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08-24-2007, 10:10 AM
|  | Registered User | | Join Date: Jan 2004 Location: Long Island, NY | | | Fender Flats... yay or nay?
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Hi Guys,
Just ordered a set of 9050's for my CS P bass
I have been going back and forth with strings on this particular bass. I currently have a set of rotosound flats on there and I think I like them, Ive gigged the bass a few times with them as well as listened to them in the studio and although like I said, I like them I cant help but feel like theres something missing? maybe a little bit more top end (there kinda too muddy) .
Anyway how do you feel about your fender flats? I plan on leaving them on this bass for a long long time, Im hoping this set will age like a fine wine. please let me know you opinions...
thanks
- Tom
Last edited by echo008 : 08-24-2007 at 10:13 AM.
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08-24-2007, 11:04 AM
| | Registered User | | Join Date: Dec 2006 Location: Connecticut | | As far as I know, flats and top end aren't friends. 
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Originally Posted by Rex Mundi ...cant wait to give it a good floggin. | Effects Addict Club Member #26
Last edited by vtwo : 08-24-2007 at 11:10 AM.
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08-24-2007, 11:08 AM
|  | Registered User | | Join Date: Jan 2004 Location: Long Island, NY | | | not looking for top end just a bit more bite | 
08-24-2007, 11:10 AM
| | Registered User | | Join Date: Dec 2006 Location: Connecticut | | | Maybe Fender nickel rounds are more your ticket?
__________________ Quote:
Originally Posted by Rex Mundi ...cant wait to give it a good floggin. | Effects Addict Club Member #26
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08-24-2007, 11:11 AM
|  | One lab accident away from being a supervillain | | Join Date: Aug 2006 Location: Powder Springs, Ga | | | Nay. The Fender flats sound fine, but they are way too tight. I used a set of them for about a week and then promptly switched them out for a set of D'Addario chromes.
I hear that TI's and Sadowsky flats have a bit more brigthness to them.
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08-24-2007, 11:15 AM
|  | Looking for Opportunities to Create Harmony | | Join Date: Sep 2004 Location: Vancouver, BC Canada | | | I used a set of 9050s for awhile and liked them. They are fairly high tension though. Only the Jamerson's by Labella are more high tension from what I have tried. To me the Chromes, have way too many highs for a flat.
__________________ Stambaugh Shortscale Jazz - GK MB800 - fEARful 15/6 | 
08-24-2007, 11:20 AM
|  | Registered User | | Join Date: Jan 2004 Location: Long Island, NY | | | I dont think the tension will be a problem as long as I can keep my action nice and low, but Ill try them out and see for the time being, the rotosounds are just not for me....
Im thinking if I dont like the fenders Ill go for a set of Sadowsky's. I use the Nickels on my active bass and like them alot, I should have thought this out a little ore I probably would have picked up a set of those first... Oh well....
vtwo, maybe you are right about getting another set of nickels for this bass but I really wanted it to be "different" than my other bass, I really like the way flats play and I really think if I get the right set for me Ill absolutely LOVE the way they sound.
- Tom | 
08-24-2007, 11:21 AM
| | Registered User | | Join Date: Apr 2007 Location: Wichita Falls, Texas | | | if you want bright, try some rs77lds rotosound flats
i wont play anything else
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08-24-2007, 11:24 AM
|  | Registered User | | Join Date: Dec 2004 Location: Durham NC | | | Roto flats are the brightest flats out there, imo.
Fender flats are great, and age very well (you may never need to change them), but they have less top end than just about any other string. All thump. | 
08-24-2007, 11:29 AM
|  | Registered User | | Join Date: Jan 2004 Location: Long Island, NY | | Quote:
Originally Posted by jasper383 Roto flats are the brightest flats out there, imo.
Fender flats are great, and age very well (you may never need to change them), but they have less top end than just about any other string. All thump. | The rotos are great strings Im using a set of LD's now... and I like them, but when Im playing, I feel like Im trying to adjust my sound too much to try and get what I need out of them, maybe I just need to break them in a bit more they are only a couple months old, and I dont have alot of experience with flats this is the first bass Ive really tried to use them on.
- Tom | 
08-24-2007, 11:30 AM
|  | One lab accident away from being a supervillain | | Join Date: Aug 2006 Location: Powder Springs, Ga | | Quote:
Originally Posted by echo008 I dont think the tension will be a problem as long as I can keep my action nice and low - Tom | The problem I had with them was that they were so tight I could not get my bass adjusted to my liking with them on it. Setups haven't been a problem with any of the other strings I have tried.
