|  | | 
06-05-2011, 06:17 PM
| | | | Dose a lighter gauge = less overtones?
Sign in to disble this ad
I heard this from someone on one of my threads What string material produces a more dominant fundamental Nickel or SS?
I quote him saying ''Playing a lighter gauge of flexible strings will increase the fundamental, regardless of material type.'' I just want to see if anyone else can confirm this as being true.
Edit note: Iv decided to change the title from 'Dose a lighter gauge = more fundamental?' because it seemed less accurate.
Last edited by mastershake : 06-08-2011 at 12:09 AM.
| 
06-05-2011, 06:38 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | I can't confirm my beliefs but I'm not buying into it.
__________________
Ampeg Portaflex Club #1
| 
06-05-2011, 08:22 PM
| | Registered User | | Join Date: Jan 2009 Location: Steele City, NE | | | Is there a non-flexible string? Wierd statement. | 
06-05-2011, 08:33 PM
| | Registered User | | Join Date: Jun 2009 Location: Toronto, Canada | | | IME/IMO, no.
In my experience, and how I was taught (but mostly my experience - I've experimented a lot more than my teachers ever did), a fatter string = fatter tone.
__________________
Sing a song of six bars, turn the amps up high
four and twenty kilowatts, makes you wanna cry.
- Steven Howard
| 
06-05-2011, 08:42 PM
|  | I'd kill for a Nobel Peace Prize! | | Join Date: Feb 2004 Location: Ottawa, Canada | | | I've always felt that a larger gauge == more fundamental. But I can't prove it. | 
06-05-2011, 11:17 PM
| | | | The guy may simply be expeirencing a little bit easier fretting with the lighter gauge resulting in better expressiveness which makes him think theres more fundamental, or overall better tone. Simply cause he's haveing easier time with fretting stuff, strings arent quite as stiff. Theres been occassional looks at how a more freely or looser vibrating thing might have little bit diff tonal structure then stiffer one. But in the end I think its more about what gauges best serve the player for that finger (fretting) & pick/finger (striking, when ones not tapping with fretting fingers) tone thing add to the sound.
__________________
life for its own carnal pleasure. Bass: Jackson JS3. Guitars: BC Rich IT Warlock & BC Rich masterpeice Mockingbird shortscale. Zoom club#2. BC Rich club#26.
| 
06-05-2011, 11:22 PM
|  | Registered User Endorsing artist: Brubaker Guitars | | Join Date: Mar 2000 Location: Gaithersburg, Md | | | I use .120 to .125 gauge B strings and they consistently sound better than heavier guge strings IME IMO.
As yes, some strings aren't as flexible as others so they could be considered "stiff" relatively speaking. | 
06-05-2011, 11:54 PM
|  | I'd kill for a Nobel Peace Prize! | | Join Date: Feb 2004 Location: Ottawa, Canada | | | Wasn't there a waveform posted recently that showed that flats have more fundamental than rounds? Given that flats are stiffer than rounds (not counting TIs), it doesn't look like flexibility helps for fundamentals. | 
06-06-2011, 12:11 AM
| | | Quote:
Originally Posted by seanm Wasn't there a waveform posted recently that showed that flats have more fundamental than rounds? Given that flats are stiffer than rounds (not counting TIs), it doesn't look like flexibility helps for fundamentals. | well I remember doing an experiment were i tuned down my A string to a low E, same as the E string on my bass. the result was a darker sounding string than the E string with less overtones/harmonics. i assumed this was due to the lower tension but wasn't sure if gauge had anything to due with it (besides tension differences). I even made thread on it how dose sting tension affect tone.
Last edited by mastershake : 06-06-2011 at 12:20 AM.
| 
06-06-2011, 11:33 AM
| | Registered User | | Join Date: Apr 2011 Location: Bellmawr, NJ | | | I would imagine flexibility being the last thing to help the fundamental note. Think of a tuning fork. Not very flexible. | 
06-07-2011, 09:32 PM
| | | | as already said, fatter string, fatter tone. you dont see skinny opera singers, lol.
