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04-24-2010, 01:06 PM
| | Registered User | | Join Date: Mar 2010 Location: Petoskey, MI 49770 | | | Gauge Revelation
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I'm the dumbest bass player on the planet. It took some GAS to teach me that I didn't really need GAS to find a better fit. I'm not sorry I've added some nice basses to the stable, but I could have saved myself some cash if I were to just have used my noggin a bit.
Here's my big revelation. After years of working outside in all types of brutal conditions (northern MI), my hands are beat to hell, and over the past few years I've constantly struggled with cramping and fatigue playing my J Bass. I've actually had my left hand lock up like a dead spider in the middle of tunes, having to physically straighten my fingers out with my other hand after struggling through to the end of the song. Relaxing my playing style, more concentration, and lots of stretching the digits helped, and I've learned to minimize it for the most part. It was still there though. Oh and did I mention I've used heavy gauge strings for 20+ years?
So I've been GASsing for a new bass lately, and I've picked up a couple...this last one seemed to play so amazingly easy compared to the others. I though YES I've finally found the bass that fits me just right! I decided to rest the J for a while, which has brand new strings on it (heavy gauge). I figured for ships and giggles I'd swap them for the lighter gauge strings on the new bass which are pretty worn. All of a sudden, the J feels amazing and the new P not so much! DOH!
So there you have it. Master of the Obvious I am not. I'm gonna take comfort over low end (which I'm not even sure I'll have to sacrifice too much), get me some light gauge strings and give my hands a much needed break!
__________________ J BALOU 02
Gibson/Hartke/Line 6
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04-24-2010, 01:21 PM
|  | Registered User | | Join Date: Feb 2007 Location: Dallas, TX | | | Which? Which brand of strings are you going to get? And what are the string gauges? Ive been thinking to switching from the DR Low Riders on my Warwick Thumb to something a bit lighter just to see the difference.
Dave
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2000 Warwick Thumb 5
2007 Warwick Flamin' Blonde 5
1999 Warwick Streamer LX 5
1999 Warwick FNA Jazz 5 fretless
Demeter/Crown/Aguilar amplification | 
04-24-2010, 01:27 PM
| | Registered User | | Join Date: Mar 2006 Location: Boston | | | Not only will different stings affect feel, but tone as well.
I constantly recomend trying different brand, and type (stainless, flats, rounds, pure nickel, nickel plated, etc. etc. etc.) to people who seem hell bent on changing parts or entire basses.
Simple string swaps can do wonders for feel AND tone, and surprisingly, are often over looked in favor of MUCH more expensive options.
(required IMO) | 
04-24-2010, 01:31 PM
| | Registered User | | Join Date: Nov 2004 Location: Mount Vernon, Illinois | | | +100 to What Savit said.
No ****! | 
04-24-2010, 01:32 PM
| | Registered User | | Join Date: Jan 2009 Location: Towson, Maryland | | Quote:
Originally Posted by savit260 Not only will different stings affect feel, but tone as well.
I constantly recomend trying different brand, and type (stainless, flats, rounds, pure nickel, nickel plated, etc. etc. etc.) to people who seem hell bent on changing parts or entire basses.
Simple string swaps can do wonders for feel AND tone, and surprisingly, are often over looked in favor of MUCH more expensive options.
(required IMO) | +12521 | 
04-24-2010, 01:33 PM
|  | Registered User | | Join Date: Dec 2009 Location: Redwood City, CA | | | Funny, I had the same sort of revelation lately myself. I have always used 105's without exception. Recently I got a Fender Mustang, which was strung with 100's. I of course put 105's on the Mustang shortly after getting it and what do you know, I didn't like it so much any more. It got me thinking so I put 95's on it and was like wow! I actually ended up finally settling back in on the 100's and couldn't be happier. I just picked up a Jazz bass last week, strung with 100's, and haven't even considered moving up to 105's. My strings of choice are D'Addario XL Nickel Round Wounds. | 
04-24-2010, 02:01 PM
|  | Registered User | | Join Date: Dec 2004 Location: Durham NC | | | I don't think you'll be missing any low end going to a lighter gauge.
Lighter gauge--more fundamental
Heavier gauge--more harmonic content. | 
04-24-2010, 02:21 PM
|  | Registered User | | Join Date: Apr 2001 Location: Omaha, Nebraska | | Quote:
Originally Posted by jasper383 I don't think you'll be missing any low end going to a lighter gauge.
Lighter gauge--more fundamental
Heavier gauge--more harmonic content. | Why do you say that? My understanding is that, generally speaking, lighter gauge strings tend to be more flexible, which means that they are able to reproduce the higher-frequency harmonics more strongly, more purely, and more in tune.
Conversely, the stiffer a string is (which usually means heavier gauge, or at least with a thicker core), the more it acts like a bar and the less it acts like a string. The string is less able to vibrate with those higher frequency harmonics, and the harmonics it does reproduce tend to go sharp, giving the string a more "clangy" tone than a more flexible string would have. That's why pianos are often "stretch tuned", to compensate for the fact that the harmonic overtones on the thick lower strings then to be sharp.
Mike
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Living in their pools, they soon forget about the sea...
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04-24-2010, 02:22 PM
| | Registered User Endorsing: Ampeg | | Join Date: Apr 2005 Location: Apopka, FL | | Quote:
Originally Posted by jasper383 I don't think you'll be missing any low end going to a lighter gauge.
Lighter gauge--more fundamental
Heavier gauge--more harmonic content. | sorry, i don't hear it, especially when you bump gauges .005" one way or the other. my basses all record the same regardless of the gauge of strings that are on it. now brand...that's a different story, but not gauge.
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Ampeg Portaflex Club #1
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04-24-2010, 03:14 PM
| | Registered User | | Join Date: Mar 2010 Location: Petoskey, MI 49770 | | Quote:
Originally Posted by dave2 Which brand of strings are you going to get? And what are the string gauges? Ive been thinking to switching from the DR Low Riders on my Warwick Thumb to something a bit lighter just to see the difference.
Dave | My local shop doesn't have much selection. All he had today were Ernie Ball's and Fenders. I've been playing Ernie Ball Power Slinky 55-110's, so just for a change, I got the Fender 45 -100's. I could have gotten 40 - 95's but I figured I didn't want to make too extreme of a change. I'm headed to the music room to put them on now!
__________________ J BALOU 02
Gibson/Hartke/Line 6
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04-24-2010, 03:18 PM
|  | amateur tube amp hoarder Endorsing Artist: J Worrell Pickups / J Worrell Bass | | Join Date: May 2008 Location: Dayton OH | | | Whatever bass I own with light strings becomes the bass that I play more flashy on and turn to more often. | 
04-24-2010, 05:51 PM
| | Registered User | | Join Date: Apr 2010 Location: Oregon | | | When I started reading this thread, I thought it was going to lead to a different revelation.
In my experience, a lot of times GAS for me comes from feeling like not only am I not happy with what I hear myself playing, but it seems decidedly worse than it used to be.
So I think about a new ____ (amp, instrument, pup, effect...).
I eventually figured out, the GAS is solved by fresh strings, even keeping the same gauge. | 
04-24-2010, 06:37 PM
|  | Registered User | | Join Date: Dec 2004 Location: Durham NC | | Quote:
Originally Posted by JimmyM sorry, i don't hear it, especially when you bump gauges .005" one way or the other. my basses all record the same regardless of the gauge of strings that are on it. now brand...that's a different story, but not gauge. | Yes, that little difference won't translate to much. | 
04-24-2010, 06:40 PM
|  | Registered User | | Join Date: Dec 2004 Location: Durham NC | | Quote:
Originally Posted by mikezimmerman Why do you say that? My understanding is that, generally speaking, lighter gauge strings tend to be more flexible, which means that they are able to reproduce the higher-frequency harmonics more strongly, more purely, and more in tune.
Conversely, the stiffer a string is (which usually means heavier gauge, or at least with a thicker core), the more it acts like a bar and the less it acts like a string. The string is less able to vibrate with those higher frequency harmonics, and the harmonics it does reproduce tend to go sharp, giving the string a more "clangy" tone than a more flexible string would have. That's why pianos are often "stretch tuned", to compensate for the fact that the harmonic overtones on the thick lower strings then to be sharp.
Mike | Here's a quote from knuckle_head, a Talk Bass member and actual string winder, from a similar thread a couple days ago. He says it better than I can, and my experience with gauges matches his observations:
"There are a couple of things to this.
A loose string has more movement and is inherently louder as a result. The fundamental is more pronounced on a loose string.
A tighter string will keep a booming fundamental in check, letting the upper transients become a greater part/percentage of the over all sound.
Thickness damps upper transients, but it isn't brutally apparent until you get to three and four wrap strings. .090-ish and lighter, I suspect you won't really be able to tell. E and B strings is where this really shows up - especially when you get to the 4 wrap B strings." | | Thread Tools | Search this Thread | | | |
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