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  #1  
Old 05-13-2009, 11:08 PM
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DR Hi-Beam Flats vs. Sadowsky Black Label Flats vs. La Bella 760FL

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I have narrowed it down to these three sets. I would be using the 45-105 gauge with the Sadowsky and DR, as this is closest to the FL gauge.

I am looking for that classic flatwound tone. I need that thump and percussive quality to the sound, but I don't want to play on bridge cables. I would like a lighter tension, and I think these three provide that. I also like a very smooth feel when playing flats. As for the sound, I would like a fat, rich fundamental with punchy, prominent mids and a sweet, clear high end. I'm not looking for zing, clank, or brightness. Just an overall fat, buttery quality with clarity.

Here's an example: http://www.youtube.com/watch?v=gzyj3Wxhjr4
  #2  
Old 05-14-2009, 12:19 AM
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I went through a similar decision not too long back. I've played other people's basses with flats but this was the first time I was going to string up one of my basses with flats.

I narrowed it down to the DRs and the LaBellas. Truthfully I ended up with DRs just because I got a great deal on them.

Since I haven't compared flats I don't feel qualified to describe tone in any great detail, though I will say they are thumpy.

But as far as feel, they are fantastic and fast. And in terms of tension - I went from Sunbeams to these and while they're a bit stiffer it wasn't nearly the difference I was expecting. The DR flats are easy on my right and left hand. I love the feel of them.
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  #3  
Old 05-14-2009, 12:37 AM
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Well in the last year I've had several sets of the Hi Beam and Sadowsky flats on a few of my Fenders.
The Sadowskys were lighter in tension and had more lively definition in the mids, a very musical string.
The Hi Beams had nothing to do with their name- that's for sure, they were some of the thuddiest and dead sounding flats I've ever tried. And their flexability was pretty stiff.

When I looked at the winding process, the Sadowskys had a little space between the windings, which made sense why they're flexible. But the DR's had no space between the windings and seemed very stiff, I didn't find them very musical.

But on Paul Turner....absolutely love the guys playing. But to me it seems he plays with a very light touch and low action. But no way I can sound like him with my heavy hand and med action, no matter what strings I use.

Last edited by Caca de Kick : 05-14-2009 at 12:41 AM.
  #4  
Old 05-14-2009, 02:27 PM
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Quote:
Originally Posted by TheBigO View Post
I went through a similar decision not too long back. I've played other people's basses with flats but this was the first time I was going to string up one of my basses with flats.

I narrowed it down to the DRs and the LaBellas. Truthfully I ended up with DRs just because I got a great deal on them.

Since I haven't compared flats I don't feel qualified to describe tone in any great detail, though I will say they are thumpy.

But as far as feel, they are fantastic and fast. And in terms of tension - I went from Sunbeams to these and while they're a bit stiffer it wasn't nearly the difference I was expecting. The DR flats are easy on my right and left hand. I love the feel of them.
Thanks for the opinion, I wanted to make sure they were thumpy with the roundcore. Sunbeams are fairly low-tension, so it seems as though the DR flats are about the same tension as normal rounds.
Quote:
Originally Posted by Caca de Kick View Post
Well in the last year I've had several sets of the Hi Beam and Sadowsky flats on a few of my Fenders.
The Sadowskys were lighter in tension and had more lively definition in the mids, a very musical string.
The Hi Beams had nothing to do with their name- that's for sure, they were some of the thuddiest and dead sounding flats I've ever tried. And their flexability was pretty stiff.

When I looked at the winding process, the Sadowskys had a little space between the windings, which made sense why they're flexible. But the DR's had no space between the windings and seemed very stiff, I didn't find them very musical.

But on Paul Turner....absolutely love the guys playing. But to me it seems he plays with a very light touch and low action. But no way I can sound like him with my heavy hand and med action, no matter what strings I use.
I like what I'm hearing about the Sadowskys, but I am concerned they are gonna be too bright.

It's interesting that the DRs have a tighter tension despite having a roundcore.

You think Paul Turner plays with a light attack? From what I have heard, the plays with a very heavy attack. Just listen to that Runaway live track, he is digging in quite hard. I have also read that he uses high action to compliment is heavy attack.
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Old 05-14-2009, 04:14 PM
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I've not had experience with the Sadowskys but have and am using both the La Bella 760FLs and DR Hi-Beam flats.

The DRs are more flexible and smoother (almost no lines between the ribbons). Both are pretty dull and thumpy, which if that's what you want is a good thing. I've personally been using TI flats more however because I get more tone out of them, but that's all personal taste. Either the DRs or La Bella FL set should be fine. I would not go heavier than the FL set on La Bellas however due to their higher tension. The FL set is just right IMO.
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Old 05-14-2009, 05:06 PM
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You got to try the Sadowskys, now my personal favorite.

See this thread:

http://www.talkbass.com/forum/showth...12#post7397012
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  #7  
Old 05-14-2009, 06:14 PM
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Quote:
Originally Posted by Mastermold View Post
I've not had experience with the Sadowskys but have and am using both the La Bella 760FLs and DR Hi-Beam flats.

The DRs are more flexible and smoother (almost no lines between the ribbons). Both are pretty dull and thumpy, which if that's what you want is a good thing. I've personally been using TI flats more however because I get more tone out of them, but that's all personal taste. Either the DRs or La Bella FL set should be fine. I would not go heavier than the FL set on La Bellas however due to their higher tension. The FL set is just right IMO.
Could you compare the tone a little more or is it really that similar? Dull and thumpy is what I'm looking for, I just don't want complete mud.

Are the D and G strings fairly dull from the start on both sets? Some flats I have tried a really imbalanced where the G string is super zingy and the other three are progressively thumpier.
  #8  
Old 05-14-2009, 06:17 PM
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Quote:
Originally Posted by marwady View Post
You got to try the Sadowskys, now my personal favorite.

See this thread:

http://www.talkbass.com/forum/showth...12#post7397012
Thanks! Any chance you have tried the La Bellas, which I think are fairly similar to the Sadowskys from what I have heard.
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Old 05-14-2009, 06:30 PM
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Quote:
Originally Posted by Ryan Mohr View Post
Could you compare the tone a little more or is it really that similar? Dull and thumpy is what I'm looking for, I just don't want complete mud.

Are the D and G strings fairly dull from the start on both sets? Some flats I have tried a really imbalanced where the G string is super zingy and the other three are progressively thumpier.

Well in my experience both are zingy to start out and take at least a few weeks of daily playing to settle down. That's what you get with stainless steel flats. The La Bellas, for example, took a few months before the D and G were where I wanted them. But you can always roll off the tone to compensate in the meantime.
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Old 05-14-2009, 06:51 PM
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Quote:
Originally Posted by Ryan Mohr View Post
Thanks! Any chance you have tried the La Bellas, which I think are fairly similar to the Sadowskys from what I have heard.
I have a P bass w/LaBellas. Major thump but not as much definition.

To me, the Sads have the perfect blend of thump and point.

YMMV
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  #11  
Old 05-14-2009, 07:23 PM
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Quote:
Originally Posted by Mastermold View Post
Well in my experience both are zingy to start out and take at least a few weeks of daily playing to settle down. That's what you get with stainless steel flats. The La Bellas, for example, took a few months before the D and G were where I wanted them. But you can always roll off the tone to compensate in the meantime.
Cool thanks, I know the D and G will always be a little zingy with SS flats, but I'm trying to minimalize that. I'm pretty set on the La Bellas because I found a place that sells them for $26.
Quote:
Originally Posted by marwady View Post
I have a P bass w/LaBellas. Major thump but not as much definition.

To me, the Sads have the perfect blend of thump and point.

YMMV
Gotcha, well I will be putting this on a P bass so I'm going for thumpy and vintagey. If I was gonna put flats on a J bass I think the Sadowskys would be better.
  #12  
Old 05-15-2009, 09:02 PM
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Quote:
Originally Posted by Ryan Mohr View Post
Thanks! Any chance you have tried the La Bellas, which I think are fairly similar to the Sadowskys from what I have heard.
They're close but a little different. The sadowskys are a little clearer and cleaner, the 760FLs are a little earthier and meatier. Real close though.

I like the 760FLs a tiny bit better.
  #13  
Old 05-15-2009, 10:09 PM
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Quote:
Originally Posted by pickles View Post
They're close but a little different. The sadowskys are a little clearer and cleaner, the 760FLs are a little earthier and meatier. Real close though.

I like the 760FLs a tiny bit better.
Thanks, I think I'm gonna go with the La Bellas for that "classic" P bass with flats tone. I may have to try the Sadowskys on one of my J basses sometime.
  #14  
Old 05-16-2009, 08:40 AM
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Doesn't La Bella make the Sadowsky flats? They would be more similar than different despite differing specs, wouldn't they?
  #15  
Old 05-16-2009, 12:48 PM
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Sadowsky makes the only tapered B 5 string set I've been able to find. Expect my first set of Black Label XL's any day now. I agree with the earlier poster....wonderful customer experience dealing with Sadowsky.

If anyone else makes a taperped B set of flats, please let me know.

Have not seen tapered B's from Labella.
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Old 05-16-2009, 01:04 PM
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Here's a vid of my P with five-year-old 760FLs. The amp is set pretty flat.. it might give you an idea of how that combination sounds.

http://www.youtube.com/watch?v=XO2nalyeAsQ

I love these strings. I don't find them muddy at all.
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  #17  
Old 05-16-2009, 01:11 PM
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Originally Posted by wateroftyne View Post
Here's a vid of my P with five-year-old 760FLs. The amp is set pretty flat.. it might give you an idea of how that combination sounds.

http://www.youtube.com/watch?v=XO2nalyeAsQ

I love these strings. I don't find them muddy at all.
Sounds great! I'm definitely going with the La Bellas.
  #18  
Old 05-16-2009, 10:13 PM
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Originally Posted by lowendfriend View Post
Sadowsky makes the only tapered B 5 string set I've been able to find. Expect my first set of Black Label XL's any day now. I agree with the earlier poster....wonderful customer experience dealing with Sadowsky.

If anyone else makes a taperped B set of flats, please let me know.

Have not seen tapered B's from Labella.
I have a tapered .128 labella flat right here ... ordered it as a single to go with 760FLs and it sounds awesome.
  #19  
Old 05-17-2009, 02:38 AM
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Quote:
Originally Posted by Ryan Mohr View Post
Sounds great! I'm definitely going with the La Bellas.
Thanks!
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  #20  
Old 05-17-2009, 04:06 PM
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Labella Flats with Tapered B...Thanks!

Thanks, pickles!! Great to know of another! Not always easy to find info like that when u need it! I just got my Sadowsky Black Labels and I'm really diggin' 'em. Nice and thumpy but also with decent mid's a an interesting G that may be just 'cause it's new, but brighter than most flat G's unlike my rotosound 77LD's.
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