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08-24-2007, 11:34 AM
|  | Registered User | | Join Date: Jan 2004 Location: Long Island, NY | | Quote:
Originally Posted by PSPookie The problem I had with them was that they were so tight I could not get my bass adjusted to my liking with them on it. Setups haven't been a problem with any of the other strings I have tried. | this is good to know and something Ill be aware of. too bad they are made with such high tension, from what Ive been reading online alot of people dig the way they sound. | 
08-24-2007, 11:35 AM
| | Registered User | | Join Date: Oct 2006 Location: new yawk | | | definitely YAY i'm currently using 9050M (.55-.105) stainless fender flats on a MIM jazz. i'm lovin em. great value, under $20/set.
i'm playing hard rock, btw. these should last a long long time.
fantastic lows + mids. can dial in major thump. heavy tension, tight, though thats ok. i don't like flop at all.
i *think* they'll compliment your p bass fine.
as far as setup, i find they play/sound great with action just a *tad* higher, enables digging in.
try em, see what you think, worth $20 to find out. as for me i'm v. happy with them.
------------duc
hey, echo, where are you on the island?
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Last edited by ducatiman : 08-24-2007 at 11:42 AM.
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08-24-2007, 11:38 AM
|  | Registered User | | Join Date: Jan 2004 Location: Long Island, NY | | Quote:
Originally Posted by ducatiman i'm currently using 9050M (.55-.105) stainless fender flats. i'm lovin em. great value, under $20/set.
i'm playing hard rock, btw. these should last a long long time.
fantastic lows + mids. can dial in major thump. heavy tension, tight, though thats ok. i don't like flop at all.
FWIW, ya may like em, maybe not. worth $20 to find out, though.
------------duc | I have a set coming to me as we speak, will be fun to try out.
- Tom | 
08-24-2007, 11:42 AM
|  | Registered User | | Join Date: Jan 2004 Location: Long Island, NY | | Quote:
Originally Posted by ducatiman hey, echo, where are you on the island? | Hey Im in East Rockaway, but I work in NYC.
where are you at? | 
08-24-2007, 11:44 AM
| | Registered User | | Join Date: Oct 2006 Location: new yawk | | Quote:
Originally Posted by echo008 Hey Im in East Rockaway, but I work in NYC.
where are you at? | central suffolk co. good luck, i think you'll be liken em.
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08-24-2007, 11:53 AM
|  | Registered User | | Join Date: Jan 2004 Location: Long Island, NY | | Quote:
Originally Posted by ducatiman central suffolk co. good luck, i think you'll be liken em. | my drummer is from Mattituck, not sure how close that is to you... Anyway 
thanks
-Tom | 
08-24-2007, 12:06 PM
| | Dry and Heavy | | Join Date: Oct 2004 Location: Swiss Alps | | | There's a VERY big difference in tension between the 9050M and 9050ML set, and they sound different to me, too. They are very good strings but seem to polarize opinion somewhat. Even broken in the MLs have a certain transparency and timbre that is quite unique- not bright but clean somehow while still being very thumpy. It's a quality a lot of SS flats have that I like. if you want to hear them in their purest form go see Aston Barrett with the Wailers, or turn up you old Marley recordings- he's always used them live you'll be swimming in the tone he gets from them.
That said, if you want a traditional sounding flat with some edge, there is nothing that approaches the Sadowsky flats for versatility and ability to sit in the mix or leap out if you dig in. They are just amazing strings and sound good on all kinds of basses.
Chromes are cool but they are bright, and really sound different bass to bass, I find. | 
08-24-2007, 12:10 PM
| | Registered User Endorsing Artist: Genz Benz Amps, Lakland Basses | | Join Date: Nov 2004 Location: Dallas | | | +1 to one drop... I agree with everything he said!! | 
08-24-2007, 12:11 PM
|  | Registered User | | Join Date: Jan 2004 Location: Long Island, NY | | Quote:
Originally Posted by One Drop There's a VERY big difference in tension between the 9050M and 9050ML set, and they sound different to me, too. They are very good strings but seem to polarize opinion somewhat. Even broken in the MLs have a certain transparency and timbre that is quite unique- not bright but clean somehow while still being very thumpy. It's a quality a lot of SS flats have that I like. if you want to hear them in their purest form go see Aston Barrett with the Wailers, or turn up you old Marley recordings- he's always used them live you'll be swimming in the tone he gets from them.
That said, if you want a traditional sounding flat with some edge, there is nothing that approaches the Sadowsky flats for versatility and ability to sit in the mix or leap out if you dig in. They are just amazing strings and sound good on all kinds of basses.
Chromes are cool but they are bright, and really sound different bass to bass, I find. | Thanks I appreciate these comments
I have a set 9050 ML's coming, so these are not as high tension as the M's?
thanks
-Tom | | Thread Tools | Search this Thread | | | |
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