006 at 01:02 PM.
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04-07-2006, 01:28 PM
| | Registered User | | Join Date: Feb 2006 Location: South Africa | | | D'Addario Chromes
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04-07-2006, 01:45 PM
| | Blazin' Acadian | | Join Date: Oct 2004 Location: Ontario,705 | | | What you've described,clarity,definition,and punch are
to my ears D'Addario half rounds smooth feel warm tone,while
maintaining zing;I use half rounds on every bass except
my Lakland Glaub p-bass, this is strung with D'Addario
chrome flats!
cheers | 
04-07-2006, 02:24 PM
|  | prefers electric miles davis | | Join Date: Apr 2005 Location: Los Angeles, CA | | | +1 on the d'addario chromes
great strings, i use them on my jazz fretless and will on my precision when i get one | 
04-07-2006, 03:22 PM
| | | Fender 9050ML's  | 
04-07-2006, 03:22 PM
| | Registered User | | Join Date: Jul 2003 Location: Marietta, Georgia | | | My worry is still being able to cut through a mix with flats. Im sure the lows will be heard, but will any attack be heard as well? | 
04-07-2006, 05:48 PM
| | Registered User | | Join Date: Mar 2005 Location: Central Maryland | | Quote: |
Originally Posted by JJd2sc My worry is still being able to cut through a mix with flats. Im sure the lows will be heard, but will any attack be heard as well? | That was my worry for 15 years, BUT I've recently switched from DR FatBeams to Chromes. The Chromes DO cut through!
Bass players will always have to fight the kick, piano and darn heavy guitars for a spot in the mix. For the longest time I didn't think flats would do it, but they do. I'm sure the T1s would do it also. 
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04-07-2006, 06:04 PM
|  | that video LIES | | Join Date: Aug 2004 Location: Northern California | | | LaBella When I bought my second Stambaugh(used, from TBer snyderz  ), it came w/LaBella flats installed & D'Addario & Dean Markley flats in the case(the seller swears by LaBellas). After trying the extras on my Washburn AB-20 ABG F& comparing w/the 'Bellas, I'm a LaBella man myself. The aforementioned Stammie gets a lot of 'cut-through' comments, & it's passive.
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04-07-2006, 07:54 PM
| | Registered User | | Join Date: Dec 2004 Location: NYC & Vancouver, BC | | | I stay away from Rotosound, Ernie Ball, and D'add flats like the plague.
TI flats are OKAY. They feel nice but need a lot of work to 'deaden' them. | 
04-07-2006, 08:03 PM
| | Registered User | | Join Date: Sep 2003 Location: Isle of Lucy | | Quote: |
Originally Posted by Beefbass Fender 9050ML's  | Yup, they've got all of the punch, thump, clarity, cut-through, etc that you'd need without the zing.
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04-07-2006, 09:29 PM
| | Registered User | | Join Date: Jan 2006 Location: Boston & Arizona, USA | | | Right now I am liking GHS Brite Flats groundwounds but I have not tried many other flats or groundwounds yet. IMO these strings definately have their own personality. I have had them on a couple of very different basses and was surprised at the similarity.
Peace,
S
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04-07-2006, 09:48 PM
| | Registered User | | Join Date: Apr 2004 Location: Vancouver, Canada | | Quote: |
Originally Posted by Electric Blue What you've described,clarity,definition,and punch are
to my ears D'Addario half rounds smooth feel warm tone,while
maintaining zing; | I find the half-rounds to be more difficult to play than rounds | 
04-07-2006, 10:06 PM
| | Registered User | | Join Date: Jan 2006 Location: Boston & Arizona, USA | | Quote: |
Originally Posted by pretaanluxis I find the half-rounds to be more difficult to play than rounds | Are you talking about getting a good tone, or maybe technique things because of the tension or maybe something else? Just interested in hearing your experience because I was about to restring yet another bass with one or another brand of half/ground wounds.
Thanks,
S
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04-18-2006, 12:47 PM
| | Registered User | | Join Date: Oct 2002 Location: Austin, TX | | | Chromes punch like a heavy weight boxer. Cheesy analogy but they really do.
-Bazz- | 
04-25-2006, 12:19 PM
| | Registered User | | Join Date: Feb 2006 Location: Orlando, FL | | Quote: |
Originally Posted by JJd2sc My worry is still being able to cut through a mix with flats. Im sure the lows will be heard, but will any attack be heard as well? | It's going to be a different "attack" than you are used to with any flats. But put it this way, Steve Harris of Iron Maiden plays flats. (Heavier Rotosound flats than the TI Jazz Flats I prefer, but I get plenty of attack too) 'Nuff said.
You will NOT get walloping "slap attack" like you would with rounds and active electronics. (Slapping flats is more of a "boink" sound which not too many player are going after  , but they sound pretty cool with envelope filters ) Picks and fingers sound GREAT with flats. | | Thread Tools | Search this Thread | | | |
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