__________________
I like to use 3 fingers and a thumb on my special lady....
| 
06-07-2011, 09:37 PM
| | Registered User Artist:TC Electronic RH450 bass system | | Join Date: Jun 2007 Location: Fort Madison, IA | | | I think less is less....and more is more..
You aren't adding anything with skinny strings.....IMHO. | 
06-07-2011, 10:20 PM
| | Registered User Endorsing Artist: J.C. Basses | | Join Date: Aug 2005 Location: Phoenix, Arizona 85029 | | | Hey, a thread about something I said - cool!
I pulled my information from something that Skip of Circle K string said in some other thread (or maybe I misunderstood him?) and then I contemplated it for a while.
Anyway, what I gathered is that a thinner string possibly has fewer wraps, which leads to less prominent overtones. Furthermore, the smaller gauge can vibrate more freely than its larger gauge counterpart, and the more freely a string vibrates, the more prominent the fundamental.
Simple experiment. Does anybody have two same types of strings (maybe a D'Addario .120 and a .130) that would be willing to record them and run them through an analyzer? That would give a reasonable idea of whether or not there is more fundamental output (or at least less overtonal output).
__________________ Quote:
Originally Posted by McThumpenstein I don't think the wife would buy the "I need to take off this knob and put a whole new bass under it" story. |
Last edited by FunkMetalBass : 06-07-2011 at 10:24 PM.
| 
06-07-2011, 11:26 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | I would do it if I cared  If you want more fundamental, just use dead strings.
__________________
Ampeg Portaflex Club #1
| 
06-07-2011, 11:36 PM
| | | Quote:
Originally Posted by FunkMetalBass Simple experiment. Does anybody have two same types of strings (maybe a D'Addario .120 and a .130) that would be willing to record them and run them through an analyzer? That would give a reasonable idea of whether or not there is more fundamental output (or at least less overtonal output). | That would be a cool yet simple experiment. | 
06-07-2011, 11:43 PM
| | Registered User Endorsing Artist: J.C. Basses | | Join Date: Aug 2005 Location: Phoenix, Arizona 85029 | | If I had a recording set up right now, I'd go for it while wearing my xkcd shirt:
I'm sure the information is already out there somewhere, though.
__________________ Quote:
Originally Posted by McThumpenstein I don't think the wife would buy the "I need to take off this knob and put a whole new bass under it" story. | | 
06-07-2011, 11:59 PM
| | | Quote:
Originally Posted by slaphappychappy as already said, fatter string, fatter tone. you dont see skinny opera singers, lol. | I could be wrong but, what does 'fatter' really mean anyway, I cant help but feel when people use the term 'fatter' what there actually referring to is a wider tonal spectrum a string is producing and not a string thats emphasizing more of the fundamental. | 
06-08-2011, 12:38 AM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | | I don't buy into the fatter strings fatter tone thing. I have a very fat tone and I use 40-95's. I've heard other players using fatter strings than me who I think have a pretty thin tone. Some like a thick string and that's cool, but you can do so much with EQing and whatnot that it renders any perceived differences moot.
__________________
Ampeg Portaflex Club #1
| 
06-08-2011, 12:55 AM
| | | | Fatter strings = fatter tone.
Don't talk about EQ while on that topic | 
06-08-2011, 01:00 AM
| | Registered User Endorsing Artist: J.C. Basses | | Join Date: Aug 2005 Location: Phoenix, Arizona 85029 | | Quote:
Originally Posted by mastershake I could be wrong but, what does 'fatter' really mean anyway, I cant help but feel when people use the term 'fatter' what there actually referring to is a wider tonal spectrum a string is producing and not a string thats emphasizing more of the fundamental. | When I think of the term "fat", I imagine it describes a prevalence of the first, second, and third harmonics, ie. the low-mids boost/neck pickup tone.
__________________ Quote:
Originally Posted by McThumpenstein I don't think the wife would buy the "I need to take off this knob and put a whole new bass under it" story. | | | Thread Tools | Search this Thread | | | |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |